1 00:00:08,180 --> 00:00:10,280 (Street World Fighter: Directors' War) 2 00:00:10,880 --> 00:00:12,880 (This program contains indirect advertisements.) 3 00:00:13,080 --> 00:00:14,219 A director is... 4 00:00:14,220 --> 00:00:16,590 A title I've always dreamed of. 5 00:00:18,060 --> 00:00:20,889 But to be a director... 6 00:00:20,890 --> 00:00:22,189 Please don't get it wrong. 7 00:00:22,190 --> 00:00:23,560 Why did you stop there? 8 00:00:23,960 --> 00:00:26,700 - It's never easy. - It's giving me a headache. 9 00:00:27,070 --> 00:00:28,369 A director is... 10 00:00:28,370 --> 00:00:31,339 someone who decides the direction. 11 00:00:31,340 --> 00:00:32,739 - Come forward diagonally. - Music. 12 00:00:32,740 --> 00:00:34,039 Various textures. 13 00:00:34,040 --> 00:00:35,369 According to the accent... 14 00:00:35,370 --> 00:00:36,710 - Dance. - Three and four and... 15 00:00:36,910 --> 00:00:37,939 Stage. 16 00:00:37,940 --> 00:00:39,139 Someone who creates a work of art... 17 00:00:39,140 --> 00:00:41,850 by integrating all those elements is a director. 18 00:00:42,050 --> 00:00:43,650 There's so much to do. 19 00:00:43,920 --> 00:00:45,919 - One, two, three, four, five... - I have to decide... 20 00:00:45,920 --> 00:00:47,319 positions and movements. 21 00:00:47,320 --> 00:00:49,389 I have to be good at teaching for people to understand. 22 00:00:49,390 --> 00:00:50,859 - Really good. - Good job. 23 00:00:50,860 --> 00:00:52,836 - I need to support the dancers... - That was wonderful. 24 00:00:52,860 --> 00:00:53,860 And take care of them. 25 00:00:53,861 --> 00:00:56,489 This is nothing compared to your effort. 26 00:00:56,490 --> 00:00:57,660 It's a token of gratitude. 27 00:00:58,800 --> 00:00:59,959 Take one step back, please. 28 00:00:59,960 --> 00:01:01,470 See if they're moving smoothly. 29 00:01:01,670 --> 00:01:04,740 Make sure they don't bump in and prevent any accidents or issues. 30 00:01:04,770 --> 00:01:07,109 - I have to check everything. - Help Noura move forward. 31 00:01:07,110 --> 00:01:08,169 You have to move faster. 32 00:01:08,170 --> 00:01:09,170 They could get hurt. 33 00:01:09,171 --> 00:01:10,479 Move the lights slower than that. 34 00:01:10,480 --> 00:01:12,779 I should be able to control the timing for the lights. 35 00:01:12,780 --> 00:01:13,979 - You can do it. - Come in here... 36 00:01:13,980 --> 00:01:16,509 Can you make sure that I can use the area in the back? 37 00:01:16,510 --> 00:01:19,380 I'm showing the performance that I directed. 38 00:01:19,720 --> 00:01:22,090 There's so much for me to handle alone. 39 00:01:22,750 --> 00:01:26,059 I have to bear the pressure and responsibility. 40 00:01:26,060 --> 00:01:27,329 (Heavy responsibility on directors) 41 00:01:27,330 --> 00:01:30,430 It might appear to be impressive and amazing. 42 00:01:31,960 --> 00:01:33,099 But directors are actually very lonely. 43 00:01:33,100 --> 00:01:34,469 (A lonely job where they spend most of the time alone) 44 00:01:34,470 --> 00:01:37,000 It's a battle with myself. 45 00:01:37,200 --> 00:01:38,239 From here. 46 00:01:38,240 --> 00:01:39,399 (A battle with myself that only I know) 47 00:01:39,400 --> 00:01:42,470 Still, the result... 48 00:01:42,670 --> 00:01:44,910 - makes me happy. - That's incredible. 49 00:01:45,840 --> 00:01:47,880 When my idea becomes real, 50 00:01:48,550 --> 00:01:49,849 I'm like, "This really works." 51 00:01:49,850 --> 00:01:52,119 (A sense of accomplishment when an idea becomes reality) 52 00:01:52,120 --> 00:01:54,450 When my idea becomes reality. 53 00:01:55,320 --> 00:01:56,920 When it receives a good response. 54 00:01:57,820 --> 00:02:00,230 When people are touched by my work. 55 00:02:00,790 --> 00:02:03,800 We do it because it makes us happy. 56 00:02:04,300 --> 00:02:06,676 A show like this is perfect because they're given many opportunities... 57 00:02:06,700 --> 00:02:07,869 to put on a performance where real responsibility is... 58 00:02:07,870 --> 00:02:09,310 - on the line. - Two, three, four... 59 00:02:09,870 --> 00:02:12,339 If they direct even one song in detail... 60 00:02:12,340 --> 00:02:14,810 It gave me an opportunity to grow. 61 00:02:14,910 --> 00:02:16,640 This is a very good opportunity. 62 00:02:17,040 --> 00:02:19,879 I'm grateful because it's allowing me to try... 63 00:02:19,880 --> 00:02:22,950 - We can do it. - what I want. 64 00:02:23,550 --> 00:02:25,980 - The thing is... - I want to show what I'm like... 65 00:02:26,320 --> 00:02:29,020 - as a director. - Okay. 66 00:02:31,020 --> 00:02:33,189 I want to continue to create good pieces. 67 00:02:33,190 --> 00:02:35,329 (I want to continue to create good pieces.) 68 00:02:35,330 --> 00:02:37,160 Let's go! 69 00:02:38,260 --> 00:02:39,260 Let's... 70 00:02:39,600 --> 00:02:40,899 (Today) 71 00:02:40,900 --> 00:02:42,869 (We're the dummies this time.) 72 00:02:42,870 --> 00:02:44,639 (A dancer?) 73 00:02:44,640 --> 00:02:45,640 (We're dancers.) 74 00:02:45,641 --> 00:02:46,970 (Hey, we're becoming dancers.) 75 00:02:47,210 --> 00:02:48,839 (There's only one director.) 76 00:02:48,840 --> 00:02:50,709 (It's the director version of the Class Mission.) 77 00:02:50,710 --> 00:02:51,710 (The second mission) 78 00:02:51,840 --> 00:02:53,409 (Title Sequence Film Mission) 79 00:02:53,410 --> 00:02:55,979 (The directors are receiving directions.) 80 00:02:55,980 --> 00:02:57,019 (Never ever.) 81 00:02:57,020 --> 00:02:58,149 (I can never let that happen.) 82 00:02:58,150 --> 00:02:59,819 (I don't want to be a dancer.) 83 00:02:59,820 --> 00:03:01,419 (I'll have to become a director.) 84 00:03:01,420 --> 00:03:05,419 (The Draft Creation Mission is given to 10 choreographers.) 85 00:03:05,420 --> 00:03:09,690 (Who will become the ultimate director?) 86 00:03:18,170 --> 00:03:22,910 (Street World Fighter: Directors' War) 87 00:03:28,980 --> 00:03:30,650 NaiN versus BABYZOO. 88 00:03:30,880 --> 00:03:32,780 You'll now begin casting dancers. 89 00:03:35,820 --> 00:03:37,689 Hello. I'm BABYZOO. 90 00:03:37,690 --> 00:03:39,319 My signature song is... 91 00:03:39,320 --> 00:03:41,460 "WHERE YOU AT" by ALLDAY PROJECT. 92 00:03:41,690 --> 00:03:43,129 Her signature song is... 93 00:03:43,130 --> 00:03:46,260 You're so "RUDE!" by Hearts2Hearts. 94 00:03:46,400 --> 00:03:47,799 (Did he just call NaiN rude?) 95 00:03:47,800 --> 00:03:48,829 Toward her. 96 00:03:48,830 --> 00:03:50,099 (She suddenly became rude.) 97 00:03:50,100 --> 00:03:51,100 That's scary. 98 00:03:51,300 --> 00:03:55,309 My number one priority was Lee Jung. 99 00:03:55,310 --> 00:03:58,280 - She appeared in this show twice. - Oh, Lee Jung. 100 00:03:58,340 --> 00:03:59,979 Most importantly, 101 00:03:59,980 --> 00:04:01,886 Lee Jung and I created "WHERE YOU AT" choreography together. 102 00:04:01,910 --> 00:04:03,209 But NaiN's taking it? 103 00:04:03,210 --> 00:04:04,319 That makes no sense. 104 00:04:04,320 --> 00:04:05,549 Honestly, I wanted her. 105 00:04:05,550 --> 00:04:06,580 But... 106 00:04:06,750 --> 00:04:08,520 Honestly, I need Lee Jung. 107 00:04:08,620 --> 00:04:09,820 Okay. 108 00:04:10,420 --> 00:04:11,820 - Really? - Of course. 109 00:04:11,990 --> 00:04:13,159 I should make a concession, 110 00:04:13,160 --> 00:04:14,560 so I can have Hee Su. 111 00:04:14,890 --> 00:04:17,530 Hee Su is from my team. 112 00:04:17,660 --> 00:04:20,199 She was the one I wanted to cast the most. 113 00:04:20,200 --> 00:04:21,429 We talked about it... 114 00:04:21,430 --> 00:04:22,900 and cast those we wanted. 115 00:04:22,930 --> 00:04:24,600 Do you know what I wrote? 116 00:04:24,700 --> 00:04:27,180 "Characteristics about the dancers you want: Someone like me." 117 00:04:27,670 --> 00:04:29,769 (He loves himself so much.) 118 00:04:29,770 --> 00:04:31,009 Honestly, I don't care about anything. 119 00:04:31,010 --> 00:04:33,540 I just want to cast someone like me. 120 00:04:33,650 --> 00:04:34,710 Let's go! 121 00:04:36,250 --> 00:04:37,879 (Here's I am.) 122 00:04:37,880 --> 00:04:39,079 (Already feeling lucky) 123 00:04:39,080 --> 00:04:40,420 (Bothered) 124 00:04:41,720 --> 00:04:42,889 (Cheering) 125 00:04:42,890 --> 00:04:44,160 Yes. That's right! 126 00:04:44,260 --> 00:04:45,790 Let's go! 127 00:04:45,990 --> 00:04:47,060 That's scary. 128 00:04:47,330 --> 00:04:48,330 (I love it.) 129 00:04:48,331 --> 00:04:49,430 Let's go! 130 00:04:50,930 --> 00:04:51,930 Where's she going? 131 00:04:51,930 --> 00:04:52,930 (Flirting extremely) 132 00:04:53,260 --> 00:04:54,430 (Fun to watch) 133 00:04:54,900 --> 00:04:56,369 (Bonding by shouting) 134 00:04:56,370 --> 00:04:57,799 (Excited) 135 00:04:57,800 --> 00:04:58,800 Oh, my gosh. 136 00:04:58,801 --> 00:05:00,709 (The sight of people trying to promote themselves) 137 00:05:00,710 --> 00:05:01,770 Oh, my gosh. 138 00:05:02,570 --> 00:05:03,879 (Look at me.) 139 00:05:03,880 --> 00:05:04,880 That's right! 140 00:05:05,240 --> 00:05:08,049 It was so chaotic. 141 00:05:08,050 --> 00:05:09,410 (Getting heated up) 142 00:05:10,850 --> 00:05:12,320 (Flirting together) 143 00:05:13,120 --> 00:05:15,650 I loved it. I needed someone unique like them. 144 00:05:16,220 --> 00:05:18,089 (Here comes waacking.) 145 00:05:18,090 --> 00:05:19,959 (Here's voguing.) 146 00:05:19,960 --> 00:05:21,590 (Promoting their genres) 147 00:05:22,230 --> 00:05:23,260 That's right. 148 00:05:23,360 --> 00:05:24,700 (A perfect finish) 149 00:05:25,300 --> 00:05:26,399 (That's right!) 150 00:05:26,400 --> 00:05:27,569 Yes. You got it. 151 00:05:27,570 --> 00:05:28,700 (She really enjoyed it.) 152 00:05:29,730 --> 00:05:32,200 - That was crazy. - I... 153 00:05:32,770 --> 00:05:34,670 - Thank you. - Thank you. 154 00:05:34,970 --> 00:05:37,180 "It's either this or nothing." 155 00:05:37,380 --> 00:05:38,879 "I'm determined to do this." 156 00:05:38,880 --> 00:05:41,210 I could feel that. I loved it. 157 00:05:41,880 --> 00:05:42,980 That was dramatic. 158 00:05:43,080 --> 00:05:44,180 That was crazy. 159 00:05:44,920 --> 00:05:46,549 BABYZOO will be taking them all. 160 00:05:46,550 --> 00:05:48,066 - That's what I mean. - Going first is... 161 00:05:48,090 --> 00:05:49,449 At this rate... 162 00:05:49,450 --> 00:05:51,059 What's NaiN going to do? 163 00:05:51,060 --> 00:05:52,819 That's why it's important to go first. 164 00:05:52,820 --> 00:05:54,790 Because I'm desperate... 165 00:05:55,290 --> 00:05:57,259 We seemed to have the same concept... 166 00:05:57,260 --> 00:05:58,429 from what I heard. 167 00:05:58,430 --> 00:06:00,869 Let me tell you about my concept. 168 00:06:00,870 --> 00:06:03,299 Like a jazz bar musical. 169 00:06:03,300 --> 00:06:05,499 Like a party or a musical. 170 00:06:05,500 --> 00:06:08,769 A duet as if a man and a woman are talking. 171 00:06:08,770 --> 00:06:10,779 Divide the roles by gender. 172 00:06:10,780 --> 00:06:13,140 To show diversity. 173 00:06:13,340 --> 00:06:15,149 Hip-hop or girlish. 174 00:06:15,150 --> 00:06:17,279 Hip-hop or jazz punk. 175 00:06:17,280 --> 00:06:20,050 I knew it was going to overlap. 176 00:06:20,220 --> 00:06:21,220 - NaiN. - Yes? 177 00:06:21,221 --> 00:06:23,249 - Our concepts overlap, right? - But it's unavoidable... 178 00:06:23,250 --> 00:06:25,689 - considering our songs. - Right. 179 00:06:25,690 --> 00:06:27,129 They'll follow when you tell them to. 180 00:06:27,130 --> 00:06:29,329 - And women walk here, right? - Yes. 181 00:06:29,330 --> 00:06:30,559 But I prefer it that way. 182 00:06:30,560 --> 00:06:34,169 I can make mine look better than hers. 183 00:06:34,170 --> 00:06:35,400 I'm actually more confident. 184 00:06:35,530 --> 00:06:37,069 In "RUDE!"... 185 00:06:37,070 --> 00:06:38,899 (The intro begins as if they're on the phone.) 186 00:06:38,900 --> 00:06:40,269 "You know what he said to me?" 187 00:06:40,270 --> 00:06:41,939 They're talking to each other. 188 00:06:41,940 --> 00:06:45,280 I decided to make it impactful by adding acting. 189 00:06:45,440 --> 00:06:47,179 No choreography in the beginning. 190 00:06:47,180 --> 00:06:50,309 You'll all be doing this. 191 00:06:50,310 --> 00:06:51,419 You'll be on pause. 192 00:06:51,420 --> 00:06:53,919 It's completely up to you, but I want everyone to be different. 193 00:06:53,920 --> 00:06:55,849 Don't just do this. 194 00:06:55,850 --> 00:06:58,189 (The practice begins.) 195 00:06:58,190 --> 00:06:59,859 Your expression. Open your eyes wider. 196 00:06:59,860 --> 00:07:01,289 Open your eyes wider. 197 00:07:01,290 --> 00:07:02,290 (Like this!) 198 00:07:02,291 --> 00:07:03,799 Half-heartedly without expression? 199 00:07:03,800 --> 00:07:05,599 Never. I'm BABYZOO. 200 00:07:05,600 --> 00:07:07,730 What's really important is the facial expression. 201 00:07:08,530 --> 00:07:09,999 Yes. I need that. 202 00:07:10,000 --> 00:07:11,869 We need a good facial expression... 203 00:07:11,870 --> 00:07:13,810 to deliver the concept... 204 00:07:13,940 --> 00:07:15,969 better. 205 00:07:15,970 --> 00:07:18,779 Even if no one's looking at you, try to find someone. 206 00:07:18,780 --> 00:07:20,039 You can scream and say, "Hey!" 207 00:07:20,040 --> 00:07:21,249 "Look at me!" 208 00:07:21,250 --> 00:07:22,379 I kept working on... 209 00:07:22,380 --> 00:07:25,449 bringing out the dancers' talent. 210 00:07:25,450 --> 00:07:26,749 Actually, 211 00:07:26,750 --> 00:07:28,519 I want to give it a bigger impact, 212 00:07:28,520 --> 00:07:29,749 and I had... 213 00:07:29,750 --> 00:07:32,589 Gwacheon Honey Watermelon and Seung Min in mind. 214 00:07:32,590 --> 00:07:34,229 They not only represent Gen Z, 215 00:07:34,230 --> 00:07:37,799 but also receive a lot of support from Gen Z. 216 00:07:37,800 --> 00:07:40,359 My team's weapon is the star quality, 217 00:07:40,360 --> 00:07:42,169 so we might as well show our star quality. 218 00:07:42,170 --> 00:07:43,499 Freestyle from here. 219 00:07:43,500 --> 00:07:44,699 Freestyle here. 220 00:07:44,700 --> 00:07:45,739 Let's go freestyle. 221 00:07:45,740 --> 00:07:48,069 I'm telling them to spread their dreams. 222 00:07:48,070 --> 00:07:49,769 The dancers I cast... 223 00:07:49,770 --> 00:07:52,580 fly when they're given freedom. 224 00:07:53,040 --> 00:07:56,209 That helps them express their characteristics. 225 00:07:56,210 --> 00:07:59,679 I wanted to see their potential myself. 226 00:07:59,680 --> 00:08:02,819 So I asked them to go freestyle. 227 00:08:02,820 --> 00:08:05,119 There were so many moves... 228 00:08:05,120 --> 00:08:07,189 that only BABYZOO could do. 229 00:08:07,190 --> 00:08:08,659 Still, I need to... 230 00:08:08,660 --> 00:08:11,859 make something new. 231 00:08:11,860 --> 00:08:14,429 In terms of structure, I'm just as good. 232 00:08:14,430 --> 00:08:17,599 If I come up with a good strategy, I might have a chance. 233 00:08:17,600 --> 00:08:18,799 The intro upstairs. 234 00:08:18,800 --> 00:08:20,709 Let me see it. 235 00:08:20,710 --> 00:08:23,269 The song begins with a narration. 236 00:08:23,270 --> 00:08:25,139 (NaiN's still working on the intro.) 237 00:08:25,140 --> 00:08:26,839 Instead of doing the narration... 238 00:08:26,840 --> 00:08:29,179 on the first floor, 239 00:08:29,180 --> 00:08:32,950 I believe it'll draw more attention if I move it upstairs. 240 00:08:33,150 --> 00:08:35,890 I plan to use the stage upstairs for the intro. 241 00:08:36,590 --> 00:08:38,689 (Dancers' eyes and arms in all different directions) 242 00:08:38,690 --> 00:08:42,229 Okay. You can look where your arms go. 243 00:08:42,230 --> 00:08:43,559 For this part, 244 00:08:43,560 --> 00:08:45,359 don't stretch your arms too wide. 245 00:08:45,360 --> 00:08:47,829 Put your arms straight up. 246 00:08:47,830 --> 00:08:51,369 A performance is all about details. 247 00:08:51,370 --> 00:08:54,739 With a small number of people, it'll still look cool. 248 00:08:54,740 --> 00:08:57,239 But with a large group... 249 00:08:57,240 --> 00:08:58,580 How do you take your steps? 250 00:08:58,940 --> 00:09:00,539 (The dancers move their feet at a different time.) 251 00:09:00,540 --> 00:09:02,449 Imagine you're moving from the same spot. 252 00:09:02,450 --> 00:09:03,849 Even when they're just standing, 253 00:09:03,850 --> 00:09:06,979 keeping their toes straight or apart makes a big difference. 254 00:09:06,980 --> 00:09:08,919 The details really matter. 255 00:09:08,920 --> 00:09:10,889 It's NaiN versus BABYZOO. 256 00:09:10,890 --> 00:09:12,459 It's BABYZOO. 257 00:09:12,460 --> 00:09:14,989 I've never seen BABYZOO's performance before. 258 00:09:14,990 --> 00:09:16,589 I'm looking forward to watching his the most. 259 00:09:16,590 --> 00:09:17,859 Something cute... 260 00:09:17,860 --> 00:09:18,860 and funny? 261 00:09:18,960 --> 00:09:20,869 Acting, expression, skit. 262 00:09:20,870 --> 00:09:22,769 He said acting is really important. 263 00:09:22,770 --> 00:09:24,339 It's a good lineup. 264 00:09:24,340 --> 00:09:27,039 "Showing the star quality." 265 00:09:27,040 --> 00:09:29,369 Gwacheon Honey Watermelon and Seung Min are there too. 266 00:09:29,370 --> 00:09:31,539 I wonder how he used New Jack Swing. 267 00:09:31,540 --> 00:09:32,540 Let's watch BABYZOO's. 268 00:09:32,540 --> 00:09:33,540 I'm sure he did a good job. 269 00:09:33,541 --> 00:09:34,679 (BABYZOO's choreography practice) 270 00:09:34,680 --> 00:09:36,179 (Starting with Gwacheon Honey Watermelon and Seung Min's acting) 271 00:09:36,180 --> 00:09:37,579 Good job, Seung Min. 272 00:09:37,580 --> 00:09:39,280 That's what he's good at. 273 00:09:40,180 --> 00:09:41,419 When they go, "Wow," 274 00:09:41,420 --> 00:09:42,420 it's cute. 275 00:09:42,421 --> 00:09:45,190 (In perfect sync) 276 00:09:45,290 --> 00:09:46,459 It's making me happy. 277 00:09:46,460 --> 00:09:48,229 I love how the outro unfolds. 278 00:09:48,230 --> 00:09:49,459 I feel good watching it. 279 00:09:49,460 --> 00:09:51,429 I feel good after watching it. 280 00:09:51,430 --> 00:09:52,710 I'm curious about what NaiN did. 281 00:09:53,060 --> 00:09:54,069 Okay. 282 00:09:54,070 --> 00:09:55,799 One flow. Endless connection. 283 00:09:55,800 --> 00:09:57,699 Convergence. Major flow. 284 00:09:57,700 --> 00:09:59,639 She's forcing the idea that it's one flow. 285 00:09:59,640 --> 00:10:00,669 Oh, not forcing. 286 00:10:00,670 --> 00:10:01,950 (Not forcing, it's emphasizing.) 287 00:10:02,040 --> 00:10:03,269 I wonder how it flows. 288 00:10:03,270 --> 00:10:04,279 Let's go. 289 00:10:04,280 --> 00:10:05,280 (NaiN's choreography practice) 290 00:10:05,281 --> 00:10:06,740 (Focusing) 291 00:10:08,380 --> 00:10:09,609 It's Hee Su. 292 00:10:09,610 --> 00:10:11,370 I can tell it's Hee Su even in the distance. 293 00:10:11,420 --> 00:10:12,549 Are they in the back? 294 00:10:12,550 --> 00:10:13,579 Oh, they're upstairs. 295 00:10:13,580 --> 00:10:15,119 They're upstairs. 296 00:10:15,120 --> 00:10:16,366 (The intro takes place upstairs unlike BABYZOO.) 297 00:10:16,390 --> 00:10:17,819 It's fun to watch. 298 00:10:17,820 --> 00:10:19,860 They're good. 299 00:10:20,060 --> 00:10:21,060 (Smiling) 300 00:10:21,061 --> 00:10:22,260 She's cute. 301 00:10:22,360 --> 00:10:23,530 Good job, NaiN. 302 00:10:23,560 --> 00:10:25,299 (Approved) 303 00:10:25,300 --> 00:10:26,330 (Clapping) 304 00:10:26,560 --> 00:10:28,399 If I were the judge, 305 00:10:28,400 --> 00:10:29,900 the result would be different. 306 00:10:30,000 --> 00:10:31,840 There was a reason she emphasized it. 307 00:10:32,100 --> 00:10:33,399 I like the flow. 308 00:10:33,400 --> 00:10:35,369 The way she utilizes the stage. 309 00:10:35,370 --> 00:10:36,769 They start upstairs. 310 00:10:36,770 --> 00:10:39,680 Then they come downstairs to continue. 311 00:10:40,380 --> 00:10:41,709 It looks like NaiN won. 312 00:10:41,710 --> 00:10:44,750 NaiN's structure is definitely good. 313 00:10:44,980 --> 00:10:45,980 Yes! 314 00:10:46,080 --> 00:10:47,179 I can beat him. 315 00:10:47,180 --> 00:10:48,520 (Confident about winning) 316 00:10:48,690 --> 00:10:51,819 My performance has a better plot. 317 00:10:51,820 --> 00:10:54,690 More people would vote for me. 318 00:10:54,930 --> 00:10:56,159 BABYZOO versus NaiN? 319 00:10:56,160 --> 00:10:57,160 The winner is BABYZOO. 320 00:10:57,161 --> 00:10:58,299 Please. 321 00:10:58,300 --> 00:10:59,900 I'm so nervous. 322 00:11:01,230 --> 00:11:03,230 (Who is expected to win between BABYZOO and NaiN?) 323 00:11:07,240 --> 00:11:08,740 (Really?) 324 00:11:08,940 --> 00:11:10,069 Are you sure you're not mistaken? 325 00:11:10,070 --> 00:11:11,080 Yes. 326 00:11:11,780 --> 00:11:13,840 Oh, I'm so relieved. 327 00:11:13,980 --> 00:11:15,709 That's what I really wanted. 328 00:11:15,710 --> 00:11:18,019 To see my name up there. 329 00:11:18,020 --> 00:11:21,019 It felt like they approved of me. 330 00:11:21,020 --> 00:11:22,089 It felt great. 331 00:11:22,090 --> 00:11:24,160 (Happy) 332 00:11:25,020 --> 00:11:26,459 I lost. This is not good. 333 00:11:26,460 --> 00:11:27,790 I was discouraged. 334 00:11:28,190 --> 00:11:29,659 "It's okay to focus on one person from time to time." 335 00:11:29,660 --> 00:11:31,400 "Not much directing." 336 00:11:31,600 --> 00:11:33,659 "Lack of ideas or structure." 337 00:11:33,660 --> 00:11:35,170 "Nothing impressive." 338 00:11:35,870 --> 00:11:38,540 I remember things like, "Not much directing." 339 00:11:38,900 --> 00:11:41,569 Since it's 40 people performing, 340 00:11:41,570 --> 00:11:44,480 he could use more structure. 341 00:11:44,680 --> 00:11:48,150 Twenty people would've been good enough for that performance. 342 00:11:48,280 --> 00:11:50,579 In the section where the choreography changed... 343 00:11:50,580 --> 00:11:52,680 (Switching to "WHERE YOU AT" from "RUDE!") 344 00:11:52,750 --> 00:11:53,819 there was no structure to it. 345 00:11:53,820 --> 00:11:55,820 It's a bummer how they just stand there and dance. 346 00:11:56,290 --> 00:12:00,689 I didn't give much directing to it. 347 00:12:00,690 --> 00:12:03,460 I get what they mean. 348 00:12:05,160 --> 00:12:07,769 It's kind of too much to handle. 349 00:12:07,770 --> 00:12:09,800 Because I know I'm not good enough. 350 00:12:10,970 --> 00:12:12,439 (The mid-point review ends.) 351 00:12:12,440 --> 00:12:13,440 Gosh. 352 00:12:13,840 --> 00:12:17,840 If I know what my problem is, I want to fix it. 353 00:12:18,480 --> 00:12:19,979 I'm curious. 354 00:12:19,980 --> 00:12:22,709 There isn't much I could do on stage. 355 00:12:22,710 --> 00:12:24,549 There's an entrance, 356 00:12:24,550 --> 00:12:26,619 and there's something upstairs. 357 00:12:26,620 --> 00:12:28,119 It got me thinking, 358 00:12:28,120 --> 00:12:30,389 "Is my standard too low?" 359 00:12:30,390 --> 00:12:33,059 Something about the structure... 360 00:12:33,060 --> 00:12:34,589 I don't know. 361 00:12:34,590 --> 00:12:35,989 I saw many comments about it. 362 00:12:35,990 --> 00:12:37,460 (Sighing) 363 00:12:37,700 --> 00:12:39,800 I don't know what to do. 364 00:12:41,170 --> 00:12:43,100 What is wrong with me? 365 00:12:45,100 --> 00:12:46,699 It's something I must overcome. 366 00:12:46,700 --> 00:12:49,669 - Will I be able to overcome it? - Of course. 367 00:12:49,670 --> 00:12:50,840 I must overcome it. 368 00:12:53,240 --> 00:12:55,280 What can I do? It's a survival competition. 369 00:12:55,910 --> 00:12:57,879 I can't lose like this. 370 00:12:57,880 --> 00:13:00,320 Whether it's good or bad, take in all the comments. 371 00:13:00,580 --> 00:13:01,689 I tend to... 372 00:13:01,690 --> 00:13:04,389 keep going until I achieve the goal... 373 00:13:04,390 --> 00:13:05,859 once I make up my mind. 374 00:13:05,860 --> 00:13:07,359 I don't even need to sleep. 375 00:13:07,360 --> 00:13:10,290 I kept working on it without going to bed. 376 00:13:10,900 --> 00:13:12,359 - BABYZOO. - Yes? 377 00:13:12,360 --> 00:13:14,569 You didn't leave until I left. 378 00:13:14,570 --> 00:13:16,030 And you're here again. 379 00:13:16,070 --> 00:13:17,540 (He never left the Directors' Room.) 380 00:13:17,670 --> 00:13:19,099 I don't deserve to sleep. 381 00:13:19,100 --> 00:13:20,839 What do you mean? 382 00:13:20,840 --> 00:13:23,039 I must win. 383 00:13:23,040 --> 00:13:24,040 I can never accept it. 384 00:13:24,041 --> 00:13:25,239 I have to pull myself together... 385 00:13:25,240 --> 00:13:26,840 and start over. 386 00:13:26,980 --> 00:13:29,060 (The light in BABYZOO's Directors' Room remains on.) 387 00:13:29,410 --> 00:13:30,919 Is anyone here? 388 00:13:30,920 --> 00:13:32,020 (Spotting her prey) 389 00:13:32,250 --> 00:13:34,250 (Startled) 390 00:13:35,220 --> 00:13:36,619 BADA. 391 00:13:36,620 --> 00:13:37,620 When are you going home? 392 00:13:37,621 --> 00:13:40,859 I think I can turn it around today. 393 00:13:40,860 --> 00:13:42,729 He thinks he can turn it around today. 394 00:13:42,730 --> 00:13:44,130 - Show me. - I need a twist. 395 00:13:44,500 --> 00:13:47,359 To win, 396 00:13:47,360 --> 00:13:50,870 I can't help but change the current formation. 397 00:13:51,140 --> 00:13:52,669 Sorry about that. 398 00:13:52,670 --> 00:13:54,369 We'll have to change the highlight too. 399 00:13:54,370 --> 00:13:56,639 But no major changes to the choreography. 400 00:13:56,640 --> 00:13:59,179 So don't worry. Just make sure to follow my direction. 401 00:13:59,180 --> 00:14:00,180 Let's speed up. 402 00:14:00,181 --> 00:14:01,550 We don't have much time. 403 00:14:01,950 --> 00:14:04,249 (BABYZOO checks the original choreography...) 404 00:14:04,250 --> 00:14:06,080 (while practicing the new structure.) 405 00:14:08,090 --> 00:14:10,049 (The dancers make a mistake due to the change in blocking.) 406 00:14:10,050 --> 00:14:11,189 Hold on, everybody. 407 00:14:11,190 --> 00:14:12,959 You can't get "RUDE!" wrong. 408 00:14:12,960 --> 00:14:15,189 It's okay to get the new choreography wrong, 409 00:14:15,190 --> 00:14:17,229 but I don't get why you're getting the original choreography wrong. 410 00:14:17,230 --> 00:14:19,260 - Don't get it wrong. Okay? - Okay. 411 00:14:19,300 --> 00:14:21,820 (Continuous choreography mistake due to the change in blocking) 412 00:14:21,870 --> 00:14:23,469 (Moving at different times) 413 00:14:23,470 --> 00:14:25,340 Wait, why are you getting that wrong? 414 00:14:25,870 --> 00:14:28,540 Are they not paying attention? 415 00:14:28,940 --> 00:14:31,639 They've been practicing the choreography for a while, 416 00:14:31,640 --> 00:14:32,716 but they still haven't memorized it yet. 417 00:14:32,740 --> 00:14:34,549 I'm really sorry, but it makes no sense. 418 00:14:34,550 --> 00:14:35,680 Again. 419 00:14:36,150 --> 00:14:37,880 Don't get it wrong. Please. 420 00:14:38,380 --> 00:14:39,720 Please don't get it wrong. 421 00:14:39,850 --> 00:14:41,119 Please. I'm begging you. 422 00:14:41,120 --> 00:14:42,590 (Silence) 423 00:14:42,820 --> 00:14:45,059 It's different. Is 0.5 correct? 424 00:14:45,060 --> 00:14:47,459 (The dancers are confused of their positions.) 425 00:14:47,460 --> 00:14:48,730 Everyone, focus. 426 00:14:49,190 --> 00:14:51,230 (The dancers still look distracted.) 427 00:14:52,360 --> 00:14:54,700 Do you want to do this 100 times? 428 00:14:58,340 --> 00:15:00,170 (The air instantly freezes in the studio.) 429 00:15:00,470 --> 00:15:01,670 Do it again. 430 00:15:02,040 --> 00:15:03,170 It's disrespectful. 431 00:15:03,540 --> 00:15:06,880 Am I not intimidating enough? 432 00:15:07,540 --> 00:15:08,780 Let's do it again. 433 00:15:10,210 --> 00:15:12,719 (Disciplined) 434 00:15:12,720 --> 00:15:14,790 Why aren't you doing it when you can? 435 00:15:15,020 --> 00:15:16,390 Why aren't you doing it? 436 00:15:16,490 --> 00:15:17,819 I have to yell... 437 00:15:17,820 --> 00:15:20,820 to make them follow me. 438 00:15:20,990 --> 00:15:23,390 This is crazy. It's killing me. 439 00:15:24,230 --> 00:15:26,560 Seriously. 440 00:15:28,100 --> 00:15:31,770 I want to keep it fun. 441 00:15:31,940 --> 00:15:35,869 It got me thinking if I didn't have what it takes to be a director. 442 00:15:35,870 --> 00:15:37,370 I was really upset. 443 00:15:38,740 --> 00:15:39,740 Here. 444 00:15:39,741 --> 00:15:41,380 Oh, thank you. 445 00:15:41,710 --> 00:15:43,149 I know it's too hard, right? 446 00:15:43,150 --> 00:15:45,150 Sit down here. 447 00:15:45,380 --> 00:15:47,349 - This is my first... - It's your first? 448 00:15:47,350 --> 00:15:48,350 It's my first video. 449 00:15:48,390 --> 00:15:50,919 So, honestly, I'm a little scared. 450 00:15:50,920 --> 00:15:52,790 So I feel like... 451 00:15:52,890 --> 00:15:55,460 "Hey. You can do more." 452 00:15:55,760 --> 00:15:57,629 (BABYZOO had to go harsh on the dancers because he was scared.) 453 00:15:57,630 --> 00:15:58,660 Yes. So... 454 00:15:58,860 --> 00:16:00,560 I'm not angry, but... 455 00:16:00,900 --> 00:16:02,530 you know what I mean? 456 00:16:03,270 --> 00:16:05,740 I want it to be perfect and... 457 00:16:06,070 --> 00:16:08,140 BABYZOO, you are really good. 458 00:16:08,240 --> 00:16:10,740 You're a really nice teacher. 459 00:16:11,380 --> 00:16:13,080 No, I can't say... 460 00:16:15,310 --> 00:16:16,310 Trust me. 461 00:16:17,250 --> 00:16:20,480 We're all happy to join your team. 462 00:16:22,620 --> 00:16:25,259 I'm running out of time. 463 00:16:25,260 --> 00:16:26,889 Today is my only chance. 464 00:16:26,890 --> 00:16:28,160 That made me sensitive. 465 00:16:28,260 --> 00:16:29,929 For that reason, 466 00:16:29,930 --> 00:16:33,060 I should apologize to the dancers. 467 00:16:33,700 --> 00:16:36,329 A lot of things changed today. 468 00:16:36,330 --> 00:16:37,630 I'm sorry about that. 469 00:16:37,870 --> 00:16:40,700 But I seriously think the new version is better. 470 00:16:41,340 --> 00:16:43,039 I know it's confusing, 471 00:16:43,040 --> 00:16:45,240 but please memorize the changes. 472 00:16:45,580 --> 00:16:47,480 The thing about performance is, 473 00:16:48,050 --> 00:16:51,819 you can give energy... 474 00:16:51,820 --> 00:16:53,250 by pulling off your roles. 475 00:16:53,350 --> 00:16:54,720 I know it's tough, 476 00:16:54,820 --> 00:16:56,120 but please keep it up. 477 00:16:56,590 --> 00:16:58,559 Thank you. 478 00:16:58,560 --> 00:17:00,519 - Thank you. - Everyone was understanding. 479 00:17:00,520 --> 00:17:01,859 We're perfect. 480 00:17:01,860 --> 00:17:03,229 I checked every single detail... 481 00:17:03,230 --> 00:17:05,759 to prevent any mistakes. 482 00:17:05,760 --> 00:17:07,430 We didn't waste a single second. 483 00:17:07,560 --> 00:17:10,430 (Team BABYZOO is actually monitoring together.) 484 00:17:10,900 --> 00:17:12,300 Keep your hands up to the end. 485 00:17:12,740 --> 00:17:14,946 The three of you. You'll have to practice all night with me. 486 00:17:14,970 --> 00:17:15,970 (Adoring) 487 00:17:15,971 --> 00:17:17,139 Team BABYZOO. 488 00:17:17,140 --> 00:17:18,740 - Let's win! - Let's win! 489 00:17:20,840 --> 00:17:22,309 (1-on-1 Signature 400 Mission BABYZOO versus NaiN) 490 00:17:22,310 --> 00:17:24,049 Everyone, cheer up! 491 00:17:24,050 --> 00:17:25,919 - Cheer up! - Cheer up! 492 00:17:25,920 --> 00:17:26,979 Let's show them. 493 00:17:26,980 --> 00:17:28,019 Yes! 494 00:17:28,020 --> 00:17:30,649 I'm second to none when it comes to structure. 495 00:17:30,650 --> 00:17:31,660 I'm confident. 496 00:17:31,760 --> 00:17:34,630 Of course, I was bugged. She was right in front of me. 497 00:17:34,830 --> 00:17:36,959 But I need to win. 498 00:17:36,960 --> 00:17:38,829 You? You're no match for me. 499 00:17:38,830 --> 00:17:41,030 I'll put my name on the Director Credit. 500 00:17:41,330 --> 00:17:42,869 - I can't lose. - Me neither. 501 00:17:42,870 --> 00:17:43,970 I can't lose either. 502 00:17:44,570 --> 00:17:46,170 (Tension rises between two teams.) 503 00:17:46,540 --> 00:17:48,169 Don't touch me. 504 00:17:48,170 --> 00:17:49,769 - Okay. - So seniority... 505 00:17:49,770 --> 00:17:50,770 doesn't even matter anymore, does it? 506 00:17:50,771 --> 00:17:52,239 - We'll see about that. - Okay. I get it. 507 00:17:52,240 --> 00:17:53,479 I love it. 508 00:17:53,480 --> 00:17:55,249 - BABYZOO. - Jo Na In. 509 00:17:55,250 --> 00:17:56,879 - BABYZOO. - Jo Na In. 510 00:17:56,880 --> 00:17:59,249 - BABYZOO. - BABYZOO. 511 00:17:59,250 --> 00:18:01,689 - Jo Na In. - Jo Na In. 512 00:18:01,690 --> 00:18:03,420 - BABYZOO. - I can do even better. 513 00:18:04,050 --> 00:18:06,459 - Jo Na In. - Jo Na In. 514 00:18:06,460 --> 00:18:08,159 I think I have a chance. 515 00:18:08,160 --> 00:18:10,060 BABYZOO versus NaiN. 516 00:18:10,160 --> 00:18:12,360 We'll now begin their Last Run. 517 00:18:13,360 --> 00:18:16,169 BABYZOO, during this mission, 518 00:18:16,170 --> 00:18:19,769 do you think you can decide who's more superior... 519 00:18:19,770 --> 00:18:21,770 after this performance? 520 00:18:22,270 --> 00:18:24,540 Yes, I'm very confident. 521 00:18:24,840 --> 00:18:27,340 (The Last Run is all about confidence.) 522 00:18:27,480 --> 00:18:28,780 I couldn't be more confident. 523 00:18:28,880 --> 00:18:31,649 Because I lost the mid-point review, 524 00:18:31,650 --> 00:18:33,219 I changed it... 525 00:18:33,220 --> 00:18:35,349 by adding more wow factors. 526 00:18:35,350 --> 00:18:36,350 I can win. 527 00:18:36,351 --> 00:18:38,760 I'll take the Director Credit. 528 00:18:38,990 --> 00:18:40,460 Let's go! 529 00:18:40,560 --> 00:18:41,689 Let's go! 530 00:18:41,690 --> 00:18:43,389 - Yes! - Yes! 531 00:18:43,390 --> 00:18:44,829 (Team BABYZOO is filled with energy.) 532 00:18:44,830 --> 00:18:46,599 What I'm most worried about is the energy. 533 00:18:46,600 --> 00:18:48,999 We won't know until they do it, right? 534 00:18:49,000 --> 00:18:50,000 Yes, we'll have to see. 535 00:18:50,001 --> 00:18:51,869 I think a director's capability is... 536 00:18:51,870 --> 00:18:53,339 the forest. 537 00:18:53,340 --> 00:18:55,240 That'd be the highlight. 538 00:18:55,970 --> 00:18:57,339 You know what's interesting about BABYZOO? 539 00:18:57,340 --> 00:18:59,240 With his bangs down, he's a choreographer. 540 00:18:59,640 --> 00:19:01,249 With his bangs up, he becomes a battler. 541 00:19:01,250 --> 00:19:03,426 They're slightly up today, so he's a slight battler today. 542 00:19:03,450 --> 00:19:06,219 My performance will be better than NaiN's. 543 00:19:06,220 --> 00:19:09,089 I changed the choreography... 544 00:19:09,090 --> 00:19:10,090 by adding more wow factors. 545 00:19:10,091 --> 00:19:12,559 I strongly believe that I'll receive a good response. 546 00:19:12,560 --> 00:19:14,120 I'm sure I'll win. 547 00:19:14,490 --> 00:19:18,959 Now, let's begin BABYZOO's Last Run. 548 00:19:18,960 --> 00:19:20,860 Ready, fight. 549 00:19:21,100 --> 00:19:22,829 Yes! This is going to be fun! 550 00:19:22,830 --> 00:19:24,000 I can't wait. 551 00:19:26,270 --> 00:19:27,499 ("Our Spectrum") 552 00:19:27,500 --> 00:19:28,869 (Choreographer of the signature part of "RUDE!": BABYZOO) 553 00:19:28,870 --> 00:19:30,416 (Choreographer of the signature part of "WHERE YOU AT": BABYZOO) 554 00:19:30,440 --> 00:19:32,039 (Performance by Team BABYZOO) 555 00:19:32,040 --> 00:19:34,440 ("RUDE!" by Hearts2Hearts, "WHERE YOU AT" by ALLDAY PROJECT) 556 00:19:35,980 --> 00:19:36,980 He's so cute. 557 00:19:37,050 --> 00:19:38,850 - Wait. That's Watermelon. - It's Watermelon. 558 00:19:39,720 --> 00:19:40,720 (Happy) 559 00:19:40,721 --> 00:19:41,749 (Glancing) 560 00:19:41,750 --> 00:19:43,790 I love that start. 561 00:19:46,460 --> 00:19:47,589 Look at his energy. 562 00:19:47,590 --> 00:19:48,590 It's intense. 563 00:19:49,230 --> 00:19:50,230 Let's go. 564 00:19:50,690 --> 00:19:51,929 (BABYJOO's signature choreography part in "RUDE!") 565 00:19:51,930 --> 00:19:52,960 Let's go! 566 00:19:55,800 --> 00:19:57,130 It's so neat. 567 00:19:57,300 --> 00:19:59,400 He did a good job of utilizing the dancers. 568 00:19:59,600 --> 00:20:00,600 He's good. 569 00:20:00,601 --> 00:20:01,610 So cute. 570 00:20:01,770 --> 00:20:03,470 He's really good. 571 00:20:10,410 --> 00:20:12,180 (Falling for "RUDE!") 572 00:20:12,450 --> 00:20:13,579 It looks like a musical. 573 00:20:13,580 --> 00:20:14,649 (Happy) 574 00:20:14,650 --> 00:20:16,419 They had good energy. 575 00:20:16,420 --> 00:20:17,620 They kind of made me nervous. 576 00:20:18,360 --> 00:20:19,520 That's so cute. 577 00:20:20,860 --> 00:20:23,089 Can you believe that energy? 578 00:20:23,090 --> 00:20:24,960 That's so cute. Nice. 579 00:20:30,770 --> 00:20:32,100 Yes. 580 00:20:32,940 --> 00:20:34,640 - Let's go. - Let's go. 581 00:20:37,870 --> 00:20:39,039 I love this part. 582 00:20:39,040 --> 00:20:40,440 They're in perfect sync. 583 00:20:46,280 --> 00:20:48,189 (Crazy chemistry) 584 00:20:48,190 --> 00:20:49,689 It's Lee Jung. 585 00:20:49,690 --> 00:20:51,150 Yes. We need that. 586 00:20:53,520 --> 00:20:59,200 (BABYJOO's signature choreography part in "WHERE YOU AT") 587 00:21:01,430 --> 00:21:03,500 His movements are already perfect. 588 00:21:05,240 --> 00:21:06,700 He has Lee Jung. 589 00:21:10,770 --> 00:21:12,240 Let's go. 590 00:21:15,310 --> 00:21:16,449 (Cheering) 591 00:21:16,450 --> 00:21:17,950 (Eyes focused) 592 00:21:24,490 --> 00:21:25,890 It's so neat. 593 00:21:31,960 --> 00:21:33,160 She's the queen. 594 00:21:39,870 --> 00:21:41,510 He really utilized the stage. 595 00:21:42,640 --> 00:21:44,040 He changed it to New Jack Swing. 596 00:21:44,840 --> 00:21:45,840 Nice. 597 00:21:46,840 --> 00:21:48,810 It looks like an old club. 598 00:21:50,480 --> 00:21:52,480 It's giving me the chills. 599 00:21:53,480 --> 00:21:54,820 (Immersed) 600 00:21:54,920 --> 00:21:56,549 It's really impactful. 601 00:21:56,550 --> 00:21:58,660 That's so cool. 602 00:22:00,660 --> 00:22:01,860 It's different. 603 00:22:02,930 --> 00:22:04,229 I love that vibe. 604 00:22:04,230 --> 00:22:05,900 It's a happy performance. So happy. 605 00:22:06,030 --> 00:22:07,060 That's so cool. 606 00:22:07,460 --> 00:22:10,170 - It's unbelievable. - It feels like a party. 607 00:22:12,770 --> 00:22:13,770 Come on. 608 00:22:16,840 --> 00:22:18,140 It's a nice formation. 609 00:22:20,240 --> 00:22:22,910 I like how it's not ordinary New Jack Swing. 610 00:22:27,120 --> 00:22:28,320 The light work is crazy. 611 00:22:34,490 --> 00:22:36,330 That's crazy. 612 00:22:36,990 --> 00:22:38,399 That's insane. 613 00:22:38,400 --> 00:22:39,499 (Team BABYZOO's dancers) 614 00:22:39,500 --> 00:22:41,129 So cool. 615 00:22:41,130 --> 00:22:43,629 (BABYZOO's Last Run ends.) 616 00:22:43,630 --> 00:22:45,100 I need to throw my shoes. 617 00:22:45,600 --> 00:22:47,440 (Approved) 618 00:22:48,440 --> 00:22:49,469 He nailed it. 619 00:22:49,470 --> 00:22:51,779 The outfits, color, 620 00:22:51,780 --> 00:22:53,440 and the vibe. It's perfect. 621 00:22:53,540 --> 00:22:54,679 "I got it." 622 00:22:54,680 --> 00:22:56,280 "I think I did it." 623 00:22:56,380 --> 00:22:59,780 I knew my structure would work. 624 00:23:01,590 --> 00:23:04,049 He really gritted his teeth. 625 00:23:04,050 --> 00:23:05,660 I'm kind of nervous. 626 00:23:06,090 --> 00:23:07,790 You can do it! 627 00:23:09,990 --> 00:23:10,990 Very exciting. 628 00:23:10,991 --> 00:23:14,030 I think NaiN's is neater. 629 00:23:14,160 --> 00:23:17,129 NaiN's performance was new. 630 00:23:17,130 --> 00:23:18,699 BABYZOO made a lot of changes. 631 00:23:18,700 --> 00:23:20,869 I also created a performance... 632 00:23:20,870 --> 00:23:22,439 with my own interpretation. 633 00:23:22,440 --> 00:23:24,780 I'll show you what I've got. 634 00:23:25,080 --> 00:23:27,139 (What kind of performance did NaiN prepare?) 635 00:23:27,140 --> 00:23:28,709 Hello, everyone. 636 00:23:28,710 --> 00:23:30,050 Hello. 637 00:23:30,910 --> 00:23:33,820 Can you please stand in the starting formation? 638 00:23:34,350 --> 00:23:36,519 NaiN is the new rising choreographer. 639 00:23:36,520 --> 00:23:37,549 I'm looking forward to seeing her. 640 00:23:37,550 --> 00:23:40,220 I scheduled it. 641 00:23:40,320 --> 00:23:42,290 I'll first check the choreography. 642 00:23:42,490 --> 00:23:44,589 Then I'll check the light. 643 00:23:44,590 --> 00:23:46,529 If everything's okay, we'll practice to the music. 644 00:23:46,530 --> 00:23:48,000 She wrote down the lights in detail. 645 00:23:48,100 --> 00:23:50,599 It changes every four bars. 646 00:23:50,600 --> 00:23:51,770 Every four bars. 647 00:23:52,040 --> 00:23:53,899 Both their concepts are... 648 00:23:53,900 --> 00:23:55,770 a dance carnival. 649 00:23:55,870 --> 00:23:57,539 The song probably influenced... 650 00:23:57,540 --> 00:24:00,139 their concepts. 651 00:24:00,140 --> 00:24:03,510 Then they should've come up with something else for it. 652 00:24:03,710 --> 00:24:07,249 It won't be in my favor if we go in the same direction. 653 00:24:07,250 --> 00:24:09,949 Since it's a New Jack Swing song, 654 00:24:09,950 --> 00:24:11,389 I decided to go with hip-hop. 655 00:24:11,390 --> 00:24:13,689 HANYA, please get ready. 656 00:24:13,690 --> 00:24:16,329 She has many hip-hop dancers. 657 00:24:16,330 --> 00:24:18,999 If she's going to use HANYA, hip-hop is perfect. 658 00:24:19,000 --> 00:24:20,000 Nice vibe. 659 00:24:20,200 --> 00:24:22,129 They're really great hip-hop dancers. 660 00:24:22,130 --> 00:24:23,830 They're a very cheerful team. 661 00:24:24,200 --> 00:24:27,270 Hip-hop will be the base... 662 00:24:27,340 --> 00:24:29,070 and the key to this performance. 663 00:24:29,340 --> 00:24:31,269 They're good. They're really good. 664 00:24:31,270 --> 00:24:33,080 They're good dancers. 665 00:24:33,180 --> 00:24:34,240 That's crazy. 666 00:24:34,780 --> 00:24:36,449 Good job, HANYA. 667 00:24:36,450 --> 00:24:40,319 Let's practice "RUDE!" formation again. 668 00:24:40,320 --> 00:24:42,189 - One, two, three, four... - They should be in sync. 669 00:24:42,190 --> 00:24:43,719 It's a matter... 670 00:24:43,720 --> 00:24:47,090 of how perfect the director makes it. 671 00:24:47,190 --> 00:24:50,390 One, two, three, four. Again. 672 00:24:50,490 --> 00:24:52,199 - One, two, three... - She's so precise. 673 00:24:52,200 --> 00:24:53,499 Again. One... 674 00:24:53,500 --> 00:24:55,229 Can you move forward? 675 00:24:55,230 --> 00:24:56,299 Can you move back? 676 00:24:56,300 --> 00:24:57,569 Move forward. 677 00:24:57,570 --> 00:24:59,339 The angle of your body is important. 678 00:24:59,340 --> 00:25:00,340 - About this much. - Okay. 679 00:25:00,340 --> 00:25:01,340 She's checking meticulously. 680 00:25:01,341 --> 00:25:03,169 - It's all up to the dancers. - Yes. 681 00:25:03,170 --> 00:25:04,170 Let's try that again. 682 00:25:04,171 --> 00:25:05,180 Okay. 683 00:25:05,480 --> 00:25:08,450 (The dancers are in perfect sync after fixing the details.) 684 00:25:08,850 --> 00:25:10,209 It's better than before. 685 00:25:10,210 --> 00:25:12,249 Wow factors don't just come from novelty. 686 00:25:12,250 --> 00:25:14,379 They also come from being perfect. 687 00:25:14,380 --> 00:25:15,850 That's what gives one potential. 688 00:25:16,250 --> 00:25:18,150 I believe a performance is not completed... 689 00:25:18,260 --> 00:25:21,519 until it's presented on stage. 690 00:25:21,520 --> 00:25:24,559 I'm going to keep trying to make the best of what I have. 691 00:25:24,560 --> 00:25:26,960 I'll do my best... 692 00:25:27,060 --> 00:25:28,580 to put my name on the Director Credit. 693 00:25:29,100 --> 00:25:32,070 Now, it's time for NaiN's Last Run. 694 00:25:33,240 --> 00:25:34,939 - Are you ready? - Yes. 695 00:25:34,940 --> 00:25:36,639 I can never lose. 696 00:25:36,640 --> 00:25:38,379 You're no match for me. 697 00:25:38,380 --> 00:25:39,479 My name should be on it. 698 00:25:39,480 --> 00:25:40,979 Ready, fight. 699 00:25:40,980 --> 00:25:43,210 It'll depend on how she utilized HANYA. 700 00:25:43,310 --> 00:25:45,879 I think she's the first one to start upstairs. 701 00:25:45,880 --> 00:25:48,649 I think it will be important to trust my team members. 702 00:25:48,650 --> 00:25:51,419 I'm going to dance the hardest I ever have in my life. 703 00:25:51,420 --> 00:25:52,490 I have to win. 704 00:25:52,820 --> 00:25:54,459 (Resonance: Energy Connecting the City) 705 00:25:54,460 --> 00:25:55,959 (Choreographer of the signature part of "Rude!": BABYZOO) 706 00:25:55,960 --> 00:25:58,560 (Choreographer of the signature part of "Where You At!": BABYZOO) 707 00:25:59,700 --> 00:26:01,300 It's starting from the second floor? 708 00:26:05,200 --> 00:26:06,270 It's Hee Su. 709 00:26:06,840 --> 00:26:08,070 She's so cute. 710 00:26:09,070 --> 00:26:10,770 Bring it on if you dare. 711 00:26:12,640 --> 00:26:14,040 Her presence is unmistakable. 712 00:26:14,780 --> 00:26:16,110 It looks like "MAMA." 713 00:26:20,080 --> 00:26:22,080 (BABYZOO's signature choreography part in "Rude!") 714 00:26:22,390 --> 00:26:23,790 - Okay. - This is nice. 715 00:26:27,160 --> 00:26:28,730 It's still the same as rehearsal. 716 00:26:31,390 --> 00:26:32,900 This is just so NaiN. 717 00:26:33,300 --> 00:26:35,130 Why is it so clean? 718 00:26:36,270 --> 00:26:38,100 - It's clean versus clean. - I know. 719 00:26:40,170 --> 00:26:41,600 It's really precise. 720 00:26:42,640 --> 00:26:43,670 She's cute. 721 00:26:46,040 --> 00:26:47,440 Gosh, seriously... 722 00:26:48,350 --> 00:26:49,750 The structure is well put together. 723 00:26:54,990 --> 00:26:56,190 She dances so well. 724 00:26:58,090 --> 00:26:59,219 I love it. 725 00:26:59,220 --> 00:27:00,460 It looks so pretty. 726 00:27:02,460 --> 00:27:03,860 They're so well in sync. 727 00:27:05,260 --> 00:27:06,429 (Satisfied) 728 00:27:06,430 --> 00:27:08,700 (Focused) 729 00:27:10,270 --> 00:27:11,669 Look at the lines when their arms drop. 730 00:27:11,670 --> 00:27:13,276 Weren't they all originally on the same team or something? 731 00:27:13,300 --> 00:27:14,770 HANYA is coming out. 732 00:27:15,440 --> 00:27:16,740 HANYA is coming out. 733 00:27:17,140 --> 00:27:18,440 Gosh. HANYA! 734 00:27:22,780 --> 00:27:24,410 This is way better. 735 00:27:24,480 --> 00:27:26,580 So she made this part into a couple dance. 736 00:27:27,520 --> 00:27:29,801 (BABYZOO's signature choreography part in "Where You At") 737 00:27:34,190 --> 00:27:35,429 The pair work is great. 738 00:27:35,430 --> 00:27:37,060 This is how they choreographed it. 739 00:27:38,600 --> 00:27:39,760 This is so cool. 740 00:27:40,360 --> 00:27:41,700 It's so clean. 741 00:27:43,300 --> 00:27:44,530 The synergy is remarkable. 742 00:27:44,870 --> 00:27:46,100 It's really clean. 743 00:27:46,600 --> 00:27:47,700 This is insane. 744 00:27:50,040 --> 00:27:51,740 The formation is spotless. 745 00:27:52,140 --> 00:27:53,239 Great sense of depth. 746 00:27:53,240 --> 00:27:54,740 It's because they dance so well. 747 00:27:55,580 --> 00:27:56,650 I was quite surprised. 748 00:27:57,450 --> 00:27:59,020 I think this structure is solid. 749 00:28:01,950 --> 00:28:03,470 They planned out the strategy so well. 750 00:28:05,690 --> 00:28:07,290 It looks even cooler seeing it up close. 751 00:28:09,760 --> 00:28:11,360 It's amazing. I love it already. 752 00:28:13,730 --> 00:28:14,960 The vibe is so good. 753 00:28:17,030 --> 00:28:19,710 I think HANYA is going to tear it up again with the New Jack Swing. 754 00:28:23,970 --> 00:28:25,539 (Cheering) 755 00:28:25,540 --> 00:28:27,740 They're so talented. 756 00:28:37,320 --> 00:28:38,690 They are seriously so good. 757 00:28:39,490 --> 00:28:41,660 (This is insane.) 758 00:28:45,300 --> 00:28:46,500 It's amazing. 759 00:28:51,700 --> 00:28:53,700 It's so nice to watch, and it just makes me happy. 760 00:29:01,540 --> 00:29:03,380 The dancing is solid. 761 00:29:09,750 --> 00:29:11,550 It was quite threatening. 762 00:29:12,220 --> 00:29:13,660 They're so good. 763 00:29:22,730 --> 00:29:23,900 It feels refreshing. 764 00:29:30,070 --> 00:29:31,446 The formation layout is interesting. 765 00:29:31,470 --> 00:29:34,480 (In awe) 766 00:29:38,450 --> 00:29:39,896 I don't know how the results will turn out. 767 00:29:39,920 --> 00:29:42,160 Building the pathway with the dancers is a masterstroke. 768 00:29:50,160 --> 00:29:54,459 (Team Nain Dancers: Hee Su, Mooreup, WISE, ROOT, Enrique, Arthur, Denny) 769 00:29:54,460 --> 00:29:55,529 - Great. - Okay. 770 00:29:55,530 --> 00:29:58,369 (Watch the comparison video on "The CHOOM" and "Mnet Plus.") 771 00:29:58,370 --> 00:30:01,200 (That was so cool.) 772 00:30:01,500 --> 00:30:02,570 They did so well. 773 00:30:04,770 --> 00:30:06,339 I feel so relieved. 774 00:30:06,340 --> 00:30:07,839 There isn't anything I regret. 775 00:30:07,840 --> 00:30:08,986 I feel like I'm going to win. 776 00:30:09,010 --> 00:30:10,179 This team will win. 777 00:30:10,180 --> 00:30:11,279 My personal pick is NaiN. 778 00:30:11,280 --> 00:30:12,280 Really? 779 00:30:12,280 --> 00:30:13,280 She brought out... 780 00:30:13,280 --> 00:30:14,280 - It was so good! - the New Jack Swing so well. 781 00:30:14,281 --> 00:30:15,289 - She pulled it off well. - Yes. 782 00:30:15,290 --> 00:30:17,289 It's definitely BABYZOO. 783 00:30:17,290 --> 00:30:21,020 NaiN's performance had formations you could already anticipate. 784 00:30:21,720 --> 00:30:24,060 This one is tough. 785 00:30:26,300 --> 00:30:29,129 Will both choreographers please step onto the stage? 786 00:30:29,130 --> 00:30:31,100 I'm sure that I will win. 787 00:30:31,200 --> 00:30:32,500 I'm confident. 788 00:30:32,600 --> 00:30:35,000 (Confident) 789 00:30:35,170 --> 00:30:36,270 I don't know. 790 00:30:37,170 --> 00:30:39,740 (The face-off of rookie directors, BABYZOO versus NaiN) 791 00:30:41,880 --> 00:30:44,310 That's crazy. 792 00:30:44,910 --> 00:30:46,220 That was crazy. 793 00:30:46,320 --> 00:30:47,549 I think these are probably... 794 00:30:47,550 --> 00:30:49,550 the two best shows I've seen tonight so far. 795 00:30:49,720 --> 00:30:51,989 (Agreed) 796 00:30:51,990 --> 00:30:53,389 Let's go! 797 00:30:53,390 --> 00:30:54,660 Let's go! 798 00:30:54,860 --> 00:30:56,729 (Thank you.) 799 00:30:56,730 --> 00:30:58,699 I think I finally understand now. 800 00:30:58,700 --> 00:31:00,559 Why BABYZOO and Nain are getting... 801 00:31:00,560 --> 00:31:01,859 so much work these days. 802 00:31:01,860 --> 00:31:03,270 (Nodding in agreement) 803 00:31:04,230 --> 00:31:06,840 This is why the industry calls them up. 804 00:31:07,400 --> 00:31:09,769 And they each carry distinct colors. 805 00:31:09,770 --> 00:31:12,079 They listened to the same track and took on the same concept, 806 00:31:12,080 --> 00:31:15,040 but their choices were different, which made it a thrilling battle. 807 00:31:15,140 --> 00:31:18,150 It felt like watching two entertaining movies. 808 00:31:18,210 --> 00:31:19,919 BABYZOO's film... 809 00:31:19,920 --> 00:31:21,579 was like a teen movie... 810 00:31:21,580 --> 00:31:25,119 where you could imagine the plot, maybe even with a touch of romance. 811 00:31:25,120 --> 00:31:26,619 (BABYZOO's performance evokes a teen movie with a narrative.) 812 00:31:26,620 --> 00:31:28,490 And NaiN's film felt like "Step Up." 813 00:31:28,560 --> 00:31:30,589 It felt like watching a crisp, exhilarating dance movie... 814 00:31:30,590 --> 00:31:32,900 speaking powerfully through pure dance. 815 00:31:33,160 --> 00:31:34,759 Isn't "Step Up..." 816 00:31:34,760 --> 00:31:36,270 way cooler, though? 817 00:31:36,470 --> 00:31:39,339 What I was aiming for in the performance... 818 00:31:39,340 --> 00:31:40,869 seemed to come across clearly, 819 00:31:40,870 --> 00:31:42,110 so it felt great. 820 00:31:43,170 --> 00:31:46,740 First off, what impressed me most... 821 00:31:46,940 --> 00:31:48,650 when watching BABYZOO's performance... 822 00:31:48,950 --> 00:31:51,279 was the strong impression of seasoned experience. 823 00:31:51,280 --> 00:31:55,219 I think it was a clever choice to structurally dictate... 824 00:31:55,220 --> 00:31:56,850 what to watch, 825 00:31:56,950 --> 00:31:59,860 using the lighting to guide the eyes... 826 00:31:59,920 --> 00:32:03,460 like saying, "Look right here." 827 00:32:03,860 --> 00:32:07,860 In contrast to BABYZOO, NaiN utilized... 828 00:32:08,000 --> 00:32:10,099 a wide variety of dynamic formations, 829 00:32:10,100 --> 00:32:12,199 and I thought those visual pictures were stunning... 830 00:32:12,200 --> 00:32:13,800 and brilliantly staged. 831 00:32:13,900 --> 00:32:15,669 I comfortably enjoyed... 832 00:32:15,670 --> 00:32:17,116 those diverse, "Step Up" -style visuals. 833 00:32:17,140 --> 00:32:18,240 I had a lot of fun. 834 00:32:18,340 --> 00:32:19,440 I think I'm going to win. 835 00:32:19,540 --> 00:32:20,939 Seeing the judges' reactions, 836 00:32:20,940 --> 00:32:22,410 I suddenly felt uneasy. 837 00:32:22,480 --> 00:32:23,480 NaiN. 838 00:32:23,481 --> 00:32:25,850 I think you're the smartest person in the room. 839 00:32:26,220 --> 00:32:28,279 (Thank you.) 840 00:32:28,280 --> 00:32:30,949 With the second song, when you started having the guys dance, 841 00:32:30,950 --> 00:32:33,889 it wasn't like individuals. Everybody was like one group. 842 00:32:33,890 --> 00:32:34,890 (Spotless synchronization stood out even in the pair choreography.) 843 00:32:34,891 --> 00:32:37,089 I don't want to say because you're young, that's amazing. 844 00:32:37,090 --> 00:32:38,460 I think you're just amazing. 845 00:32:38,490 --> 00:32:39,599 I choked up a little. 846 00:32:39,600 --> 00:32:42,669 He recognized my capabilities regardless of my age. 847 00:32:42,670 --> 00:32:43,970 I was really grateful. 848 00:32:44,000 --> 00:32:45,029 I'm in trouble. 849 00:32:45,030 --> 00:32:47,870 Honestly, I needed to win, so I felt pretty anxious. 850 00:32:47,900 --> 00:32:49,669 I really think she was like, 851 00:32:49,670 --> 00:32:50,770 ten out of ten. 852 00:32:51,270 --> 00:32:53,239 And in the case of BABYZOO's movements, 853 00:32:53,240 --> 00:32:56,649 while using the rhythm and energy of New Jack Swing, 854 00:32:56,650 --> 00:32:59,949 I think he interpreted the moves in a far more contemporary way. 855 00:32:59,950 --> 00:33:01,249 The reaction was so positive... 856 00:33:01,250 --> 00:33:02,590 that I believe I can win this. 857 00:33:02,620 --> 00:33:03,990 But I'm confident. 858 00:33:04,220 --> 00:33:06,390 Because I made a better piece. 859 00:33:06,890 --> 00:33:09,090 The 1-on-1 Signature 400 Mission. 860 00:33:09,190 --> 00:33:11,959 Who will be the choreographer to showcase their work... 861 00:33:11,960 --> 00:33:14,600 to the audience and put their name... 862 00:33:14,660 --> 00:33:15,830 on the credit board? 863 00:33:16,770 --> 00:33:18,570 We're revealing it now. 864 00:33:19,570 --> 00:33:23,339 - BABYZOO! - BABYZOO! 865 00:33:23,340 --> 00:33:25,069 It's definitely BABYZOO. 866 00:33:25,070 --> 00:33:27,179 NaiN had that more polished... 867 00:33:27,180 --> 00:33:28,339 and cleaner feel. 868 00:33:28,340 --> 00:33:30,980 Having the male and female dancers battle was also a masterstroke. 869 00:33:31,280 --> 00:33:33,020 BABYZOO versus NaiN. 870 00:33:33,080 --> 00:33:35,250 NaiN versus BABYZOO. 871 00:33:35,320 --> 00:33:37,849 The choreographer who will claim their name on the credit board... 872 00:33:37,850 --> 00:33:39,760 as Director is... 873 00:33:39,790 --> 00:33:41,919 I need to take the Director Credit for myself. 874 00:33:41,920 --> 00:33:42,959 I'm so confident. 875 00:33:42,960 --> 00:33:44,160 It will be mine for sure. 876 00:33:44,590 --> 00:33:45,660 The winner is... 877 00:33:45,700 --> 00:33:46,876 When is the result popping up? 878 00:33:46,900 --> 00:33:48,100 When is it popping up? 879 00:33:48,130 --> 00:33:50,000 Orange. 880 00:33:50,570 --> 00:33:51,570 I have to win. 881 00:33:51,571 --> 00:33:52,970 I'm really confident. 882 00:33:53,040 --> 00:33:56,240 The choreographer who will claim their name on the credit board... 883 00:33:56,570 --> 00:33:57,570 as Director is... 884 00:34:03,010 --> 00:34:04,480 It is BABYZOO! 885 00:34:05,010 --> 00:34:07,379 (BABYZOO wins.) 886 00:34:07,380 --> 00:34:10,249 (BABYZOO gets his name on the Director Credit.) 887 00:34:10,250 --> 00:34:11,920 (1-on-1 Signature 400 Mission) 888 00:34:12,190 --> 00:34:13,420 Great work, NaiN. 889 00:34:15,390 --> 00:34:18,930 - BABYZOO! - BABYZOO! 890 00:34:19,200 --> 00:34:20,400 We made it. 891 00:34:20,500 --> 00:34:22,300 I was so happy. 892 00:34:23,270 --> 00:34:26,169 In terms of directing ability, 893 00:34:26,170 --> 00:34:27,739 BABYZOO utilized the members... 894 00:34:27,740 --> 00:34:29,840 in such a diverse way. 895 00:34:29,940 --> 00:34:33,779 It was so powerful that it genuinely moved me. 896 00:34:33,780 --> 00:34:37,310 So I think I'll be casting my vote for BABYZOO. 897 00:34:38,210 --> 00:34:39,319 The scope... 898 00:34:39,320 --> 00:34:41,050 of BABYZOO's direction was broader. 899 00:34:42,120 --> 00:34:43,449 He dialed in every detail... 900 00:34:43,450 --> 00:34:44,749 - of the acting. - Exactly. 901 00:34:44,750 --> 00:34:48,260 So in terms of directing capability, BABYZOO seems to have the edge. 902 00:34:48,460 --> 00:34:51,159 I really think she was like, 10 out of 10. 903 00:34:51,160 --> 00:34:52,429 I think it's just unfortunate. 904 00:34:52,430 --> 00:34:54,000 He's like 11 out of 10. 905 00:34:55,630 --> 00:34:57,630 Even though it was BABYZOO's piece, 906 00:34:57,670 --> 00:35:00,840 he worked the magic of making the other characters... 907 00:35:01,000 --> 00:35:02,840 come alive even more. 908 00:35:03,270 --> 00:35:05,640 Because it was a performance... 909 00:35:05,680 --> 00:35:08,740 where the staging technique shone through the dancers' utilization, 910 00:35:08,850 --> 00:35:11,409 I have high hopes that another fantastic director... 911 00:35:11,410 --> 00:35:12,549 has been born. 912 00:35:12,550 --> 00:35:13,580 I really enjoyed it. 913 00:35:13,650 --> 00:35:15,419 I felt even better... 914 00:35:15,420 --> 00:35:17,419 because it seemed like the judges fully understood... 915 00:35:17,420 --> 00:35:19,189 everything I wanted to express. 916 00:35:19,190 --> 00:35:20,459 - BABYZOO! - BABYZOO! 917 00:35:20,460 --> 00:35:22,190 This is what I told the dancers. 918 00:35:22,490 --> 00:35:24,989 "Let's create just one scene where we look..." 919 00:35:24,990 --> 00:35:26,099 "the happiest and most joyful," 920 00:35:26,100 --> 00:35:29,030 "making everyone who watches want to dance along." 921 00:35:29,830 --> 00:35:31,699 It was probably tough in the beginning... 922 00:35:31,700 --> 00:35:34,299 with the rocky moments and endless revisions. 923 00:35:34,300 --> 00:35:37,639 Still, they trusted me and followed my lead no matter what. 924 00:35:37,640 --> 00:35:39,979 So I want to thank them again. 925 00:35:39,980 --> 00:35:43,510 They told me, "You're the best director." 926 00:35:43,680 --> 00:35:46,350 You're a really nice teacher. 927 00:35:46,520 --> 00:35:49,020 I don't think you could have done any better than this. 928 00:35:49,220 --> 00:35:50,950 I'm so grateful and happy. 929 00:35:51,090 --> 00:35:52,359 Team BABYZOO! 930 00:35:52,360 --> 00:35:54,519 - Let's win! - It was so wonderful... 931 00:35:54,520 --> 00:35:55,829 working with those dancers. 932 00:35:55,830 --> 00:35:57,490 - Let's go! - Let's go! 933 00:35:58,900 --> 00:36:00,799 In the end, BABYZOO was the only choreographer... 934 00:36:00,800 --> 00:36:02,830 who succeeded in leaving his name on this stage... 935 00:36:03,300 --> 00:36:05,169 until the very end. 936 00:36:05,170 --> 00:36:09,670 - BABYZOO! - BABYZOO! 937 00:36:10,470 --> 00:36:12,480 - You did great. - Jo Na In! 938 00:36:12,640 --> 00:36:14,740 - Jo Na In! - Jo Na In! 939 00:36:14,940 --> 00:36:16,979 It's so disappointing. It was... 940 00:36:16,980 --> 00:36:19,280 such a back-and-forth battle all the way to the Last Run, 941 00:36:20,120 --> 00:36:23,290 so I think it came down to the slimmest margin. 942 00:36:23,920 --> 00:36:26,790 I felt so bad for the dancers. 943 00:36:26,960 --> 00:36:28,159 We prepared so hard, 944 00:36:28,160 --> 00:36:30,480 so it's a shame that we can't showcase it to the audience. 945 00:36:30,690 --> 00:36:33,659 Thinking that I should have led them better... 946 00:36:33,660 --> 00:36:35,430 brought up mixed emotions. 947 00:36:35,600 --> 00:36:37,699 I'm going to win in the next mission... 948 00:36:37,700 --> 00:36:40,399 to honor all the sweat you shed for me, 949 00:36:40,400 --> 00:36:41,869 so I hope we can keep cheering each other on... 950 00:36:41,870 --> 00:36:43,269 and just enjoy dancing together. 951 00:36:43,270 --> 00:36:44,370 - Thank you. - Good luck! 952 00:36:46,940 --> 00:36:49,849 I sincerely hope that the day will come... 953 00:36:49,850 --> 00:36:51,279 when I, too, can show my piece. 954 00:36:51,280 --> 00:36:54,780 I needed a catalyst to recharge that fierce fire inside me, 955 00:36:54,880 --> 00:36:56,489 which made me want to win... 956 00:36:56,490 --> 00:36:58,750 even more in the next mission. 957 00:37:00,360 --> 00:37:01,720 BADA versus INGYOO. 958 00:37:02,120 --> 00:37:04,589 (INGYOO's new "Smoke" performance) 959 00:37:04,590 --> 00:37:07,229 (BADA's new Like Jennie performance) 960 00:37:07,230 --> 00:37:09,929 (The result of the signature choreography takeover match) 961 00:37:09,930 --> 00:37:11,630 (INGYOO won.) 962 00:37:11,800 --> 00:37:13,499 I protected my own choreography... 963 00:37:13,500 --> 00:37:15,300 while snatching BADA's away. 964 00:37:15,640 --> 00:37:17,070 It feels great 965 00:37:17,470 --> 00:37:19,339 (Chuckling) 966 00:37:19,340 --> 00:37:22,140 BADA's mental state is probably completely shattered. 967 00:37:22,380 --> 00:37:24,426 The most crucial thing is not letting myself get swept up in it. 968 00:37:24,450 --> 00:37:27,150 Since I got the first button right just the way I wanted, 969 00:37:27,350 --> 00:37:29,850 I have to carry the momentum all the way through. 970 00:37:30,220 --> 00:37:32,189 This was the very first mission... 971 00:37:32,190 --> 00:37:34,689 where my performance was being showcased. 972 00:37:34,690 --> 00:37:36,789 But having failed to secure the credit, 973 00:37:36,790 --> 00:37:41,160 I wondered if this was really all I amounted to. 974 00:37:41,460 --> 00:37:45,000 What is it that I can show through this mission? 975 00:37:46,800 --> 00:37:49,210 Can I look at the evaluations? 976 00:37:49,840 --> 00:37:52,040 How the choreographers evaluated me. 977 00:37:52,440 --> 00:37:54,040 Could I just see the shortcomings? 978 00:37:55,680 --> 00:37:57,279 (They mostly pointed out repetitive choreography...) 979 00:37:57,280 --> 00:37:59,250 (and a lack of focal points.) 980 00:38:00,080 --> 00:38:01,150 It's shocking. 981 00:38:01,750 --> 00:38:03,020 (Punching) 982 00:38:03,190 --> 00:38:04,420 (Groaning) 983 00:38:04,620 --> 00:38:05,890 This makes me feel better. 984 00:38:06,920 --> 00:38:09,201 It's sad, but what can I do? I just have to push through. 985 00:38:09,430 --> 00:38:10,729 My biggest objective right now is... 986 00:38:10,730 --> 00:38:11,929 to thoroughly study my weaknesses, 987 00:38:11,930 --> 00:38:15,299 quickly identify what I urgently need, 988 00:38:15,300 --> 00:38:18,800 and prepare for the next battle. 989 00:38:18,870 --> 00:38:21,270 This is what makes it fun. It fuels my competitive drive. 990 00:38:21,540 --> 00:38:23,270 It's not over until it's over. 991 00:38:23,470 --> 00:38:26,940 To take the Director Credit, I really need to do this right. 992 00:38:27,480 --> 00:38:29,150 Hello! 993 00:38:29,280 --> 00:38:30,310 (Team BADA Practice Room) 994 00:38:31,010 --> 00:38:34,050 So we kicked off our first rehearsal. 995 00:38:34,520 --> 00:38:37,650 I lost my signature choreography for this round. 996 00:38:37,820 --> 00:38:39,459 Everyone, isn't this amazing? 997 00:38:39,460 --> 00:38:40,689 - Yes! - Isn't it great? 998 00:38:40,690 --> 00:38:43,230 Don't you think we can pull off an insanely cool performance? 999 00:38:43,330 --> 00:38:44,359 - Yes! - Yes! 1000 00:38:44,360 --> 00:38:46,859 So for this signature part, 1001 00:38:46,860 --> 00:38:48,800 we'll be doing INGYOO's signature choreography. 1002 00:38:49,330 --> 00:38:53,200 The dancers' expressions looked disappointed and worried. 1003 00:38:53,340 --> 00:38:57,240 So I thought I should build their trust in me. 1004 00:38:57,370 --> 00:38:58,646 (INGYOO visited Team BADA for the choreography handover.) 1005 00:38:58,670 --> 00:39:01,179 When Ingyoo was teaching, 1006 00:39:01,180 --> 00:39:02,680 I took the lead even more. 1007 00:39:02,950 --> 00:39:04,349 I think you need to step forward a bit. 1008 00:39:04,350 --> 00:39:05,479 Do you want to run it from the top once... 1009 00:39:05,480 --> 00:39:06,879 - and then listen to the track? - Okay. 1010 00:39:06,880 --> 00:39:10,149 I deliberately spoke extra loudly toward INGYOO. 1011 00:39:10,150 --> 00:39:12,120 - From the top... - Check the line change later. 1012 00:39:12,460 --> 00:39:13,890 It did get on my nerves. 1013 00:39:14,090 --> 00:39:16,390 A fire was blazing inside my mind. 1014 00:39:16,930 --> 00:39:19,559 But getting emotionally hung up on that... 1015 00:39:19,560 --> 00:39:21,829 wouldn't get me anywhere, so I figured I should do my job. 1016 00:39:21,830 --> 00:39:23,829 I wanted to memorize INGYOO's piece as fast as possible... 1017 00:39:23,830 --> 00:39:26,600 so I could teach it to my team myself. 1018 00:39:27,600 --> 00:39:29,569 So I went out of my way to step to the back... 1019 00:39:29,570 --> 00:39:30,639 and teach them more. 1020 00:39:30,640 --> 00:39:31,770 It should go right away. 1021 00:39:32,070 --> 00:39:33,439 (BADA completely took over the teaching zone.) 1022 00:39:33,440 --> 00:39:34,839 (And INGYOO watched the situation.) 1023 00:39:34,840 --> 00:39:36,810 I tried to take over the room's momentum. 1024 00:39:37,050 --> 00:39:39,850 (Before anyone realized it, BADA gained the upper hand.) 1025 00:39:40,550 --> 00:39:41,550 This is interesting. 1026 00:39:41,551 --> 00:39:42,890 (There you go!) 1027 00:39:43,490 --> 00:39:45,389 (What is going on?) 1028 00:39:45,390 --> 00:39:46,490 This is really funny. 1029 00:39:46,590 --> 00:39:49,360 I could feel BADA getting all competitive in real time. 1030 00:39:49,860 --> 00:39:50,930 Right then, I went... 1031 00:39:51,530 --> 00:39:52,799 (What?) 1032 00:39:52,800 --> 00:39:53,900 We got all fired up. 1033 00:39:54,260 --> 00:39:56,076 It sparked her competitive spirit. It was scary. 1034 00:39:56,100 --> 00:39:58,170 But even so, I thought... 1035 00:39:58,230 --> 00:40:00,469 I could beat BADA once we hit the stage. 1036 00:40:00,470 --> 00:40:03,070 The dancers are going to struggle with INGYOO's choreography. 1037 00:40:03,170 --> 00:40:05,346 Pulling off this rhythm with swagger is going to be difficult for them. 1038 00:40:05,370 --> 00:40:07,340 My choreography isn't on the easy side, 1039 00:40:07,540 --> 00:40:08,640 even if it might look it. 1040 00:40:08,940 --> 00:40:11,849 While the focal design points are set, 1041 00:40:11,850 --> 00:40:12,919 I give freedom to the movements. 1042 00:40:12,920 --> 00:40:14,180 Okay! 1043 00:40:14,520 --> 00:40:17,119 I needed a lot of dancers who could deliver that vibe, 1044 00:40:17,120 --> 00:40:18,820 so I called in WE DEM BOYZ. 1045 00:40:18,850 --> 00:40:19,960 Go! 1046 00:40:20,260 --> 00:40:21,559 They all shine brightly. 1047 00:40:21,560 --> 00:40:22,729 (INGYOO's hidden trump card: WE DEM BOYZ) 1048 00:40:22,730 --> 00:40:24,860 Having WE DEM BOYZ there was such a huge relief. 1049 00:40:24,960 --> 00:40:26,159 Say, "Oh!" 1050 00:40:26,160 --> 00:40:27,680 The pure satisfaction hit immediately. 1051 00:40:27,860 --> 00:40:29,620 It felt like doing what we were meant to do. 1052 00:40:29,870 --> 00:40:31,099 (This is it!) 1053 00:40:31,100 --> 00:40:32,369 (Completely absorbing INGYOO's signature style) 1054 00:40:32,370 --> 00:40:34,869 Taking the Director Credit with my choreography... 1055 00:40:34,870 --> 00:40:36,140 is going to be pretty tough. 1056 00:40:36,540 --> 00:40:37,669 I know it will be tough. 1057 00:40:37,670 --> 00:40:40,579 It's not my choreography, so I put a lot of thought into it. 1058 00:40:40,580 --> 00:40:43,609 If some dancers find the execution too difficult, 1059 00:40:43,610 --> 00:40:46,019 I plan to resolve it through blocking and formations, 1060 00:40:46,020 --> 00:40:47,740 so not everyone needs to perform the moves. 1061 00:40:48,120 --> 00:40:52,120 And my concept was crystal clear right from the start. 1062 00:40:52,220 --> 00:40:54,460 My concept is a runway. 1063 00:40:54,620 --> 00:40:56,660 A stable, cool performance. 1064 00:40:56,790 --> 00:40:59,499 Because the visual picture I wanted to show was so clear, 1065 00:40:59,500 --> 00:41:02,229 I even held meetings on how to direct the lighting. 1066 00:41:02,230 --> 00:41:04,469 If you want silhouette lighting tailored to the positions... 1067 00:41:04,470 --> 00:41:06,469 Also, in the process of turning the runway... 1068 00:41:06,470 --> 00:41:07,939 into a mega crew scale, 1069 00:41:07,940 --> 00:41:10,369 I tried to incorporate varied visual pictures. 1070 00:41:10,370 --> 00:41:12,580 For instance, like diagonal entrances... 1071 00:41:13,240 --> 00:41:15,639 or walking out to stage a confrontation showdown, 1072 00:41:15,640 --> 00:41:17,610 I made an effort to add twist elements. 1073 00:41:17,850 --> 00:41:18,850 And I tried... 1074 00:41:18,851 --> 00:41:22,150 to utilize plenty of props and objects. 1075 00:41:22,450 --> 00:41:24,849 All these circumstances worked in my favor. 1076 00:41:24,850 --> 00:41:26,320 So I think I can win this. 1077 00:41:26,920 --> 00:41:28,559 BADA says she's going with a runway concept. 1078 00:41:28,560 --> 00:41:29,959 But isn't this a game... 1079 00:41:29,960 --> 00:41:32,600 where you can just dress sharp and let the dance speak for itself? 1080 00:41:33,030 --> 00:41:36,069 I can pack so much into the choreography, 1081 00:41:36,070 --> 00:41:37,830 so formations aren't all that crucial to me. 1082 00:41:37,870 --> 00:41:39,510 The choreography has such great flavor... 1083 00:41:39,640 --> 00:41:42,739 that the dance alone will keep all eyes glued to the stage. 1084 00:41:42,740 --> 00:41:44,539 So I sorted out the dancers... 1085 00:41:44,540 --> 00:41:46,240 capable of pulling off my choreography. 1086 00:41:46,280 --> 00:41:49,179 Even while the other team was mapping out blockings, 1087 00:41:49,180 --> 00:41:50,609 I chose to focus... 1088 00:41:50,610 --> 00:41:52,409 and take my time drilling the choreo. 1089 00:41:52,410 --> 00:41:53,719 It looks like we need to run this a few more times. 1090 00:41:53,720 --> 00:41:55,180 (Day 4 of Choreography Practice) 1091 00:41:55,480 --> 00:41:57,390 Dance quality was my number one priority. 1092 00:41:57,920 --> 00:42:00,690 So I allocated more time to drilling the choreography. 1093 00:42:00,990 --> 00:42:02,189 Even so, there were dancers... 1094 00:42:02,190 --> 00:42:04,360 who still fell short of the required level. 1095 00:42:05,290 --> 00:42:07,770 She was someone who lacked even the fundamentals of execution. 1096 00:42:08,430 --> 00:42:11,470 She simply couldn't execute the movements at all. 1097 00:42:12,600 --> 00:42:13,969 Her learning pace... 1098 00:42:13,970 --> 00:42:16,110 was noticeably slow. 1099 00:42:16,840 --> 00:42:19,640 I'm worried about whether she can pull this off. 1100 00:42:19,740 --> 00:42:20,740 Is there a part you can't pull off? 1101 00:42:20,741 --> 00:42:22,650 I think you need to ask questions. 1102 00:42:23,080 --> 00:42:25,049 (Staring) 1103 00:42:25,050 --> 00:42:26,120 Is everything all right? 1104 00:42:27,080 --> 00:42:29,120 Flip it like this. Like turning the page of a book. 1105 00:42:29,820 --> 00:42:31,920 (Grooving) 1106 00:42:32,560 --> 00:42:33,790 What should I do? 1107 00:42:34,520 --> 00:42:36,190 She just couldn't dance. 1108 00:42:37,160 --> 00:42:38,530 I look like a stick. 1109 00:42:38,760 --> 00:42:39,959 - You're like a stick? - Yes. 1110 00:42:39,960 --> 00:42:41,359 I look like a stick. 1111 00:42:41,360 --> 00:42:42,520 Keep at it and you'll get it. 1112 00:42:43,330 --> 00:42:44,499 (Stiff) 1113 00:42:44,500 --> 00:42:45,500 Yes. Like that. 1114 00:42:45,501 --> 00:42:47,600 Even after giving her one-on-one tutoring, 1115 00:42:48,440 --> 00:42:50,270 correcting the moves seems tough, 1116 00:42:50,470 --> 00:42:51,870 so I'm a bit concerned. 1117 00:42:52,040 --> 00:42:54,540 A few of the dancers were looking hopeless. 1118 00:42:55,580 --> 00:42:57,849 I've never prepared a performance... 1119 00:42:57,850 --> 00:42:59,520 with dancers like this before, 1120 00:42:59,820 --> 00:43:03,150 so I'm not sure I can put this on stage. This is serious. 1121 00:43:03,820 --> 00:43:05,919 You two, please step forward. 1122 00:43:05,920 --> 00:43:07,859 (INGYOO calls out specific dancers.) 1123 00:43:07,860 --> 00:43:08,989 (Esma) 1124 00:43:08,990 --> 00:43:10,630 (Among them, Esma is called out as well.) 1125 00:43:10,690 --> 00:43:14,160 The dancers I just picked are going to hold the cloth. 1126 00:43:14,600 --> 00:43:16,470 You'll be holding a red sheet of cloth. 1127 00:43:16,770 --> 00:43:18,569 It was my own strategy. 1128 00:43:18,570 --> 00:43:21,540 Keeping the dancers who can't pull off the moves out of sight. 1129 00:43:22,300 --> 00:43:24,169 (Immediately starting practice for raising the cloth) 1130 00:43:24,170 --> 00:43:25,269 Seven, eight. 1131 00:43:25,270 --> 00:43:26,640 Two, three, four. 1132 00:43:26,840 --> 00:43:28,980 (In the middle of practice, Esma suddenly sits down.) 1133 00:43:29,850 --> 00:43:30,910 What was that? 1134 00:43:31,150 --> 00:43:33,080 She suddenly sat on the floor. 1135 00:43:33,450 --> 00:43:36,190 (Refusing to budge) 1136 00:43:36,320 --> 00:43:37,720 Cool. 1137 00:43:40,760 --> 00:43:41,760 (Dropping her head) 1138 00:43:42,620 --> 00:43:43,860 (He spotted her.) 1139 00:43:43,930 --> 00:43:44,990 What's wrong? 1140 00:43:46,300 --> 00:43:47,330 What is it? 1141 00:43:48,060 --> 00:43:49,729 (Flustered) 1142 00:43:49,730 --> 00:43:53,770 (Tension suddenly envelops the practice room.) 1143 00:43:54,000 --> 00:43:55,469 She says she wants to know if she has... 1144 00:43:55,470 --> 00:43:56,669 - any more choreo parts. - What? 1145 00:43:56,670 --> 00:43:57,769 I don't want to know. 1146 00:43:57,770 --> 00:43:59,439 (I don't want to know.) 1147 00:43:59,440 --> 00:44:00,740 Oh, my goodness. 1148 00:44:01,180 --> 00:44:02,280 Are you good? 1149 00:44:02,480 --> 00:44:05,110 (In the end) 1150 00:44:05,480 --> 00:44:07,549 (Esma storms out of the practice room.) 1151 00:44:07,550 --> 00:44:08,950 Okay. 1152 00:44:09,320 --> 00:44:10,650 Let's take a short break. 1153 00:44:12,120 --> 00:44:13,219 What was that? 1154 00:44:13,220 --> 00:44:14,860 What? What's wrong? 1155 00:44:15,260 --> 00:44:16,489 They are... 1156 00:44:16,490 --> 00:44:19,290 questioning why they aren't in the actual dance parts. 1157 00:44:19,460 --> 00:44:21,159 I'm doing this... 1158 00:44:21,160 --> 00:44:23,106 because I want to give everyone as much of a role as possible, too. 1159 00:44:23,130 --> 00:44:25,029 I can't cater to every single one of them. 1160 00:44:25,030 --> 00:44:28,469 That sounds like some utopian, politically correct fantasy. 1161 00:44:28,470 --> 00:44:30,639 I'm sorry, but this is a survival show. 1162 00:44:30,640 --> 00:44:31,640 It doesn't make sense. 1163 00:44:31,641 --> 00:44:34,779 This is a competition where I must put skilled dancers front... 1164 00:44:34,780 --> 00:44:37,310 to grab the spotlight if I want to win. 1165 00:44:37,450 --> 00:44:39,150 I made the choice I had to make. 1166 00:44:40,180 --> 00:44:43,749 - I have something I'd like to ask. - Okay. 1167 00:44:43,750 --> 00:44:46,189 I want to hear what my issue was... 1168 00:44:46,190 --> 00:44:48,320 and what I was lacking. 1169 00:44:48,720 --> 00:44:51,930 (During the twerking part audition held today) 1170 00:44:52,060 --> 00:44:54,829 These are the selected dancers. 1171 00:44:54,830 --> 00:44:55,830 Thank you. 1172 00:44:55,831 --> 00:44:57,800 (Esma was left unpicked.) 1173 00:44:57,970 --> 00:45:00,099 I wanted to pick dancers with stable execution, 1174 00:45:00,100 --> 00:45:02,200 but you kept rushing the tempo. 1175 00:45:02,340 --> 00:45:03,639 - We only practiced for 15 minutes. - I know. 1176 00:45:03,640 --> 00:45:06,679 - And since I was in the back... - I know. 1177 00:45:06,680 --> 00:45:07,879 - I can't nail it right away. - I know. 1178 00:45:07,880 --> 00:45:09,139 I need practice. 1179 00:45:09,140 --> 00:45:10,409 The actual performance is coming up soon. 1180 00:45:10,410 --> 00:45:12,780 So I wanted to pick dancers who wouldn't mess up. 1181 00:45:12,980 --> 00:45:14,449 I won't mess up. 1182 00:45:14,450 --> 00:45:17,419 But there are too many dancers here for me... 1183 00:45:17,420 --> 00:45:19,460 to accommodate everyone's personal circumstances. 1184 00:45:19,590 --> 00:45:21,659 I have to look out for the other dancers as well. 1185 00:45:21,660 --> 00:45:22,929 There's barely any time left. 1186 00:45:22,930 --> 00:45:24,850 I needed someone I could lock in with certainty. 1187 00:45:24,890 --> 00:45:26,610 This isn't just a show. It's a competition. 1188 00:45:27,230 --> 00:45:29,390 If I don't do this right, I get eliminated right away. 1189 00:45:31,530 --> 00:45:32,800 That's why. 1190 00:45:33,700 --> 00:45:34,870 It can't be helped. 1191 00:45:35,000 --> 00:45:37,840 I'm sorry, but it is what it is. 1192 00:45:38,140 --> 00:45:41,380 It breaks my heart too. I have to cut off many people here. 1193 00:45:41,840 --> 00:45:43,749 Every time I see them watching me from behind, 1194 00:45:43,750 --> 00:45:44,910 it tears me apart. 1195 00:45:45,850 --> 00:45:48,980 They have to dance. They have to do something too. 1196 00:45:49,320 --> 00:45:52,290 I felt sorry for the dancers. 1197 00:45:52,520 --> 00:45:55,160 They must've expected to perform on stage. 1198 00:45:55,990 --> 00:45:58,030 I'd appreciate it if you understand how I feel. 1199 00:45:59,530 --> 00:46:01,729 I understand how you feel. 1200 00:46:01,730 --> 00:46:04,129 You must feel hurt and disappointed. 1201 00:46:04,130 --> 00:46:05,170 But... 1202 00:46:06,540 --> 00:46:08,599 I hope you will keep your spirits up. 1203 00:46:08,600 --> 00:46:10,470 (INGYOO offers a handshake.) 1204 00:46:10,770 --> 00:46:13,780 How can I neglect her when we're in it together? 1205 00:46:15,940 --> 00:46:17,280 We have to go together. 1206 00:46:18,980 --> 00:46:20,749 I want you to try harder tomorrow... 1207 00:46:20,750 --> 00:46:22,220 and perform well on stage. 1208 00:46:22,580 --> 00:46:25,389 As a director, I need to accept them and lead them. 1209 00:46:25,390 --> 00:46:27,160 It's what a director must do. 1210 00:46:27,920 --> 00:46:28,920 I'm curious about BADA. 1211 00:46:28,921 --> 00:46:30,606 (1-on-1 Signature 400 Mission Interim Review Day) 1212 00:46:30,630 --> 00:46:32,389 "1-on-1 Signature 400 Mission practice video." 1213 00:46:32,390 --> 00:46:34,559 "Please predict the winner of each matchup..." 1214 00:46:34,560 --> 00:46:35,959 "and who the winning director will be." 1215 00:46:35,960 --> 00:46:37,269 Oh, my gosh! 1216 00:46:37,270 --> 00:46:38,569 (Here it is.) 1217 00:46:38,570 --> 00:46:39,799 I'm already excited. 1218 00:46:39,800 --> 00:46:43,239 It's such a big match that I can't possibly predict... 1219 00:46:43,240 --> 00:46:44,569 who's going to win. 1220 00:46:44,570 --> 00:46:45,739 Should I watch it? 1221 00:46:45,740 --> 00:46:46,940 Can't wait to watch it. 1222 00:46:47,740 --> 00:46:48,940 Gosh. 1223 00:46:49,180 --> 00:46:50,610 I love it. 1224 00:46:51,310 --> 00:46:53,049 Vata is too good. 1225 00:46:53,050 --> 00:46:54,780 This is unfair. 1226 00:46:55,280 --> 00:46:56,949 He's too good. 1227 00:46:56,950 --> 00:46:58,250 (Vata is on another level.) 1228 00:46:58,550 --> 00:46:59,860 There it is. 1229 00:47:00,020 --> 00:47:01,796 (Signature choreography part in "like JENNIE") 1230 00:47:01,820 --> 00:47:03,390 (In sync) 1231 00:47:03,690 --> 00:47:06,060 Staying true to the original. 1232 00:47:06,130 --> 00:47:09,359 It's fun that INGYOO not Jennie, is in the center, 1233 00:47:09,360 --> 00:47:10,930 when it's "like JENNIE." 1234 00:47:11,170 --> 00:47:12,530 (Clapping) 1235 00:47:12,800 --> 00:47:14,869 He's too good. This is unfair. 1236 00:47:14,870 --> 00:47:16,769 His dance is too good. 1237 00:47:16,770 --> 00:47:18,539 I think he really captured the appeal... 1238 00:47:18,540 --> 00:47:21,179 and energy of a mega crew. 1239 00:47:21,180 --> 00:47:22,679 BADA! 1240 00:47:22,680 --> 00:47:24,349 Additional casting. Goodness. 1241 00:47:24,350 --> 00:47:25,350 Audrey? 1242 00:47:25,351 --> 00:47:26,880 Is this Audrey that Audrey? 1243 00:47:26,920 --> 00:47:29,149 (Team BADA's key dancer is Audrey.) 1244 00:47:29,150 --> 00:47:31,090 JAM REPUBLIC's Audrey. 1245 00:47:31,150 --> 00:47:32,790 (JAM REPUBLIC's standout youngest member) 1246 00:47:35,360 --> 00:47:36,789 Audrey is unbelievable. 1247 00:47:36,790 --> 00:47:38,359 How did she get her? I'm surprised. 1248 00:47:38,360 --> 00:47:39,360 Scary. 1249 00:47:39,361 --> 00:47:42,459 The synopsis was a runway featuring people of various nationalities. 1250 00:47:42,460 --> 00:47:44,569 I wonder how she interpreted it. It must have been challenging. 1251 00:47:44,570 --> 00:47:45,769 To carry that concept all the way through. 1252 00:47:45,770 --> 00:47:47,269 I bet BADA really brought her A-game. 1253 00:47:47,270 --> 00:47:49,546 I’m going to prove I can pull off a mega crew performance. 1254 00:47:49,570 --> 00:47:50,570 Let's see. 1255 00:47:50,740 --> 00:47:53,979 They’re coming out strong from the start. 1256 00:47:53,980 --> 00:47:55,639 They are using a lot of props. 1257 00:47:55,640 --> 00:47:57,509 The one in blue is so good. 1258 00:47:57,510 --> 00:47:58,580 It's Audrey. 1259 00:47:58,780 --> 00:48:00,480 Audrey is really carrying the team. 1260 00:48:01,450 --> 00:48:03,249 Ay! 1261 00:48:03,250 --> 00:48:04,919 The choreography is superb. 1262 00:48:04,920 --> 00:48:06,459 BADA's strength is... 1263 00:48:06,460 --> 00:48:07,959 choreography. 1264 00:48:07,960 --> 00:48:09,929 I think she composed it well, 1265 00:48:09,930 --> 00:48:11,529 in her style. 1266 00:48:11,530 --> 00:48:14,099 Then the smoke came out with a whoosh. 1267 00:48:14,100 --> 00:48:17,229 It matched the sound so perfectly. 1268 00:48:17,230 --> 00:48:18,269 It was like magic. 1269 00:48:18,270 --> 00:48:19,839 Gosh, BADA. 1270 00:48:19,840 --> 00:48:21,799 She clearly used the dancers... 1271 00:48:21,800 --> 00:48:24,069 to build these visual formations. 1272 00:48:24,070 --> 00:48:25,169 But it still feels... 1273 00:48:25,170 --> 00:48:26,740 a little unpolished. 1274 00:48:26,840 --> 00:48:28,639 There’s a lot of moving in and out. 1275 00:48:28,640 --> 00:48:31,349 It feels a little chaotic. 1276 00:48:31,350 --> 00:48:32,749 They're the opposite. 1277 00:48:32,750 --> 00:48:36,219 BADA put emphasis on the overall composition. 1278 00:48:36,220 --> 00:48:38,589 INGYOO's performance is all about being wild. 1279 00:48:38,590 --> 00:48:41,560 I think it's about the difference in their strategies. 1280 00:48:41,590 --> 00:48:42,619 I can't see it. 1281 00:48:42,620 --> 00:48:44,929 Even if it's still a bit rough, 1282 00:48:44,930 --> 00:48:46,929 I hope they will look at the artistry of it... 1283 00:48:46,930 --> 00:48:49,359 or the varied composition. 1284 00:48:49,360 --> 00:48:50,929 At the end of the day, 1285 00:48:50,930 --> 00:48:52,329 my dance has so much appeal, 1286 00:48:52,330 --> 00:48:53,640 so I think I will win. 1287 00:48:53,800 --> 00:48:55,599 It's hard to tell. 1288 00:48:55,600 --> 00:48:57,960 (BADA versus INGYOO. Which director is most likely to win?) 1289 00:48:58,570 --> 00:48:59,980 Gosh. 1290 00:49:04,080 --> 00:49:06,180 Yes! 1291 00:49:06,320 --> 00:49:07,920 It felt so good. 1292 00:49:08,250 --> 00:49:10,220 I was very sad. 1293 00:49:13,860 --> 00:49:15,460 Why am I here? 1294 00:49:16,590 --> 00:49:19,490 I had my choreography stolen already. 1295 00:49:19,660 --> 00:49:22,059 Hearing that assessment, 1296 00:49:22,060 --> 00:49:24,500 I felt like I've been pushed out into the middle of nowhere. 1297 00:49:26,070 --> 00:49:28,940 (Laughing) 1298 00:49:29,140 --> 00:49:30,769 BADA can't laugh. 1299 00:49:30,770 --> 00:49:31,770 (Laughing) 1300 00:49:31,771 --> 00:49:33,239 It must be frustrating... 1301 00:49:33,240 --> 00:49:35,480 and very painful. 1302 00:49:36,040 --> 00:49:37,250 This is hard. 1303 00:49:37,850 --> 00:49:41,380 At this point, there's no turning back. 1304 00:49:41,620 --> 00:49:44,449 She could add to it, but... 1305 00:49:44,450 --> 00:49:47,890 I don't know. Will it be able to turn out well? 1306 00:49:48,120 --> 00:49:49,890 I think it will be very tough. 1307 00:49:53,060 --> 00:49:54,540 Don't tell me everyone picked INGYOO. 1308 00:49:55,300 --> 00:49:57,030 (INGYOO) 1309 00:49:57,200 --> 00:49:58,300 No way. 1310 00:49:58,800 --> 00:50:00,839 I didn't think it would be so extreme. 1311 00:50:00,840 --> 00:50:03,570 I expected to get at least two votes. 1312 00:50:03,970 --> 00:50:05,439 This happened on "Street Woman Fighter 2" too. 1313 00:50:05,440 --> 00:50:07,580 I started getting very anxious. 1314 00:50:07,880 --> 00:50:10,479 "The overall composition and quality are not good enough." 1315 00:50:10,480 --> 00:50:12,609 "The intent of the synopsis doesn't come through clearly." 1316 00:50:12,610 --> 00:50:15,049 Because the dancers aren't moving in sync as they move in and out, 1317 00:50:15,050 --> 00:50:16,920 it feels a little distracting. 1318 00:50:17,450 --> 00:50:20,519 The comments were not something I expected. 1319 00:50:20,520 --> 00:50:22,989 It made me think about how I should fix it. 1320 00:50:22,990 --> 00:50:24,529 I felt a bit lost. 1321 00:50:24,530 --> 00:50:26,599 You know that first judgement. 1322 00:50:26,600 --> 00:50:29,129 There's someone who doesn't come across as a director. 1323 00:50:29,130 --> 00:50:31,569 It felt as if that was becoming true, 1324 00:50:31,570 --> 00:50:33,030 and I was scared. 1325 00:50:33,700 --> 00:50:36,140 The rehearsal began. Please focus. 1326 00:50:36,410 --> 00:50:37,569 He's INGYOO? 1327 00:50:37,570 --> 00:50:39,779 Yes. 1328 00:50:39,780 --> 00:50:42,040 No, it's my first time to see him without the glasses. 1329 00:50:42,540 --> 00:50:44,550 We'll run "Smoke" using vocal counts. 1330 00:50:45,150 --> 00:50:46,696 (INGYOO stole BADA's signature "Smoke.") 1331 00:50:46,720 --> 00:50:48,949 BADA must be sad. He stole it from her. 1332 00:50:48,950 --> 00:50:51,220 (He had fun making it, but he succeeded to steal it.) 1333 00:50:53,890 --> 00:50:56,190 It's perfectly INGYOO's vibe. 1334 00:50:56,260 --> 00:50:57,789 He has a really good sense of rhythm. 1335 00:50:57,790 --> 00:51:00,830 He interpreted "Smoke" with such tight, punchy movements. 1336 00:51:00,960 --> 00:51:02,430 He choreographed it so well. 1337 00:51:03,200 --> 00:51:05,869 The stage concept is raiders in a wasteland. 1338 00:51:05,870 --> 00:51:08,069 It has this Mad Max vibe where things get increasingly brutal... 1339 00:51:08,070 --> 00:51:09,669 until it ends in death. 1340 00:51:09,670 --> 00:51:12,169 INGYOO I see... 1341 00:51:12,170 --> 00:51:14,039 gets completely immersed in the dance... 1342 00:51:14,040 --> 00:51:16,549 through that vibe and emotion. 1343 00:51:16,550 --> 00:51:19,649 But I don't think storytelling is one of his strengths. 1344 00:51:19,650 --> 00:51:21,619 I want to see how he's going to show this concept. 1345 00:51:21,620 --> 00:51:23,349 I chose to focus on what mattered most. 1346 00:51:23,350 --> 00:51:24,689 While BADA focused on composition... 1347 00:51:24,690 --> 00:51:26,759 I don't care too much about the composition. 1348 00:51:26,760 --> 00:51:28,289 I want my choreography to be so good... 1349 00:51:28,290 --> 00:51:29,559 that people can't take their eyes off of it. 1350 00:51:29,560 --> 00:51:30,759 I want people to get immersed. 1351 00:51:30,760 --> 00:51:32,759 It has to look cool at first glance. 1352 00:51:32,760 --> 00:51:33,960 I want to keep it sharp. 1353 00:51:34,160 --> 00:51:35,630 Grace, can you stand for me? 1354 00:51:36,430 --> 00:51:37,799 (Dancer Grace) 1355 00:51:37,800 --> 00:51:39,230 She's a voguing dancer. 1356 00:51:39,430 --> 00:51:42,139 Grace was supposed to be the focal point. 1357 00:51:42,140 --> 00:51:43,839 The spotlight should be pinned here. 1358 00:51:43,840 --> 00:51:46,070 Can you pin the spotlight to where she is standing? 1359 00:51:46,680 --> 00:51:48,339 She has to stand out. Yes. 1360 00:51:48,340 --> 00:51:50,210 It would be nice if the circle is smaller. 1361 00:51:50,550 --> 00:51:53,819 Grace is a rising dancer. 1362 00:51:53,820 --> 00:51:56,789 People love her because she's stylish. 1363 00:51:56,790 --> 00:51:59,190 She makes the dance fashionable. 1364 00:52:00,090 --> 00:52:03,429 It looks like he designed it to look iconic. 1365 00:52:03,430 --> 00:52:04,559 What are they going to do? 1366 00:52:04,560 --> 00:52:06,500 Should we try it? 6, 7, 8. 1367 00:52:07,060 --> 00:52:08,730 (Attention-grabbing) 1368 00:52:09,400 --> 00:52:11,599 So that's the scorpion concept. 1369 00:52:11,600 --> 00:52:13,299 It's very unique. 1370 00:52:13,300 --> 00:52:14,940 It pleases the eyes. 1371 00:52:15,200 --> 00:52:16,300 I'm curious. 1372 00:52:16,670 --> 00:52:19,569 I focused on gradually building up the scale... 1373 00:52:19,570 --> 00:52:21,839 with colorful, dynamic visuals. 1374 00:52:21,840 --> 00:52:23,379 He's got a clear picture. 1375 00:52:23,380 --> 00:52:25,249 Taking the hype to the next level. 1376 00:52:25,250 --> 00:52:27,019 Gosh, it's crazy! 1377 00:52:27,020 --> 00:52:28,649 Let's go! 1378 00:52:28,650 --> 00:52:29,819 I have conviction. 1379 00:52:29,820 --> 00:52:31,649 This is the winning direction. 1380 00:52:31,650 --> 00:52:33,320 You will be overwhelmed. 1381 00:52:34,260 --> 00:52:37,630 BADA versus INGYOO. Last Run will begin. 1382 00:52:37,930 --> 00:52:41,230 - Are you ready? - Yes! 1383 00:52:41,430 --> 00:52:43,869 Ready, 3, 2, 1! 1384 00:52:43,870 --> 00:52:45,730 - Let's go! - Let's go! 1385 00:52:46,430 --> 00:52:49,200 It was a worship ritual to make the world dance. 1386 00:52:49,470 --> 00:52:50,470 (Shouting) 1387 00:52:51,470 --> 00:52:53,880 Let's go! 1388 00:52:54,740 --> 00:52:56,239 - Just do as we prepared. - Yes. 1389 00:52:56,240 --> 00:52:57,909 You don't need anything else. Just do as you prepared. 1390 00:52:57,910 --> 00:53:01,179 I put a lot of thought into making the performance feel... 1391 00:53:01,180 --> 00:53:03,549 both solid and dynamic. 1392 00:53:03,550 --> 00:53:05,550 (Team INGYOO goes.) 1393 00:53:05,890 --> 00:53:08,330 I'm not afraid to go head-to-head when it comes to directing. 1394 00:53:09,590 --> 00:53:10,590 Hey! 1395 00:53:10,591 --> 00:53:12,689 I have a better physique, 1396 00:53:12,690 --> 00:53:14,659 so I think I have an upper hand. 1397 00:53:14,660 --> 00:53:16,629 I guess we will be competing physically. 1398 00:53:16,630 --> 00:53:18,530 But I don't think that will be an issue. 1399 00:53:18,730 --> 00:53:19,869 It's over. 1400 00:53:19,870 --> 00:53:21,270 (She can't believe it.) 1401 00:53:21,340 --> 00:53:22,499 - Hey. - Hey. 1402 00:53:22,500 --> 00:53:23,870 Hey. 1403 00:53:23,970 --> 00:53:25,069 I try not to care, 1404 00:53:25,070 --> 00:53:27,639 but it didn't feel good. 1405 00:53:27,640 --> 00:53:29,579 Tie your shoelaces and drawstrings. 1406 00:53:29,580 --> 00:53:32,549 Let's double-knot your shoelaces. 1407 00:53:32,550 --> 00:53:34,449 Make sure to zip our pants. 1408 00:53:34,450 --> 00:53:35,580 You're copying me. 1409 00:53:36,020 --> 00:53:37,920 Why does he keep provoking me? It's childish. 1410 00:53:38,290 --> 00:53:39,650 I will win. 1411 00:53:39,690 --> 00:53:40,819 You think you will win? 1412 00:53:40,820 --> 00:53:42,160 I will win. 1413 00:53:42,320 --> 00:53:43,990 I will beat INGYOO. 1414 00:53:44,190 --> 00:53:45,789 Team BADA. Team INGYOO. 1415 00:53:45,790 --> 00:53:47,900 Please enter the set with your dancers. 1416 00:53:48,060 --> 00:53:49,299 (Both teams enter the set.) 1417 00:53:49,300 --> 00:53:50,570 Let's go! 1418 00:53:50,800 --> 00:53:52,899 - Please. - Why am I so nervous? 1419 00:53:52,900 --> 00:53:54,099 This is crazy. 1420 00:53:54,100 --> 00:53:55,640 (Everyone is in.) 1421 00:53:55,800 --> 00:53:58,039 One, two, three. Make some noise! 1422 00:53:58,040 --> 00:54:00,740 (Shouting) 1423 00:54:01,140 --> 00:54:02,640 (Shouting) 1424 00:54:03,780 --> 00:54:06,679 I didn't ask them to say "Ooh! Ooh!" 1425 00:54:06,680 --> 00:54:09,620 But they still did it. It means we've become one team. 1426 00:54:09,920 --> 00:54:12,620 Choreographers, please enter the stage. 1427 00:54:14,620 --> 00:54:17,359 - BADA! - BADA! 1428 00:54:17,360 --> 00:54:19,106 (Making a strong first impression with cheers) 1429 00:54:19,130 --> 00:54:20,459 INGYOO is great! 1430 00:54:20,460 --> 00:54:21,829 (We can't lose.) 1431 00:54:21,830 --> 00:54:24,399 I want to win for my teammates. 1432 00:54:24,400 --> 00:54:26,299 - I am not worried about my team. - INGYOO! 1433 00:54:26,300 --> 00:54:27,539 BADA! 1434 00:54:27,540 --> 00:54:29,169 They're copying us again. 1435 00:54:29,170 --> 00:54:30,440 (Serious face) 1436 00:54:30,640 --> 00:54:31,940 What's that? 1437 00:54:32,570 --> 00:54:33,740 (Provoking them) 1438 00:54:33,840 --> 00:54:35,640 - What? - Is that cool? 1439 00:54:36,540 --> 00:54:38,579 The tension between the dancers is intense, too. 1440 00:54:38,580 --> 00:54:40,526 You can tell everyone is fully invested in this performance. 1441 00:54:40,550 --> 00:54:42,749 This is going to be really fun. 1442 00:54:42,750 --> 00:54:44,120 It's really fun. 1443 00:54:44,290 --> 00:54:46,959 Personally, I admire and love... 1444 00:54:46,960 --> 00:54:50,630 both directors, BADA and INGYOO. 1445 00:54:50,690 --> 00:54:52,629 It feels like the fight between water and fire. 1446 00:54:52,630 --> 00:54:56,199 Can you say something to each other before the match? 1447 00:54:56,200 --> 00:54:58,499 Since INGYOO took my signature choreography, 1448 00:54:58,500 --> 00:55:01,839 I need to take that gold credit. 1449 00:55:01,840 --> 00:55:05,569 I believe it's now my turn to win. 1450 00:55:05,570 --> 00:55:08,580 Why don’t you fire things up your own way, too? 1451 00:55:08,780 --> 00:55:10,850 Anything I want to say to her? 1452 00:55:12,510 --> 00:55:13,580 Go, BADA! 1453 00:55:13,920 --> 00:55:16,020 - Go, BADA! - Go, BADA! 1454 00:55:16,550 --> 00:55:18,150 There's no need to be wordy. 1455 00:55:18,250 --> 00:55:19,520 That's how confident I was. 1456 00:55:20,020 --> 00:55:22,089 It's the leader versus leader. 1457 00:55:22,090 --> 00:55:23,090 So I knew it was going to be fun. 1458 00:55:23,091 --> 00:55:24,789 Honestly, I think INGYOO will win. 1459 00:55:24,790 --> 00:55:27,999 I think the choreography perfectly brings all three elements together. 1460 00:55:28,000 --> 00:55:31,369 BADA’s determination must be going through the roof. 1461 00:55:31,370 --> 00:55:33,169 I'm sorry, INGYOO, but I'm on BADA's side. 1462 00:55:33,170 --> 00:55:35,439 I'm ready to draw my sword. 1463 00:55:35,440 --> 00:55:36,810 I am determined to win. 1464 00:55:37,140 --> 00:55:38,469 Good luck, BADA. 1465 00:55:38,470 --> 00:55:40,439 But the "director" title is mine. 1466 00:55:40,440 --> 00:55:41,539 BADA's here, 1467 00:55:41,540 --> 00:55:42,980 but they've got Vata. 1468 00:55:43,240 --> 00:55:44,950 This is a big match. Truly. 1469 00:55:45,380 --> 00:55:46,749 - Let's go! - Let's go! 1470 00:55:46,750 --> 00:55:49,250 WE DEM BOYZ has that incredible freshness. 1471 00:55:49,350 --> 00:55:51,489 The quality of the choreography was too good. 1472 00:55:51,490 --> 00:55:53,420 And I felt threatened. 1473 00:55:53,520 --> 00:55:54,590 A choreography powerhouse. 1474 00:55:55,160 --> 00:55:57,120 How can INGYOO manage to be relaxed all the time? 1475 00:55:57,160 --> 00:55:58,736 INGYOO stole her choreography, you know. 1476 00:55:58,760 --> 00:56:01,100 I'm not worried. I'm convinced. 1477 00:56:01,300 --> 00:56:03,330 Feel our energy! 1478 00:56:03,930 --> 00:56:06,230 It's time for INGYOO's Last Run. 1479 00:56:06,700 --> 00:56:08,400 Ready, fight! 1480 00:56:08,670 --> 00:56:10,470 - I need to watch this. - I'm curious. 1481 00:56:10,870 --> 00:56:11,939 I'm excited. 1482 00:56:11,940 --> 00:56:13,370 (Nervous) 1483 00:56:13,480 --> 00:56:14,739 (The Pyre) 1484 00:56:14,740 --> 00:56:15,979 (A lawless wasteland where raw energy and freedom collide.) 1485 00:56:15,980 --> 00:56:18,060 (Dynamic movement builds tension to a fiery climax.) 1486 00:56:19,280 --> 00:56:20,980 What is this? 1487 00:56:21,320 --> 00:56:22,650 So scary! 1488 00:56:22,980 --> 00:56:24,420 (Performance by Team INGYOO) 1489 00:56:25,650 --> 00:56:27,290 It's WE DEM BOYZ. 1490 00:56:27,790 --> 00:56:28,990 Nice vibe. 1491 00:56:29,190 --> 00:56:30,190 (Curious) 1492 00:56:30,190 --> 00:56:31,190 I can't wait to watch it. 1493 00:56:31,190 --> 00:56:32,190 (Staring intensely) 1494 00:56:32,191 --> 00:56:33,629 (INGYOO's new signature choreography part in "Smoke") 1495 00:56:33,630 --> 00:56:34,630 That's it. 1496 00:56:37,830 --> 00:56:38,830 (Thrilled) 1497 00:56:38,831 --> 00:56:39,970 It's too good. 1498 00:56:43,140 --> 00:56:44,140 Look at that quality. 1499 00:56:44,141 --> 00:56:45,540 The dance is unbelievable. 1500 00:56:45,740 --> 00:56:47,080 WE DEM BOYZ is truly... 1501 00:56:47,540 --> 00:56:48,540 Like hyenas. 1502 00:56:49,380 --> 00:56:50,380 They're good. 1503 00:56:51,080 --> 00:56:52,650 - There he is. - Is he Vata? 1504 00:56:52,850 --> 00:56:53,919 They are too good. 1505 00:56:53,920 --> 00:56:55,550 Goodness, Vata. 1506 00:56:56,080 --> 00:56:57,850 This is wild. 1507 00:56:58,550 --> 00:57:00,066 - The choreography is so fun. - I didn't know someone could... 1508 00:57:00,090 --> 00:57:02,989 dance "Smoke" with such tight, punchy movements. 1509 00:57:02,990 --> 00:57:05,389 He came up with the most incredible choreography. 1510 00:57:05,390 --> 00:57:07,230 I tried to stay calm. 1511 00:57:11,900 --> 00:57:13,469 - Is it Grace? - It's Grace. 1512 00:57:13,470 --> 00:57:14,670 I love it. 1513 00:57:17,540 --> 00:57:18,670 Oh, my gosh! 1514 00:57:19,570 --> 00:57:20,980 The concept is a scorpion. 1515 00:57:21,140 --> 00:57:22,940 It's mad. She's like a sculpture. 1516 00:57:23,140 --> 00:57:24,709 Incredible use of character. 1517 00:57:24,710 --> 00:57:26,050 She's good. 1518 00:57:27,680 --> 00:57:29,220 I love her so much. 1519 00:57:29,380 --> 00:57:30,720 She's like a model. 1520 00:57:31,090 --> 00:57:32,850 She's a cool woman. 1521 00:57:37,690 --> 00:57:38,690 This is mad, isn't it? 1522 00:57:42,460 --> 00:57:43,570 She's incredible. 1523 00:57:44,700 --> 00:57:46,869 - What is it? - What is it? 1524 00:57:46,870 --> 00:57:48,310 Why are they bringing out the cloth? 1525 00:57:48,740 --> 00:57:49,740 There they are. 1526 00:57:51,670 --> 00:57:53,370 (Cheering) 1527 00:57:54,980 --> 00:57:56,660 Love the vibe of the dancer in the center. 1528 00:57:57,210 --> 00:57:58,349 I love her. 1529 00:57:58,350 --> 00:57:59,950 She's so sexy! 1530 00:58:00,050 --> 00:58:02,250 Too fast. She didn't match the music. 1531 00:58:05,350 --> 00:58:06,350 There he comes. 1532 00:58:06,590 --> 00:58:07,760 Let's go. 1533 00:58:08,260 --> 00:58:09,890 - He has to come out. - Signature. 1534 00:58:10,530 --> 00:58:11,889 That's it! 1535 00:58:11,890 --> 00:58:13,829 (INGYOO's new signature choreography part in "like JENNIE") 1536 00:58:13,830 --> 00:58:15,730 Okay, let's go! 1537 00:58:16,730 --> 00:58:17,770 Yes! 1538 00:58:18,000 --> 00:58:19,000 (So much thrill!) 1539 00:58:19,001 --> 00:58:20,129 It's INGYOO, not Jennie. 1540 00:58:20,130 --> 00:58:21,890 Isn't this choreography too good to be true? 1541 00:58:23,810 --> 00:58:24,840 Crazy. 1542 00:58:25,370 --> 00:58:26,470 This is mad. 1543 00:58:27,540 --> 00:58:29,140 He must be a genius. 1544 00:58:29,380 --> 00:58:30,650 I love the choreography. 1545 00:58:30,950 --> 00:58:31,950 (Amazed) 1546 00:58:32,780 --> 00:58:34,720 INGYOO is super relaxed. 1547 00:58:34,820 --> 00:58:37,120 It's nothing new, so I didn't mind it. 1548 00:58:41,060 --> 00:58:42,160 Is he crazy? 1549 00:58:42,790 --> 00:58:43,830 He's too cool. 1550 00:58:46,560 --> 00:58:48,660 He's got a great sense of rhythm. 1551 00:58:50,200 --> 00:58:51,229 (Gasping) 1552 00:58:51,230 --> 00:58:52,230 What is this? 1553 00:58:52,231 --> 00:58:53,500 Too trendy. 1554 00:58:53,840 --> 00:58:55,339 Look at that! 1555 00:58:55,340 --> 00:58:56,340 No way. 1556 00:58:56,341 --> 00:58:57,770 (The crowd goes wild!) 1557 00:59:00,580 --> 00:59:02,179 INGYOO really made it his own. 1558 00:59:02,180 --> 00:59:03,680 INGYOO is mad. 1559 00:59:03,880 --> 00:59:06,210 It's perfectly his. He plays it so well. 1560 00:59:08,080 --> 00:59:09,080 (Shocked) 1561 00:59:10,420 --> 00:59:11,420 (Attention-grabbed) 1562 00:59:11,990 --> 00:59:12,990 Wild. 1563 00:59:13,860 --> 00:59:15,890 No way. 1564 00:59:20,600 --> 00:59:21,729 There's fire too? 1565 00:59:21,730 --> 00:59:23,870 There are lots of exciting elements. 1566 00:59:29,940 --> 00:59:31,970 Vata is crazy. 1567 00:59:32,270 --> 00:59:34,079 How can they dance so well? 1568 00:59:34,080 --> 00:59:35,540 Let's go! 1569 00:59:36,040 --> 00:59:38,680 That's it! 1570 00:59:38,980 --> 00:59:39,980 (Going crazy) 1571 00:59:41,550 --> 00:59:43,280 They are so good. 1572 00:59:45,290 --> 00:59:46,290 (Watching closely) 1573 00:59:46,291 --> 00:59:48,390 - The quality is mad. - That's it! 1574 00:59:50,290 --> 00:59:51,930 They dance so tastefully. 1575 00:59:55,760 --> 00:59:56,830 So cool. 1576 01:00:01,870 --> 01:00:02,870 I approve them. 1577 01:00:04,040 --> 01:00:06,039 He must be a genius. 1578 01:00:06,040 --> 01:00:07,580 (Team INGYOO Dancers) 1579 01:00:07,680 --> 01:00:08,839 (Oh!) 1580 01:00:08,840 --> 01:00:10,280 (Clapping) 1581 01:00:10,380 --> 01:00:12,750 (They killed it.) 1582 01:00:13,180 --> 01:00:14,380 Look at the ending. 1583 01:00:14,780 --> 01:00:16,380 That was fire. 1584 01:00:16,550 --> 01:00:18,889 He made clever use of those devices. 1585 01:00:18,890 --> 01:00:20,289 The moves hit so hard. 1586 01:00:20,290 --> 01:00:21,860 (Mesmerized by the dance) 1587 01:00:21,960 --> 01:00:24,059 With Vata, it's so tight. 1588 01:00:24,060 --> 01:00:25,529 He's going to have a landslide victory. 1589 01:00:25,530 --> 01:00:26,760 I can clearly tell he won. 1590 01:00:27,200 --> 01:00:30,029 (The heat doesn't go away even after the performance ends.) 1591 01:00:30,030 --> 01:00:31,799 I tried my best to put my heart into the performance... 1592 01:00:31,800 --> 01:00:34,240 so the dancers and I can have fun. 1593 01:00:34,600 --> 01:00:36,140 Watching that made me more confident. 1594 01:00:36,440 --> 01:00:38,870 We pulled out all the stops. 1595 01:00:38,970 --> 01:00:40,169 I think we will do better. 1596 01:00:40,170 --> 01:00:41,239 We will do better. 1597 01:00:41,240 --> 01:00:42,240 Team BADA, let's go. 1598 01:00:43,340 --> 01:00:46,449 Huge hardships had hit me. 1599 01:00:46,450 --> 01:00:48,979 I am desperate to prove myself... 1600 01:00:48,980 --> 01:00:50,320 as a director. 1601 01:00:50,590 --> 01:00:54,289 I thought very hard about in which direction... 1602 01:00:54,290 --> 01:00:56,090 I should be leading this performance. 1603 01:00:56,590 --> 01:00:58,290 Can I watch INGYOO's one more time? 1604 01:00:58,390 --> 01:01:00,259 INGYOO is my opponent. 1605 01:01:00,260 --> 01:01:01,359 What's the reason? 1606 01:01:01,360 --> 01:01:02,360 (Why did he win?) 1607 01:01:02,500 --> 01:01:04,199 Can I watch INGYOO's one more time? 1608 01:01:04,200 --> 01:01:05,270 Can I watch it once more? 1609 01:01:05,670 --> 01:01:06,899 I want to watch INGYOO's one more time. 1610 01:01:06,900 --> 01:01:10,709 I watched INGYOO's practice video many times. 1611 01:01:10,710 --> 01:01:12,369 After watching the video, I realized this. 1612 01:01:12,370 --> 01:01:13,979 There is a lot of simple moves. 1613 01:01:13,980 --> 01:01:16,840 He likes simple moves. 1614 01:01:17,050 --> 01:01:18,050 That's what I learned. 1615 01:01:18,051 --> 01:01:19,879 When I watched the rehearsals, 1616 01:01:19,880 --> 01:01:22,719 I thought the performance of the directors who play... 1617 01:01:22,720 --> 01:01:24,389 a bigger role as a player felt a little fuller. 1618 01:01:24,390 --> 01:01:26,019 And they were the ones who won more often. 1619 01:01:26,020 --> 01:01:27,989 I actually thought the opposite. 1620 01:01:27,990 --> 01:01:30,959 I thought of myself as a director, 1621 01:01:30,960 --> 01:01:32,130 not a dancer. 1622 01:01:32,230 --> 01:01:33,230 So when I watched it, 1623 01:01:33,231 --> 01:01:37,369 I realized that I was missing my emotions. 1624 01:01:37,370 --> 01:01:39,930 If I increase my involvement, my energy, 1625 01:01:40,030 --> 01:01:42,139 and my value as a player, 1626 01:01:42,140 --> 01:01:43,699 wouldn't my performance get better? 1627 01:01:43,700 --> 01:01:44,869 I'll lose the moves I need to lose. 1628 01:01:44,870 --> 01:01:47,079 I took time to rethink about performances... 1629 01:01:47,080 --> 01:01:49,339 and made a list of adjustments I need to make. 1630 01:01:49,340 --> 01:01:50,880 That's what I tried to do. 1631 01:01:52,350 --> 01:01:53,379 You surprised me. 1632 01:01:53,380 --> 01:01:54,449 Aren't you tired? 1633 01:01:54,450 --> 01:01:56,019 Tomorrow is the last day. 1634 01:01:56,020 --> 01:01:57,949 But I got a disappointing result. 1635 01:01:57,950 --> 01:01:59,119 Yes, you are a director, 1636 01:01:59,120 --> 01:02:00,660 but you are a player too. 1637 01:02:00,760 --> 01:02:02,519 INGYOO has Vata as the lead player. 1638 01:02:02,520 --> 01:02:04,090 But imagine he loses Vata. 1639 01:02:04,560 --> 01:02:06,630 It will feel different. 1640 01:02:06,730 --> 01:02:08,959 Where you place yourself is your call. 1641 01:02:08,960 --> 01:02:11,599 I believe you have enough potential. 1642 01:02:11,600 --> 01:02:14,469 BADA, you are the strongest when you are on stage. 1643 01:02:14,470 --> 01:02:15,899 You have hope. 1644 01:02:15,900 --> 01:02:20,270 Hearing those things made me realize that I still have hope. 1645 01:02:20,370 --> 01:02:22,640 I am going to give my all as a player too. 1646 01:02:22,880 --> 01:02:24,579 (Blocking Rehearsal D-1) 1647 01:02:24,580 --> 01:02:27,750 People predicted that INGYOO is more likely to win. 1648 01:02:27,850 --> 01:02:28,850 What? 1649 01:02:29,280 --> 01:02:30,280 What? 1650 01:02:30,281 --> 01:02:32,049 With that in mind, I'm going to make... 1651 01:02:32,050 --> 01:02:33,649 several adjustments quickly. 1652 01:02:33,650 --> 01:02:36,790 The dancers who come in here... 1653 01:02:36,960 --> 01:02:39,990 You won't be coming in at first. I will dance alone. 1654 01:02:40,600 --> 01:02:42,629 At first, I didn't want to perform. 1655 01:02:42,630 --> 01:02:44,669 But I thought I would direct myself. 1656 01:02:44,670 --> 01:02:46,729 I know so well what I'm good at. 1657 01:02:46,730 --> 01:02:48,299 I can utilize myself however I want. 1658 01:02:48,300 --> 01:02:51,040 I knew I had to do it. I had to convince them. 1659 01:02:52,470 --> 01:02:54,379 I put the most effort... 1660 01:02:54,380 --> 01:02:55,780 into my own runway. 1661 01:02:55,880 --> 01:02:58,679 I wanted this part to be performed by someone... 1662 01:02:58,680 --> 01:03:00,749 with impact, weight, and aura. 1663 01:03:00,750 --> 01:03:01,750 Who could it be? 1664 01:03:01,751 --> 01:03:04,389 I should do it. That's who I am. 1665 01:03:04,390 --> 01:03:06,749 I am the hero of this stage. 1666 01:03:06,750 --> 01:03:08,260 So I put myself there. 1667 01:03:08,690 --> 01:03:10,830 (BADA utilized her strength and added her part.) 1668 01:03:11,060 --> 01:03:12,789 She's great. 1669 01:03:12,790 --> 01:03:14,900 I became more and more convinced. 1670 01:03:16,300 --> 01:03:17,630 Hello. 1671 01:03:18,200 --> 01:03:20,429 - It's BADA. - BADA is... 1672 01:03:20,430 --> 01:03:23,669 such an icon. 1673 01:03:23,670 --> 01:03:24,869 She should make quite an impact. 1674 01:03:24,870 --> 01:03:25,870 I am hoping for it. 1675 01:03:25,871 --> 01:03:27,539 The countdown began. 1676 01:03:27,540 --> 01:03:29,139 When you do the moves on the second floor... 1677 01:03:29,140 --> 01:03:31,209 I had to get everything sorted in just 80 minutes. 1678 01:03:31,210 --> 01:03:34,349 I had to look at the harmony of the dancers, 1679 01:03:34,350 --> 01:03:36,479 the dance, the lights, and the prop utilization. 1680 01:03:36,480 --> 01:03:38,290 It's going to be very tight. 1681 01:03:38,390 --> 01:03:40,019 Did everyone check their paths on the sides? 1682 01:03:40,020 --> 01:03:41,620 Okay. Second floor. Checked? 1683 01:03:41,720 --> 01:03:42,789 - Yes. - Okay. 1684 01:03:42,790 --> 01:03:44,189 Those throwing the cloth. 1685 01:03:44,190 --> 01:03:46,959 You shouldn't be throwing it to the path. Got it? 1686 01:03:46,960 --> 01:03:48,029 - Yes. - Okay. 1687 01:03:48,030 --> 01:03:49,759 She's checking the major formations and movement paths. 1688 01:03:49,760 --> 01:03:51,299 I think she's picking out the points and checking them. 1689 01:03:51,300 --> 01:03:52,730 I love it. So simple. 1690 01:03:52,930 --> 01:03:54,699 Let's try the runway formation. 1691 01:03:54,700 --> 01:03:57,869 I needed to sell the runway idea to them. 1692 01:03:57,870 --> 01:03:59,770 I tried incorporating a more linear formation. 1693 01:03:59,870 --> 01:04:02,539 We also need to coordinate the runway lighting. 1694 01:04:02,540 --> 01:04:04,049 I put a lot of effort into the lighting. 1695 01:04:04,050 --> 01:04:05,050 Great. 1696 01:04:05,110 --> 01:04:07,149 Because it's a runaway, the lights are linear too. 1697 01:04:07,150 --> 01:04:09,779 If people who have no idea see it and think, "It's a runway," 1698 01:04:09,780 --> 01:04:11,989 it means it worked. It means she sold the idea. 1699 01:04:11,990 --> 01:04:13,489 Okay. Should we go here? 1700 01:04:13,490 --> 01:04:14,619 - Okay. - The pyramid formation. 1701 01:04:14,620 --> 01:04:16,019 Yes. There. 1702 01:04:16,020 --> 01:04:18,659 - Audrey? - From "Street Woman Fighter?" 1703 01:04:18,660 --> 01:04:20,489 I like her. 1704 01:04:20,490 --> 01:04:22,829 Audrey's got that energy and cleanliness. 1705 01:04:22,830 --> 01:04:24,499 I will put her in the center... 1706 01:04:24,500 --> 01:04:27,639 and improve the quality of the performance. 1707 01:04:27,640 --> 01:04:29,099 I love her character utilization. 1708 01:04:29,100 --> 01:04:31,769 As a director, BADA is much more relaxed now. 1709 01:04:31,770 --> 01:04:33,316 I think BADA is going to do the run-through. 1710 01:04:33,340 --> 01:04:34,439 Ready? 1711 01:04:34,440 --> 01:04:36,379 Okay. Should we perform to the music then? 1712 01:04:36,380 --> 01:04:38,249 So BADA is going to be in the center. 1713 01:04:38,250 --> 01:04:39,349 (BADA, the player, enters the stage.) 1714 01:04:39,350 --> 01:04:41,349 It's BADA versus INGYOO. 1715 01:04:41,350 --> 01:04:43,849 So she's doing the dance Team INGYOO did. 1716 01:04:43,850 --> 01:04:45,390 That would hurt my pride. 1717 01:04:45,620 --> 01:04:47,860 I lost "Smoke" choreography to him. 1718 01:04:48,490 --> 01:04:50,190 So I wanted to do it myself. 1719 01:04:50,660 --> 01:04:53,689 I wanted to show him that this is how I perform... 1720 01:04:53,690 --> 01:04:54,700 "Smoke." 1721 01:04:56,230 --> 01:04:57,870 It feels completely different. 1722 01:04:57,930 --> 01:04:59,229 Once the center is firmly established, 1723 01:04:59,230 --> 01:05:01,339 it makes the wings feel like they're spreading wide. 1724 01:05:01,340 --> 01:05:02,899 She made it work. She made it different. 1725 01:05:02,900 --> 01:05:04,100 - BADA made it her own. - Yes. 1726 01:05:04,140 --> 01:05:05,260 That's what you call talent. 1727 01:05:06,140 --> 01:05:08,039 She's so good. 1728 01:05:08,040 --> 01:05:10,379 That's how you lead! 1729 01:05:10,380 --> 01:05:11,879 She's both a player and a director. 1730 01:05:11,880 --> 01:05:13,979 As a player, you have to really crank up... 1731 01:05:13,980 --> 01:05:15,619 the physical energy to focus on the play. 1732 01:05:15,620 --> 01:05:18,189 As a director, you need to use your brain. So it's different. 1733 01:05:18,190 --> 01:05:20,090 BADA is such a well-rounded person. 1734 01:05:20,190 --> 01:05:22,819 - That's really incredible. - I respect her for it. 1735 01:05:22,820 --> 01:05:24,090 Okay! 1736 01:05:24,330 --> 01:05:27,189 - Well done, everyone! - Well done. 1737 01:05:27,190 --> 01:05:31,869 Things aren't going too smoothly for me right now. 1738 01:05:31,870 --> 01:05:34,969 The most important thing is... 1739 01:05:34,970 --> 01:05:39,170 that I want to perform without regrets. 1740 01:05:39,340 --> 01:05:41,779 We got this. Let's give a big shout before we start. 1741 01:05:41,780 --> 01:05:43,280 One, two, three! 1742 01:05:43,580 --> 01:05:44,980 (Shout!) 1743 01:05:45,180 --> 01:05:46,709 (Let's go, Team BADA!) 1744 01:05:46,710 --> 01:05:47,979 Let's show them! 1745 01:05:47,980 --> 01:05:49,849 I'm looking forward to her performance. 1746 01:05:49,850 --> 01:05:51,520 I did everything I could. 1747 01:05:51,720 --> 01:05:53,019 We'll show them... 1748 01:05:53,020 --> 01:05:55,120 what our runway looks like. 1749 01:05:55,560 --> 01:05:56,789 I'm not really worried. 1750 01:05:56,790 --> 01:05:58,130 I think I'll win. 1751 01:05:58,160 --> 01:05:59,230 Ready. 1752 01:05:59,430 --> 01:06:00,560 Fight. 1753 01:06:01,000 --> 01:06:02,029 It's going to be cool. 1754 01:06:02,030 --> 01:06:03,829 (Choreographer of the signature part of "Smoke": INGYOO) 1755 01:06:03,830 --> 01:06:06,076 (Choreographer of the signature part of "like JENNIE": INGYOO) 1756 01:06:06,100 --> 01:06:08,100 She planned something. 1757 01:06:08,470 --> 01:06:10,270 - What's that? - She's using clothes. 1758 01:06:10,470 --> 01:06:12,040 Is it like an exhibition? 1759 01:06:12,140 --> 01:06:13,340 I'm curious. 1760 01:06:13,540 --> 01:06:15,879 ("Smoke" by Dynamic Duo and Lee Young Ji) 1761 01:06:15,880 --> 01:06:17,239 (INGYOO's ne signature choreography part in "Smoke") 1762 01:06:17,240 --> 01:06:18,450 Look at the power. 1763 01:06:18,780 --> 01:06:19,980 (Surprised) 1764 01:06:20,180 --> 01:06:22,049 This is what I wanted to see. 1765 01:06:22,050 --> 01:06:23,620 Yes, BADA is essential. 1766 01:06:27,290 --> 01:06:28,420 Her power. 1767 01:06:28,860 --> 01:06:31,090 This is impossible. 1768 01:06:33,660 --> 01:06:34,660 (This is it.) 1769 01:06:34,900 --> 01:06:35,960 (Nervous) 1770 01:06:36,960 --> 01:06:38,069 (Smoke appears.) 1771 01:06:38,070 --> 01:06:39,170 What's that? 1772 01:06:45,570 --> 01:06:46,770 That's so cool. 1773 01:06:48,440 --> 01:06:49,740 She's so good. 1774 01:06:51,680 --> 01:06:53,750 She's a one-man army. 1775 01:06:56,980 --> 01:06:58,290 I love it. 1776 01:06:58,550 --> 01:07:00,090 Her moves are so cool. 1777 01:07:05,730 --> 01:07:06,789 (As expected of BADA.) 1778 01:07:06,790 --> 01:07:08,059 She's impressive. 1779 01:07:08,060 --> 01:07:10,770 BADA is essential for the performance. 1780 01:07:17,300 --> 01:07:18,570 The lighting's pretty. 1781 01:07:22,580 --> 01:07:23,840 It's Audrey. 1782 01:07:26,250 --> 01:07:27,419 She's so good. 1783 01:07:27,420 --> 01:07:28,620 She's such a good dancer. 1784 01:07:30,250 --> 01:07:31,520 She has an awesome vibe. 1785 01:07:37,530 --> 01:07:38,660 (Amazed) 1786 01:07:39,990 --> 01:07:41,460 She's so cool. 1787 01:07:42,360 --> 01:07:44,169 - What's that? - What's that? 1788 01:07:44,170 --> 01:07:45,229 Who is that? 1789 01:07:45,230 --> 01:07:46,270 (Worried) 1790 01:07:46,500 --> 01:07:47,640 What's this? 1791 01:07:48,640 --> 01:07:50,200 She made a story of her own. 1792 01:07:52,770 --> 01:07:54,070 I love this. 1793 01:07:54,380 --> 01:07:55,440 This is crazy. 1794 01:07:58,350 --> 01:08:00,110 This is what I call a mega crew performance. 1795 01:08:01,820 --> 01:08:02,850 Nice. 1796 01:08:05,650 --> 01:08:07,250 She changed everything. 1797 01:08:08,590 --> 01:08:09,720 Hey. 1798 01:08:10,990 --> 01:08:12,030 (She loves it.) 1799 01:08:12,060 --> 01:08:13,060 So cool. 1800 01:08:17,330 --> 01:08:18,330 My gosh. 1801 01:08:18,730 --> 01:08:20,269 He's impossible. 1802 01:08:20,270 --> 01:08:22,700 (INGYOO's ne signature choreography part in "like JENNIE") 1803 01:08:24,310 --> 01:08:25,739 Look at his physique. 1804 01:08:25,740 --> 01:08:26,770 He's so good. 1805 01:08:29,240 --> 01:08:30,280 My gosh. 1806 01:08:32,850 --> 01:08:33,950 He has a killer vibe. 1807 01:08:37,890 --> 01:08:38,920 It's so cool. 1808 01:08:41,760 --> 01:08:42,860 Oh, my gosh. 1809 01:08:43,360 --> 01:08:44,889 I love this part. 1810 01:08:44,890 --> 01:08:45,990 She developed it a lot. 1811 01:08:48,100 --> 01:08:49,500 I like this. A runway. 1812 01:08:52,330 --> 01:08:53,469 Come on! 1813 01:08:53,470 --> 01:08:54,800 She has a killer vibe. 1814 01:08:55,200 --> 01:08:56,370 This is crazy. 1815 01:09:00,570 --> 01:09:01,640 It's Jennie. 1816 01:09:04,040 --> 01:09:05,479 (A very passionate...) 1817 01:09:05,480 --> 01:09:07,150 (performance) 1818 01:09:07,580 --> 01:09:08,680 So cool. 1819 01:09:10,650 --> 01:09:11,890 Let's go! 1820 01:09:13,920 --> 01:09:15,619 This part is done so well. 1821 01:09:15,620 --> 01:09:16,760 This choreography is good. 1822 01:09:17,460 --> 01:09:18,460 Nice. 1823 01:09:19,090 --> 01:09:20,659 (Getting hyped up) 1824 01:09:20,660 --> 01:09:22,130 Everyone here means business. 1825 01:09:22,500 --> 01:09:23,630 They don't want to lose. 1826 01:09:26,870 --> 01:09:27,969 It's so neat. 1827 01:09:27,970 --> 01:09:29,100 They're so in sync. 1828 01:09:31,440 --> 01:09:32,470 Audrey. 1829 01:09:32,970 --> 01:09:34,069 (Feeling proud) 1830 01:09:34,070 --> 01:09:35,440 Let's go, Audrey. 1831 01:09:38,750 --> 01:09:40,150 How are they so in sync? 1832 01:09:41,750 --> 01:09:43,310 I love the energy the choreography has. 1833 01:09:44,420 --> 01:09:45,520 (Amazed) 1834 01:09:48,190 --> 01:09:49,460 A powerful walk. 1835 01:09:52,030 --> 01:09:54,960 BADA is a good dancer and a director. 1836 01:10:01,300 --> 01:10:02,839 That was great. 1837 01:10:02,840 --> 01:10:04,270 (Applause) 1838 01:10:06,240 --> 01:10:07,270 (Acknowledging it) 1839 01:10:11,380 --> 01:10:12,579 Until the end. 1840 01:10:12,580 --> 01:10:13,850 She looks a bit like G-DRAGON. 1841 01:10:14,280 --> 01:10:15,750 She sure is cool. 1842 01:10:16,450 --> 01:10:19,220 (Tatter, Hyun Se, Jinwoo, YURI, Hee A, Yoon Ji, Envy, Miller) 1843 01:10:19,490 --> 01:10:21,189 I could see that she tried to emphasize the concept more... 1844 01:10:21,190 --> 01:10:22,890 compared to the mid-point review. 1845 01:10:22,960 --> 01:10:24,120 I felt a bit threatened. 1846 01:10:24,260 --> 01:10:26,359 - BADA is really... - That's crazy. 1847 01:10:26,360 --> 01:10:27,530 But I think INGYOO... 1848 01:10:27,600 --> 01:10:28,630 will win. 1849 01:10:28,760 --> 01:10:29,829 The impact... 1850 01:10:29,830 --> 01:10:31,199 BADA had a better impact, 1851 01:10:31,200 --> 01:10:32,970 and INGYOO has better swag. 1852 01:10:33,500 --> 01:10:34,769 The judges must have trouble deciding. 1853 01:10:34,770 --> 01:10:36,470 Gosh, this is so hard. 1854 01:10:38,170 --> 01:10:41,180 Choreographers, please come onto the stage. 1855 01:10:41,740 --> 01:10:43,339 INGYOO, let's go! 1856 01:10:43,340 --> 01:10:44,749 (Let's go, Team INGYOO!) 1857 01:10:44,750 --> 01:10:46,479 (Let's go, Team BADA!) 1858 01:10:46,480 --> 01:10:47,819 - BADA! - BADA! 1859 01:10:47,820 --> 01:10:50,820 (The cheering battle is becoming competitive.) 1860 01:10:51,290 --> 01:10:52,450 I'm very confident. 1861 01:10:52,950 --> 01:10:54,920 It was legendary. 1862 01:10:55,220 --> 01:10:56,819 (1-on-1 Signature 400 Mission) 1863 01:10:56,820 --> 01:10:59,490 I did everything I could well, and I have no regrets. 1864 01:10:59,890 --> 01:11:01,300 The director title... 1865 01:11:01,360 --> 01:11:02,360 is mine. 1866 01:11:02,361 --> 01:11:04,160 "Directors" is so hard. 1867 01:11:04,500 --> 01:11:05,829 It's easy to choose... 1868 01:11:05,830 --> 01:11:07,310 - if it isn't "directors." - Exactly. 1869 01:11:07,600 --> 01:11:09,900 (Which choreography will win the Director Credit?) 1870 01:11:10,540 --> 01:11:12,040 (Sighing) 1871 01:11:12,540 --> 01:11:14,379 I really thought hard... 1872 01:11:14,380 --> 01:11:16,140 about how to talk about this. 1873 01:11:16,380 --> 01:11:17,439 What is it? 1874 01:11:17,440 --> 01:11:18,849 I got 100 times more nervous. 1875 01:11:18,850 --> 01:11:20,380 I'm feeling a bit nervous. 1876 01:11:21,220 --> 01:11:22,949 Watching your performances... 1877 01:11:22,950 --> 01:11:24,589 My heart is racing. 1878 01:11:24,590 --> 01:11:25,750 My fingers are trembling too. 1879 01:11:26,290 --> 01:11:28,519 I thought that both of you directors... 1880 01:11:28,520 --> 01:11:30,960 have clearly matured. 1881 01:11:31,060 --> 01:11:33,360 It's been so long since I last felt this. 1882 01:11:33,460 --> 01:11:36,400 So I want to say, thank you very much. 1883 01:11:37,260 --> 01:11:38,400 That's such high praise. 1884 01:11:39,800 --> 01:11:40,870 So cool. 1885 01:11:41,440 --> 01:11:43,799 First, for INGYOO's performance, 1886 01:11:43,800 --> 01:11:45,940 I asked myself, 1887 01:11:45,970 --> 01:11:49,340 "Can I perform with that much energy?" 1888 01:11:49,440 --> 01:11:51,650 You left such a strong impression. 1889 01:11:52,710 --> 01:11:55,649 I'm so envious of the vibe... 1890 01:11:55,650 --> 01:11:57,950 which only WE DEM BOYZ can give off. 1891 01:11:58,090 --> 01:12:00,219 It was so cool to see you bring out the energy... 1892 01:12:00,220 --> 01:12:03,620 befitting of the keyword "madness." 1893 01:12:04,290 --> 01:12:07,290 It was very inspiring. 1894 01:12:07,430 --> 01:12:08,560 WE DEM BOYZ. 1895 01:12:09,430 --> 01:12:11,500 - Who made this. - Let's go! 1896 01:12:12,030 --> 01:12:13,199 My team. 1897 01:12:13,200 --> 01:12:15,370 The synergy we have isn't something you can overlook. 1898 01:12:15,670 --> 01:12:17,910 When that one girl... 1899 01:12:18,070 --> 01:12:19,640 came to the front in the middle. 1900 01:12:20,940 --> 01:12:22,479 - Here. - I don't know what planet... 1901 01:12:22,480 --> 01:12:24,139 you're from, but you're amazing. 1902 01:12:24,140 --> 01:12:26,150 That was so cool, the way that was set up. 1903 01:12:27,210 --> 01:12:29,419 The movement and the style, 1904 01:12:29,420 --> 01:12:31,350 the costumes, the energy. 1905 01:12:31,620 --> 01:12:32,819 It felt right. 1906 01:12:32,820 --> 01:12:34,660 (It was the right answer.) 1907 01:12:35,260 --> 01:12:36,460 Yes! 1908 01:12:36,520 --> 01:12:38,589 It was fresh, and it just felt right. 1909 01:12:38,590 --> 01:12:40,030 It was a really cool feeling. 1910 01:12:40,330 --> 01:12:41,799 The highlight... 1911 01:12:41,800 --> 01:12:43,230 had to be Grace. 1912 01:12:43,500 --> 01:12:45,000 She performed the way I wanted. 1913 01:12:45,070 --> 01:12:46,300 She did it so neatly. 1914 01:12:46,500 --> 01:12:47,740 (Very perfect) 1915 01:12:48,240 --> 01:12:50,570 I felt very threatened... 1916 01:12:50,900 --> 01:12:53,069 and extremely... 1917 01:12:53,070 --> 01:12:54,270 competitive. 1918 01:12:54,640 --> 01:12:56,079 I want to be evaluated... 1919 01:12:56,080 --> 01:12:58,550 by my performance production, not as a dancer. 1920 01:13:00,280 --> 01:13:02,649 BADA. You know, 1921 01:13:02,650 --> 01:13:06,289 I'm not going to lie. Maybe I'm trying to see... 1922 01:13:06,290 --> 01:13:07,920 what you don't do well. 1923 01:13:08,590 --> 01:13:10,660 I can't see anything that you do wrong. 1924 01:13:11,430 --> 01:13:12,760 I don't know. 1925 01:13:14,830 --> 01:13:17,660 Could I ever get such high praise ever again in my life? 1926 01:13:18,670 --> 01:13:20,329 You can bring in the sickest dancer in the world, 1927 01:13:20,330 --> 01:13:22,869 but if you don't set them up, if you don't reveal them super well, 1928 01:13:22,870 --> 01:13:25,069 whether it be music, timing, formations... 1929 01:13:25,070 --> 01:13:26,669 But you kind of did it super chill. 1930 01:13:26,670 --> 01:13:28,379 Every single person that you wanted to show, 1931 01:13:28,380 --> 01:13:29,939 whether it was a friend or a guest... 1932 01:13:29,940 --> 01:13:30,979 or just a formation, 1933 01:13:30,980 --> 01:13:33,280 every single time somebody came to the front, 1934 01:13:33,610 --> 01:13:35,249 it felt like it was chosen. 1935 01:13:35,250 --> 01:13:38,319 It felt like it was fresh, and it was presented very well. 1936 01:13:38,320 --> 01:13:40,519 It just kept on going. I just want to say congratulations, 1937 01:13:40,520 --> 01:13:41,736 and thank you for letting us... 1938 01:13:41,760 --> 01:13:44,019 "If I didn't read the synopsis..." 1939 01:13:44,020 --> 01:13:46,029 "before watching the performance," 1940 01:13:46,030 --> 01:13:48,659 "would I have recognized it to be a runway?" 1941 01:13:48,660 --> 01:13:50,200 That was my biggest worry. 1942 01:13:50,330 --> 01:13:51,470 But... 1943 01:13:51,530 --> 01:13:54,329 at the end, I thought, "She expressed a runway perfectly." 1944 01:13:54,330 --> 01:13:56,700 "She did what she said she would." 1945 01:13:57,000 --> 01:13:59,000 I could understand the concept because it was you. 1946 01:13:59,240 --> 01:14:02,379 A dancer with a star quality... 1947 01:14:02,380 --> 01:14:04,550 who can give off the top model aura. 1948 01:14:04,650 --> 01:14:06,610 How many dancers like that do we have in Korea? 1949 01:14:06,710 --> 01:14:09,280 It could've been only possible because it was you. 1950 01:14:09,650 --> 01:14:12,289 It's up to the director to decide... 1951 01:14:12,290 --> 01:14:14,419 which dancer does what to stand out more. 1952 01:14:14,420 --> 01:14:16,860 You know what you're best at. 1953 01:14:16,920 --> 01:14:18,029 Exactly. That's amazing too. 1954 01:14:18,030 --> 01:14:19,529 There's a reason she's so successful. 1955 01:14:19,530 --> 01:14:22,529 You being you was the strategy. 1956 01:14:22,530 --> 01:14:24,159 It made me... 1957 01:14:24,160 --> 01:14:25,769 score you higher. 1958 01:14:25,770 --> 01:14:28,869 (Thank you.) 1959 01:14:28,870 --> 01:14:29,900 Let's go. 1960 01:14:30,400 --> 01:14:31,640 What we did worked. 1961 01:14:31,670 --> 01:14:33,069 We scored... 1962 01:14:33,070 --> 01:14:34,370 the goal. 1963 01:14:35,140 --> 01:14:36,440 This could be more interesting. 1964 01:14:36,580 --> 01:14:37,739 Instead of winning by a landslide, 1965 01:14:37,740 --> 01:14:39,409 fighting neck and neck... 1966 01:14:39,410 --> 01:14:40,450 is more interesting. 1967 01:14:40,550 --> 01:14:41,550 I don't lack it. 1968 01:14:41,550 --> 01:14:42,550 The confidence. 1969 01:14:42,950 --> 01:14:44,650 It's water versus fire. 1970 01:14:44,720 --> 01:14:46,620 - Please. - I hope we win. 1971 01:14:46,850 --> 01:14:48,360 - Let us know. - We're so desperate. 1972 01:14:48,660 --> 01:14:50,259 - Please. - Blue. 1973 01:14:50,260 --> 01:14:53,190 I've been never this nervous recently. 1974 01:14:53,990 --> 01:14:55,060 I am quite nervous. 1975 01:14:55,530 --> 01:14:56,659 Who do you think will win? 1976 01:14:56,660 --> 01:14:58,130 - BADA. - You think BADA will win? 1977 01:14:59,000 --> 01:15:00,769 I've guessed everything correct so far. 1978 01:15:00,770 --> 01:15:02,270 Wouldn't they choose INGYOO? 1979 01:15:03,500 --> 01:15:05,670 The 1-on-1 Signature 400 Mission. 1980 01:15:06,340 --> 01:15:09,480 Which choreography will showcase their performance to the audience... 1981 01:15:09,640 --> 01:15:14,080 and have their name on the credit board? 1982 01:15:14,480 --> 01:15:16,820 It will be revealed now. 1983 01:15:16,920 --> 01:15:20,619 (BADA versus INGYOO, who is the winner of Last Run?) 1984 01:15:20,620 --> 01:15:23,190 (Go, INGYOO!) 1985 01:15:23,660 --> 01:15:26,029 Quality of the performance and choreography skills. 1986 01:15:26,030 --> 01:15:27,560 I'm confident in them all. 1987 01:15:28,760 --> 01:15:29,960 Director BADA? 1988 01:15:30,100 --> 01:15:33,430 (Go, BADA!) 1989 01:15:33,730 --> 01:15:35,100 Director BADA? 1990 01:15:35,170 --> 01:15:36,899 Please. 1991 01:15:36,900 --> 01:15:38,739 - Please. - Please. 1992 01:15:38,740 --> 01:15:39,869 - We did well. - Please. 1993 01:15:39,870 --> 01:15:40,870 Whose name will appear? 1994 01:15:40,871 --> 01:15:42,439 My heart is about to explode. 1995 01:15:42,440 --> 01:15:45,280 I really wanted to take the stage. 1996 01:15:46,150 --> 01:15:47,779 I want to win as much as I put in my effort here, 1997 01:15:47,780 --> 01:15:50,250 and as much as I spent my time here. 1998 01:15:51,120 --> 01:15:52,150 The winner is... 1999 01:15:53,420 --> 01:15:54,550 (Nervous) 2000 01:15:54,820 --> 01:15:56,319 Please, BADA. 2001 01:15:56,320 --> 01:16:01,360 (BADA versus INGYOO, the final result of Last Run) 2002 01:16:03,000 --> 01:16:04,770 (To be continued) 2003 01:16:04,870 --> 01:16:06,170 (Nervous) 2004 01:16:06,830 --> 01:16:08,069 Please, BADA. 2005 01:16:08,070 --> 01:16:13,110 (BADA versus INGYOO, the final result of Last Run) 2006 01:16:15,040 --> 01:16:16,180 It's BADA! 2007 01:16:16,910 --> 01:16:18,710 (BADA has her name on the director's credit.) 2008 01:16:21,320 --> 01:16:22,320 (We won.) 2009 01:16:22,420 --> 01:16:24,649 (They're completely moved.) 2010 01:16:24,650 --> 01:16:27,690 (The moment she saw the result, she sank to the floor.) 2011 01:16:27,960 --> 01:16:29,060 Yes! 2012 01:16:29,490 --> 01:16:30,620 BADA! 2013 01:16:30,960 --> 01:16:33,290 I bawled my eyes out behind my sunglasses. 2014 01:16:35,500 --> 01:16:36,600 I thought... 2015 01:16:37,430 --> 01:16:40,230 "Am I a decent director?" 2016 01:16:41,440 --> 01:16:45,270 It was my goal to succeed as a director. 2017 01:16:45,540 --> 01:16:46,740 Did they all vote for INGYOO? 2018 01:16:47,610 --> 01:16:50,280 I can't remember what her direction was. 2019 01:16:50,480 --> 01:16:53,049 "Is there anything I'm good at?" 2020 01:16:53,050 --> 01:16:56,720 It started from the very basic question. 2021 01:16:57,420 --> 01:17:01,190 All sorts of thoughts clouded my mind throughout the mission. 2022 01:17:02,590 --> 01:17:05,289 The word "Runway" BADA claims... 2023 01:17:05,290 --> 01:17:08,900 could be understood by the audience intuitively... 2024 01:17:09,030 --> 01:17:12,330 when it's captured on camera, not just us. 2025 01:17:12,830 --> 01:17:14,939 That was such a perfect ending. 2026 01:17:14,940 --> 01:17:17,800 - For sure. - What the director intended... 2027 01:17:17,970 --> 01:17:21,540 was shown very clearly, that she was the designer... 2028 01:17:22,240 --> 01:17:23,609 of the stage. 2029 01:17:23,610 --> 01:17:25,626 (BADA's runway concept showed her direction very clearly.) 2030 01:17:25,650 --> 01:17:28,719 (When she walks toward her team, ) 2031 01:17:28,720 --> 01:17:33,349 (she gets more emotional.) 2032 01:17:33,350 --> 01:17:34,619 (Touched) 2033 01:17:34,620 --> 01:17:37,260 "Am I only good as a dancer?" 2034 01:17:37,860 --> 01:17:40,660 "Am I a decent director?" 2035 01:17:41,160 --> 01:17:45,030 "What should I do to prove myself and be acknowledged?" 2036 01:17:46,300 --> 01:17:49,799 (Finally, she was acknowledged as a director.) 2037 01:17:49,800 --> 01:17:52,310 They acknowledged the stage that I directed. 2038 01:17:52,940 --> 01:17:56,879 "I've led a good life as a director." 2039 01:17:56,880 --> 01:17:58,180 "I've lived my life well." 2040 01:17:59,610 --> 01:18:01,419 Thanks to that, I got good results. 2041 01:18:01,420 --> 01:18:02,420 BADA! 2042 01:18:02,421 --> 01:18:04,019 I get to perform happily... 2043 01:18:04,020 --> 01:18:06,350 in front of the audience, and I'm grateful for that. 2044 01:18:06,890 --> 01:18:07,890 (Bow) 2045 01:18:07,891 --> 01:18:09,360 I'm very happy. 2046 01:18:09,420 --> 01:18:10,489 (The moment BADA's victory is confirmed, ) 2047 01:18:10,490 --> 01:18:11,529 (he claps for her.) 2048 01:18:11,530 --> 01:18:13,459 Thank you so much. 2049 01:18:13,460 --> 01:18:15,030 - Good job. - You were so cool. 2050 01:18:15,100 --> 01:18:17,099 (Impressed) 2051 01:18:17,100 --> 01:18:19,830 (Both teams did great.) 2052 01:18:20,370 --> 01:18:23,499 Good job. 2053 01:18:23,500 --> 01:18:24,500 Good job! 2054 01:18:24,501 --> 01:18:25,609 (Feeling bad) 2055 01:18:25,610 --> 01:18:26,610 Good job! 2056 01:18:27,040 --> 01:18:28,080 I feel bad. 2057 01:18:28,280 --> 01:18:30,079 - But we were cool and fiery. - Yes. 2058 01:18:30,080 --> 01:18:32,249 It was nice to see you all smile. 2059 01:18:32,250 --> 01:18:33,250 Good job! 2060 01:18:33,251 --> 01:18:35,650 - Good job! - Good job! 2061 01:18:36,050 --> 01:18:37,719 I'm so grateful to them... 2062 01:18:37,720 --> 01:18:40,319 for doing their best until the end, treating this like their own stage. 2063 01:18:40,320 --> 01:18:42,390 I receive a lot of energy. 2064 01:18:43,020 --> 01:18:44,419 (Simeez says sorry to the dancers right after Last Run ends.) 2065 01:18:44,420 --> 01:18:45,429 I'm sorry. 2066 01:18:45,430 --> 01:18:46,989 - Don't be. - I'm so... 2067 01:18:46,990 --> 01:18:47,990 Don't be. 2068 01:18:47,991 --> 01:18:50,360 You all prepared so hard. 2069 01:18:50,960 --> 01:18:53,800 I felt bad for the dancers who were as passionate as I was. 2070 01:18:53,970 --> 01:18:56,770 Saying "we can't perform..." 2071 01:18:57,000 --> 01:18:58,640 - is really... - Good job. 2072 01:18:58,840 --> 01:19:01,040 I can't face them when I say it. 2073 01:19:01,310 --> 01:19:03,339 They believed in me and followed me. 2074 01:19:03,340 --> 01:19:05,250 That time was hard for me to bear. 2075 01:19:05,480 --> 01:19:07,950 I couldn't bring good results... 2076 01:19:08,450 --> 01:19:09,450 (Choking up) 2077 01:19:09,451 --> 01:19:11,119 for you, but... 2078 01:19:11,120 --> 01:19:15,690 I couldn't produce the result which they could be happy about. 2079 01:19:15,960 --> 01:19:18,130 That's the most heartbreaking part. 2080 01:19:19,190 --> 01:19:21,366 It'd be nice if we could perform in front of the audience too. 2081 01:19:21,390 --> 01:19:24,499 Actually, we're the people who wants to show the audience, 2082 01:19:24,500 --> 01:19:26,169 "I'm good, so watch me." 2083 01:19:26,170 --> 01:19:27,730 "I made it well, so watch this." 2084 01:19:27,870 --> 01:19:31,170 It's a pity that I can't show this to the audience. 2085 01:19:31,400 --> 01:19:33,440 We can do this again later. 2086 01:19:33,540 --> 01:19:35,439 (Excited) 2087 01:19:35,440 --> 01:19:38,549 I really wanted to perform in front of the audience. 2088 01:19:38,550 --> 01:19:43,019 The opportunity to showcase my performance as a director. 2089 01:19:43,020 --> 01:19:44,426 Honestly, when else would I have the chance? 2090 01:19:44,450 --> 01:19:46,220 I should seize the moment. 2091 01:19:46,750 --> 01:19:48,519 I still feel shy standing in front of the audience. 2092 01:19:48,520 --> 01:19:51,489 Standing in the center as the main dancer... 2093 01:19:51,490 --> 01:19:53,590 I still feel rather shy about it. 2094 01:19:53,730 --> 01:19:56,129 (Meanwhile, what's happening outside the studio?) 2095 01:19:56,130 --> 01:19:59,130 (Countless audience have come to watch the performances.) 2096 01:19:59,270 --> 01:20:02,170 The 1st mission by 10 choreographers, 2097 01:20:02,340 --> 01:20:04,400 the 1-on-1 Signature 400 Mission. 2098 01:20:04,740 --> 01:20:06,070 The results of each round... 2099 01:20:06,310 --> 01:20:09,310 have already been decided by Last Run. 2100 01:20:09,440 --> 01:20:11,680 The choreographers who have won the match... 2101 01:20:11,950 --> 01:20:13,509 can showcase their stages... 2102 01:20:13,510 --> 01:20:15,950 in front of you. 2103 01:20:16,450 --> 01:20:17,520 I'm envious. 2104 01:20:18,250 --> 01:20:19,450 This is so cruel. 2105 01:20:19,590 --> 01:20:21,150 Seeing them makes me want to perform. 2106 01:20:21,660 --> 01:20:23,819 Renan is the victor. 2107 01:20:23,820 --> 01:20:24,960 (Getting chills) 2108 01:20:25,290 --> 01:20:27,410 (She catches their eyes with the knee-walking intro.) 2109 01:20:27,960 --> 01:20:29,300 This is insane. 2110 01:20:29,800 --> 01:20:31,729 It would've been fun if we performed. 2111 01:20:31,730 --> 01:20:33,670 The audience would've loved us. 2112 01:20:33,830 --> 01:20:37,240 We performed on stage when the losing teams couldn't. 2113 01:20:37,540 --> 01:20:38,870 So I was... 2114 01:20:40,070 --> 01:20:41,440 I felt amazing. 2115 01:20:41,840 --> 01:20:43,939 I'm green with envy. Kim Kasper. 2116 01:20:43,940 --> 01:20:44,949 Yes. 2117 01:20:44,950 --> 01:20:47,049 I can count on one hand... 2118 01:20:47,050 --> 01:20:49,220 the times I performed as the main dancer. 2119 01:20:49,450 --> 01:20:51,520 It was a new experience, and I was so grateful. 2120 01:20:51,820 --> 01:20:52,820 It's a pity. 2121 01:20:52,821 --> 01:20:55,689 We don't want to dance holed up in our rooms. 2122 01:20:55,690 --> 01:20:57,420 We want to show it to the audience. 2123 01:20:57,560 --> 01:20:59,000 (The newcomer JEONG MIN JUN's stage) 2124 01:20:59,330 --> 01:21:00,690 I'm a newcomer. 2125 01:21:00,960 --> 01:21:02,530 "Who's this guy?" 2126 01:21:02,830 --> 01:21:05,000 They cheered for us so loudly. 2127 01:21:05,170 --> 01:21:08,240 I can feel the energy on the stage. 2128 01:21:08,740 --> 01:21:10,140 I was so grateful. 2129 01:21:11,710 --> 01:21:13,240 I've looked forward to this moment. 2130 01:21:13,540 --> 01:21:15,739 I wanted to show them who BABYZOO is... 2131 01:21:15,740 --> 01:21:18,450 and what kind of dance he does. 2132 01:21:18,510 --> 01:21:22,119 (BADA's performance brings it to a grand close.) 2133 01:21:22,120 --> 01:21:23,120 (Overwhelmed) 2134 01:21:23,121 --> 01:21:24,419 (Screaming) 2135 01:21:24,420 --> 01:21:25,720 (It's so cool!) 2136 01:21:26,120 --> 01:21:27,489 It is explosive. 2137 01:21:27,490 --> 01:21:28,789 (A very smart and impactful part, making full use of the dancers) 2138 01:21:28,790 --> 01:21:29,920 I love this part. 2139 01:21:30,090 --> 01:21:32,166 (The latter part of the performance is very explosive.) 2140 01:21:32,190 --> 01:21:33,790 She's so good. 2141 01:21:34,590 --> 01:21:35,660 I felt a lot of regret. 2142 01:21:35,830 --> 01:21:38,730 My performance would've brought upon louder cheers. 2143 01:21:40,700 --> 01:21:42,399 The audience saw the stage that I directed... 2144 01:21:42,400 --> 01:21:45,839 and cheered and supported it. 2145 01:21:45,840 --> 01:21:47,509 It was a dream come true. 2146 01:21:47,510 --> 01:21:49,009 I'm so honored to have been able to perform. 2147 01:21:49,010 --> 01:21:50,010 I was grateful. 2148 01:21:50,140 --> 01:21:53,510 I'll soon take the director title. 2149 01:21:53,810 --> 01:21:56,420 I'll keep going. The mega crew mission was so fierce. 2150 01:21:57,250 --> 01:21:58,520 Please! 2151 01:21:58,720 --> 01:21:59,950 What is it now? 2152 01:22:00,490 --> 01:22:02,590 What on earth is that? 2153 01:22:03,520 --> 01:22:04,590 What is it? 2154 01:22:05,230 --> 01:22:06,990 Gosh, hold on. 2155 01:22:07,530 --> 01:22:08,600 What's that? 2156 01:22:09,060 --> 01:22:10,100 What's this? 2157 01:22:10,330 --> 01:22:11,459 This... Hold on, NaiN. 2158 01:22:11,460 --> 01:22:13,230 We're the mannequins this time. 2159 01:22:14,300 --> 01:22:15,569 This is crazy. 2160 01:22:15,570 --> 01:22:17,370 There were exactly ten. 2161 01:22:17,640 --> 01:22:21,040 I saw the mannequins with our names. 2162 01:22:21,410 --> 01:22:22,480 A dancer? 2163 01:22:22,540 --> 01:22:24,080 Wait, a dancer? 2164 01:22:25,010 --> 01:22:26,010 Wait. 2165 01:22:26,050 --> 01:22:27,209 It says "choreographer" in front. 2166 01:22:27,210 --> 01:22:28,319 (It's written "choreographer" in front of the bib.) 2167 01:22:28,320 --> 01:22:29,349 Hold on. 2168 01:22:29,350 --> 01:22:32,196 You're right. The back says "dancer" and the front says "choreographer." 2169 01:22:32,220 --> 01:22:33,920 It said "dancer" behind... 2170 01:22:34,120 --> 01:22:35,790 and "choreographer" in front. 2171 01:22:35,890 --> 01:22:37,260 You can rip it. 2172 01:22:37,390 --> 01:22:39,389 You're right. Does it mean we could become... 2173 01:22:39,390 --> 01:22:41,030 either a dancer or a choreographer? 2174 01:22:41,190 --> 01:22:43,499 The name tags were made of Velcro so you could remove them. 2175 01:22:43,500 --> 01:22:45,769 Anyway, the roles will be split up among the ten of us. 2176 01:22:45,770 --> 01:22:48,199 Who will become the director? 2177 01:22:48,200 --> 01:22:50,770 And who will become just dancers? 2178 01:22:51,170 --> 01:22:53,370 This is the directors' version of Class Mission. 2179 01:22:53,540 --> 01:22:54,669 I'm scared. 2180 01:22:54,670 --> 01:22:56,310 Among us? 2181 01:22:57,240 --> 01:23:00,349 These directors will become dancers? 2182 01:23:00,350 --> 01:23:02,220 I want to become the director, of course. 2183 01:23:02,420 --> 01:23:04,020 They're top talents. 2184 01:23:04,220 --> 01:23:06,850 When else would I be able to direct them? 2185 01:23:06,990 --> 01:23:08,360 I must become the director. 2186 01:23:08,620 --> 01:23:10,619 As someone who directs others, 2187 01:23:10,620 --> 01:23:13,160 I don't think I can stand being directed. 2188 01:23:13,490 --> 01:23:16,629 It's been way too long since I was directed. 2189 01:23:16,630 --> 01:23:18,406 If I can't become a director, I need to go home. 2190 01:23:18,430 --> 01:23:20,469 I'm not exactly early in my career. 2191 01:23:20,470 --> 01:23:22,969 It'll hurt my pride if I become a dancer. 2192 01:23:22,970 --> 01:23:24,050 I should become a director. 2193 01:23:24,100 --> 01:23:25,740 - A director. - I must become a director. 2194 01:23:25,970 --> 01:23:27,640 I don't just want to dance. 2195 01:23:27,810 --> 01:23:29,139 It's not a dancers' survival show. 2196 01:23:29,140 --> 01:23:31,209 I must do my best as a director. 2197 01:23:31,210 --> 01:23:33,050 This is a directors' survival show, after all. 2198 01:23:33,410 --> 01:23:36,150 To get your name on the Director Credit, 2199 01:23:36,550 --> 01:23:39,249 you must prove your worth once again. 2200 01:23:39,250 --> 01:23:41,520 The second mission of... 2201 01:23:41,650 --> 01:23:43,320 Street World Fighter: Directors' War. 2202 01:23:43,620 --> 01:23:45,430 How will they choose a director? 2203 01:23:45,530 --> 01:23:47,559 It's completely veiled. 2204 01:23:47,560 --> 01:23:48,560 It is... 2205 01:23:48,830 --> 01:23:51,330 the Title Sequence Film Mission. 2206 01:23:51,460 --> 01:23:53,100 (Title Sequence Film Mission) 2207 01:23:53,300 --> 01:23:54,370 What is it? 2208 01:23:54,470 --> 01:23:55,470 What? 2209 01:23:55,471 --> 01:23:57,770 Isn't this the film they play when the show starts? 2210 01:23:58,370 --> 01:24:02,180 The one minute given to make an impression of the show. 2211 01:24:02,410 --> 01:24:06,050 It captures the identity of the show. 2212 01:24:06,150 --> 01:24:08,749 This mission will evaluate your sense... 2213 01:24:08,750 --> 01:24:10,820 as a film director. 2214 01:24:11,150 --> 01:24:13,189 That's good. I like making films. 2215 01:24:13,190 --> 01:24:14,649 I've worked on it a few times. 2216 01:24:14,650 --> 01:24:15,959 I was confident. 2217 01:24:15,960 --> 01:24:18,219 Anything is possible with a film. 2218 01:24:18,220 --> 01:24:21,830 I'm a bit better at it, and I like it too. 2219 01:24:21,860 --> 01:24:23,060 What you think about... 2220 01:24:23,160 --> 01:24:25,499 Street World Fighter: Directors' War. 2221 01:24:25,500 --> 01:24:27,999 Its universe, the choreographers' characters, 2222 01:24:28,000 --> 01:24:30,099 the film's tone and framing, 2223 01:24:30,100 --> 01:24:32,709 and your sense as a director. 2224 01:24:32,710 --> 01:24:34,769 You must capture all of these in one video. 2225 01:24:34,770 --> 01:24:36,079 That's the difficult part. 2226 01:24:36,080 --> 01:24:40,149 How will you capture the charm of these ten choreographers... 2227 01:24:40,150 --> 01:24:42,750 and convey it directly? 2228 01:24:43,020 --> 01:24:45,019 Those who watch the show... 2229 01:24:45,020 --> 01:24:46,289 The ones who watch the show are the viewers. 2230 01:24:46,290 --> 01:24:47,290 No matter who watches, 2231 01:24:47,291 --> 01:24:49,589 I wan them to be able to say, "That was incredible." 2232 01:24:49,590 --> 01:24:50,719 The intention of the opening. 2233 01:24:50,720 --> 01:24:53,429 I think that has to be expressed well. 2234 01:24:53,430 --> 01:24:56,159 Who will make the face of this show? 2235 01:24:56,160 --> 01:24:57,799 - Gosh. - Gosh. 2236 01:24:57,800 --> 01:24:58,929 The ten choreographers... 2237 01:24:58,930 --> 01:25:01,769 will create film draft videos. 2238 01:25:01,770 --> 01:25:03,339 We'll be filming the title draft. 2239 01:25:03,340 --> 01:25:05,610 Through those draft videos, 2240 01:25:05,640 --> 01:25:07,869 the director who will lead the Title Sequence Film Mission... 2241 01:25:07,870 --> 01:25:09,639 will be decided. 2242 01:25:09,640 --> 01:25:11,379 Thus, this mission... 2243 01:25:11,380 --> 01:25:12,949 will consist of just one director... 2244 01:25:12,950 --> 01:25:15,449 and nine choreographers... 2245 01:25:15,450 --> 01:25:17,650 who will work under that director. 2246 01:25:17,820 --> 01:25:19,119 Who will become the dancers? 2247 01:25:19,120 --> 01:25:21,550 Me? It can never be me. 2248 01:25:21,650 --> 01:25:22,919 I'm here for a director battle. 2249 01:25:22,920 --> 01:25:24,059 I must become the director. 2250 01:25:24,060 --> 01:25:26,490 I'm certain I will come up with something better. 2251 01:25:26,830 --> 01:25:29,129 For the production of the film draft videos, 2252 01:25:29,130 --> 01:25:31,500 you will work with the draft dancers. 2253 01:25:31,970 --> 01:25:33,769 The draft dancers... 2254 01:25:33,770 --> 01:25:37,100 will replace all ten choreographers including yourself. 2255 01:25:37,340 --> 01:25:38,609 Gosh, this is a headache. 2256 01:25:38,610 --> 01:25:41,369 Where and how will I find replacements for these people? 2257 01:25:41,370 --> 01:25:43,679 We had to cast dancers for each role. 2258 01:25:43,680 --> 01:25:46,709 They'll be the draft dancers... 2259 01:25:46,710 --> 01:25:49,519 who will be dancing in our place. 2260 01:25:49,520 --> 01:25:51,849 We need the ones who can match... 2261 01:25:51,850 --> 01:25:54,189 the lines of the choreographers... 2262 01:25:54,190 --> 01:25:55,960 along with their styles. 2263 01:25:56,060 --> 01:25:57,259 I started writing names as soon as I arrived. 2264 01:25:57,260 --> 01:25:59,459 The one who will take Koo Young's role. 2265 01:25:59,460 --> 01:26:01,459 The one who will take INGYOO's role. 2266 01:26:01,460 --> 01:26:03,759 You must prove through the video... 2267 01:26:03,760 --> 01:26:05,670 why you must become the director. 2268 01:26:05,830 --> 01:26:07,299 Just like the Class Mission, we must make the others... 2269 01:26:07,300 --> 01:26:09,380 - want to do it. - Right. That's what we have to do. 2270 01:26:09,440 --> 01:26:12,069 "Will I become the director, dancer, or choreographer?" 2271 01:26:12,070 --> 01:26:14,240 It's a mission that will determine that. 2272 01:26:14,510 --> 01:26:17,840 The title song will be revealed. 2273 01:26:17,880 --> 01:26:19,349 - What? - There's a song? 2274 01:26:19,350 --> 01:26:20,749 There's a song for this. 2275 01:26:20,750 --> 01:26:22,449 ("Royalty" produced by Illmind, Yoon Mi Rae, Tiger JK) 2276 01:26:22,450 --> 01:26:24,120 - "Royalty." - "Royalty." 2277 01:26:27,620 --> 01:26:28,620 Oh! 2278 01:26:28,621 --> 01:26:30,589 It was a style that I liked. 2279 01:26:30,590 --> 01:26:32,159 "It's so good!" 2280 01:26:32,160 --> 01:26:34,329 It's so good. I think I can do a good job with it. 2281 01:26:34,330 --> 01:26:35,699 It's Yoon Mi Rae. 2282 01:26:35,700 --> 01:26:39,070 I'm someone who can work with any genre. 2283 01:26:39,170 --> 01:26:41,299 It feels like a match for me. 2284 01:26:41,300 --> 01:26:44,769 MIN JUN and Hash looked quite worried. 2285 01:26:44,770 --> 01:26:46,710 They weren't people who made drafts. 2286 01:26:47,070 --> 01:26:48,070 That's not true. 2287 01:26:48,071 --> 01:26:51,579 It was a song in a style I wanted, 2288 01:26:51,580 --> 01:26:52,580 so I felt relieved. 2289 01:26:52,581 --> 01:26:53,849 I thought I could make something nice with it. 2290 01:26:53,850 --> 01:26:55,950 I got a visual idea of what it would look like. 2291 01:26:56,350 --> 01:26:58,449 Once this mission ends, 2292 01:26:58,450 --> 01:26:59,590 for the first time, 2293 01:27:01,090 --> 01:27:03,790 two choreographers will get eliminated. 2294 01:27:03,990 --> 01:27:05,160 Oh, my gosh! 2295 01:27:05,530 --> 01:27:06,789 I got so surprised. 2296 01:27:06,790 --> 01:27:08,029 Wasn't it one person? 2297 01:27:08,030 --> 01:27:09,060 Two? 2298 01:27:09,300 --> 01:27:10,699 We're getting eliminated already? 2299 01:27:10,700 --> 01:27:12,229 Ten people did feel like a lot. 2300 01:27:12,230 --> 01:27:13,929 Eight was a better number. 2301 01:27:13,930 --> 01:27:15,370 Let's make it four. 2302 01:27:15,540 --> 01:27:16,600 Maybe five? 2303 01:27:16,700 --> 01:27:18,499 The final battle of survival... 2304 01:27:18,500 --> 01:27:20,500 that will decide the first ones to get eliminated. 2305 01:27:20,610 --> 01:27:23,240 It's the Last Stage. 2306 01:27:24,280 --> 01:27:26,350 - There are so many "lasts." - Gosh! 2307 01:27:26,450 --> 01:27:27,909 No more "lasts!" 2308 01:27:27,910 --> 01:27:31,119 Last Stage is an improvised directing battle... 2309 01:27:31,120 --> 01:27:33,189 in which the contestants must prove their worth one last time. 2310 01:27:33,190 --> 01:27:34,989 - This is going to be interesting. - This is going to be interesting. 2311 01:27:34,990 --> 01:27:38,120 The conditions of this Last Stage... 2312 01:27:38,890 --> 01:27:41,129 are 24 hours... 2313 01:27:41,130 --> 01:27:43,730 and a table and chair. 2314 01:27:44,660 --> 01:27:45,970 I feel dizzy all of a sudden. 2315 01:27:46,230 --> 01:27:48,100 That made no sense at all. 2316 01:27:48,400 --> 01:27:50,720 It stressed me out. It was going to make my hair fall out. 2317 01:27:50,770 --> 01:27:52,669 Within 24 hours, 2318 01:27:52,670 --> 01:27:54,839 you must create your own work... 2319 01:27:54,840 --> 01:27:57,080 including the table and chair. 2320 01:27:57,210 --> 01:27:58,650 I'm about to go crazy. 2321 01:27:58,910 --> 01:28:00,050 (Sighing) 2322 01:28:00,250 --> 01:28:01,409 On top of that, 2323 01:28:01,410 --> 01:28:03,319 the one who becomes the director of this mission... 2324 01:28:03,320 --> 01:28:05,350 will be exempted from elimination. 2325 01:28:07,750 --> 01:28:09,459 The director will also be given... 2326 01:28:09,460 --> 01:28:11,540 the right to decide on the elimination candidates... 2327 01:28:11,620 --> 01:28:13,629 as a Judge. 2328 01:28:13,630 --> 01:28:15,259 Gosh! I didn't expect that at all. 2329 01:28:15,260 --> 01:28:17,259 I must win that position. 2330 01:28:17,260 --> 01:28:18,559 Really? Gosh. 2331 01:28:18,560 --> 01:28:19,699 The director becomes the Judge. 2332 01:28:19,700 --> 01:28:21,529 That was an unbelievable benefit. 2333 01:28:21,530 --> 01:28:22,969 I got so surprised. The director becomes the Judge. 2334 01:28:22,970 --> 01:28:24,140 It felt so cruel. 2335 01:28:24,370 --> 01:28:25,709 After becoming the director, 2336 01:28:25,710 --> 01:28:28,540 being able to enter the safe zone is a big benefit in itself. 2337 01:28:28,740 --> 01:28:30,940 They did well to make everyone want that position. 2338 01:28:31,240 --> 01:28:33,210 It's an actual war. 2339 01:28:33,510 --> 01:28:35,550 I will make sure to put up my name as the director. 2340 01:28:35,850 --> 01:28:39,649 Thus, beyond securing survival, 2341 01:28:39,650 --> 01:28:42,459 the director will be in a position to be able to... 2342 01:28:42,460 --> 01:28:44,096 decide on the fates of the other choreographers. 2343 01:28:44,120 --> 01:28:46,529 One of us will take the throne... 2344 01:28:46,530 --> 01:28:49,160 and handle the others like slaves. 2345 01:28:49,360 --> 01:28:51,499 The Title Sequence Film Mission... 2346 01:28:51,500 --> 01:28:54,929 isn't just about coming up with the title of the show. 2347 01:28:54,930 --> 01:28:57,439 Only one director will be chosen... 2348 01:28:57,440 --> 01:28:59,839 and the elimination candidates who will head to the Last Stage... 2349 01:28:59,840 --> 01:29:02,610 will be decided through this mission. 2350 01:29:02,640 --> 01:29:04,039 That's a huge right. 2351 01:29:04,040 --> 01:29:05,879 It's a position that everyone would want. 2352 01:29:05,880 --> 01:29:07,849 I believe the director can choose... 2353 01:29:07,850 --> 01:29:09,050 who to eliminate. 2354 01:29:09,250 --> 01:29:10,250 I must win. 2355 01:29:10,251 --> 01:29:11,849 It's because I must become the champion. 2356 01:29:11,850 --> 01:29:13,119 That can never happen. 2357 01:29:13,120 --> 01:29:14,950 I will survive until the end. 2358 01:29:15,760 --> 01:29:16,959 In Directors' War, 2359 01:29:16,960 --> 01:29:18,660 isn't that the biggest authority? 2360 01:29:19,490 --> 01:29:20,759 Right away? 2361 01:29:20,760 --> 01:29:22,500 This is a casting war. 2362 01:29:22,700 --> 01:29:24,759 Finding dancers is the problem. 2363 01:29:24,760 --> 01:29:26,929 I must get to them first before the others. 2364 01:29:26,930 --> 01:29:27,999 Should I call them now? 2365 01:29:28,000 --> 01:29:29,999 I must call the dancers. 2366 01:29:30,000 --> 01:29:33,110 I have to find dancers who can take our roles. 2367 01:29:33,510 --> 01:29:34,840 Isn't this insane? 2368 01:29:34,970 --> 01:29:35,979 I'm going to lose my hair. 2369 01:29:35,980 --> 01:29:38,410 Are you going to get me a hair transplant? 2370 01:29:38,850 --> 01:29:41,649 The dancers have to suit all ten of our characters. 2371 01:29:41,650 --> 01:29:43,849 I must make the choreographers want to perform my work. 2372 01:29:43,850 --> 01:29:47,049 I must film a draft that can bring out... 2373 01:29:47,050 --> 01:29:48,589 each choreographer's qualities... 2374 01:29:48,590 --> 01:29:50,559 to be able to get a lot of votes and become the director. 2375 01:29:50,560 --> 01:29:52,690 It's hard to find the dancers. 2376 01:29:53,030 --> 01:29:58,160 Gosh, I think Tae Woo will call Nino. 2377 01:29:59,030 --> 01:30:00,030 (Peeking at Kasper's room) 2378 01:30:00,031 --> 01:30:02,570 Who should I call? 2379 01:30:02,740 --> 01:30:06,370 I had to call the dancers I wanted first. 2380 01:30:06,570 --> 01:30:08,269 Nino will take INGYOO's role. 2381 01:30:08,270 --> 01:30:10,639 Nino has a sense of arrogance to him. 2382 01:30:10,640 --> 01:30:12,649 I thought he was a perfect match as a character. 2383 01:30:12,650 --> 01:30:15,750 I thought Nino was suitable for that role. 2384 01:30:16,150 --> 01:30:17,949 If he doesn't work with me, 2385 01:30:17,950 --> 01:30:19,220 it's pure betrayal. 2386 01:30:19,350 --> 01:30:20,990 Shuri will take BADA's role. 2387 01:30:21,520 --> 01:30:22,689 (He calls Shuri right away.) 2388 01:30:22,690 --> 01:30:24,089 Hey, Shuri. 2389 01:30:24,090 --> 01:30:25,660 I called to cast you. 2390 01:30:25,790 --> 01:30:27,060 Shuri for Kasper's role. 2391 01:30:27,330 --> 01:30:28,330 Shuri! 2392 01:30:28,331 --> 01:30:30,399 Shuri will definitely ask Kasper. 2393 01:30:30,400 --> 01:30:32,000 (Kasper's role: Shuri) 2394 01:30:32,230 --> 01:30:34,570 Shuri for Kasper's role. 2395 01:30:34,770 --> 01:30:36,569 I think everyone will think the same. 2396 01:30:36,570 --> 01:30:38,169 I must move quickly. 2397 01:30:38,170 --> 01:30:41,309 The only one who can cover his skills and damping... 2398 01:30:41,310 --> 01:30:42,879 is Shuri in my opinion. 2399 01:30:42,880 --> 01:30:44,309 I contacted Shuri. 2400 01:30:44,310 --> 01:30:45,549 (Shuri! Can you join me for a draft mission on June 2?) 2401 01:30:45,550 --> 01:30:47,450 I didn't get back from him yet. 2402 01:30:48,210 --> 01:30:49,919 Why are you all gathered together? 2403 01:30:49,920 --> 01:30:52,520 Koo Young's role is the hardest. 2404 01:30:52,650 --> 01:30:54,650 Koo Young's role is the hardest. 2405 01:30:56,190 --> 01:30:57,320 (Peeking) 2406 01:30:58,090 --> 01:30:59,229 (Peeking) 2407 01:30:59,230 --> 01:31:01,559 (Gazing) 2408 01:31:01,560 --> 01:31:03,329 You look busy. Who contacted you? 2409 01:31:03,330 --> 01:31:04,330 No. 2410 01:31:04,730 --> 01:31:06,130 Shuri contacted me. 2411 01:31:06,400 --> 01:31:07,869 What? 2412 01:31:07,870 --> 01:31:09,340 No way. 2413 01:31:09,400 --> 01:31:11,600 He told me that BADA contacted him. 2414 01:31:11,770 --> 01:31:13,639 (Screaming) 2415 01:31:13,640 --> 01:31:16,480 (Escaping reality) 2416 01:31:16,910 --> 01:31:18,740 That got me flustered quite a lot. 2417 01:31:18,910 --> 01:31:21,749 This punk read my message and didn't reply. 2418 01:31:21,750 --> 01:31:23,619 That was why I texted him again. 2419 01:31:23,620 --> 01:31:25,719 "Why aren't you answering me? Please join me." 2420 01:31:25,720 --> 01:31:28,089 Shuri will come to me this time. 2421 01:31:28,090 --> 01:31:29,360 He is only human. 2422 01:31:29,460 --> 01:31:32,560 (Shuri was cast by 4 choreographers.) 2423 01:31:32,660 --> 01:31:34,930 This is a battle for Shuri. 2424 01:31:35,600 --> 01:31:37,829 Shuri is my child. 2425 01:31:37,830 --> 01:31:39,399 I can never get him taken away from me. 2426 01:31:39,400 --> 01:31:42,029 Without thinking about the consequences, 2427 01:31:42,030 --> 01:31:43,999 I'm going to go for the best way possible. 2428 01:31:44,000 --> 01:31:45,809 I'm confident when it comes to films. 2429 01:31:45,810 --> 01:31:47,439 I'm 100 percent certain about this. 2430 01:31:47,440 --> 01:31:49,139 The others are here to prove themselves. 2431 01:31:49,140 --> 01:31:51,510 I must be able to prove myself as well. 2432 01:31:51,840 --> 01:31:54,250 The title of director is mine. 2433 01:31:57,150 --> 01:31:59,150 (D-Day of Title Sequence Film Mission draft shoot) 2434 01:32:01,450 --> 01:32:02,619 Thank you. 2435 01:32:02,620 --> 01:32:05,290 (The 10 directors and dancers have gathered for the draft shoot.) 2436 01:32:06,160 --> 01:32:09,399 Thank you so much for helping out with the draft. 2437 01:32:09,400 --> 01:32:11,899 Each of you will become the director... 2438 01:32:11,900 --> 01:32:13,800 for this draft. 2439 01:32:13,930 --> 01:32:15,329 Many of our dancers have gathered... 2440 01:32:15,330 --> 01:32:17,069 to help me out. 2441 01:32:17,070 --> 01:32:20,269 The dancers are really important during the draft shoot. 2442 01:32:20,270 --> 01:32:21,969 I felt this while being a director. 2443 01:32:21,970 --> 01:32:24,139 Choreographies get chosen... 2444 01:32:24,140 --> 01:32:27,009 based on the draft dancers. 2445 01:32:27,010 --> 01:32:28,949 That's how important they are. 2446 01:32:28,950 --> 01:32:31,350 But I hit a red light based on that. 2447 01:32:32,220 --> 01:32:34,490 BADA! Shuri will take BADA's role. 2448 01:32:35,720 --> 01:32:37,159 (Team Kasper: BADA's role, Shuri) 2449 01:32:37,160 --> 01:32:38,759 He's like a son to me. 2450 01:32:38,760 --> 01:32:40,730 He's always assisting me. 2451 01:32:40,860 --> 01:32:42,560 Kasper! 2452 01:32:44,560 --> 01:32:46,670 (She didn't get a reply from him yesterday.) 2453 01:32:46,900 --> 01:32:48,099 Shuri! 2454 01:32:48,100 --> 01:32:49,639 (Team BADA: Kasper's role, Shuri) 2455 01:32:49,640 --> 01:32:51,970 You're the only one who can take this role. 2456 01:32:52,440 --> 01:32:53,939 But with Shuri... 2457 01:32:53,940 --> 01:32:55,709 That's impossible. 2458 01:32:55,710 --> 01:32:56,879 Even if he wants to help out with all of us, 2459 01:32:56,880 --> 01:32:59,049 it's right for us to avoid using him. 2460 01:32:59,050 --> 01:33:00,690 I'll step away from the battle for Shuri. 2461 01:33:01,050 --> 01:33:03,420 Hoi will take Kasper's role. 2462 01:33:04,320 --> 01:33:06,650 (In sync with Kasper 100 percent?) 2463 01:33:06,820 --> 01:33:08,150 And Kasper. 2464 01:33:08,650 --> 01:33:10,389 Kasper is my key ring guy. 2465 01:33:10,390 --> 01:33:12,389 He will become the key ring guy of the key ring guy. 2466 01:33:12,390 --> 01:33:13,559 He's working hard. 2467 01:33:13,560 --> 01:33:15,589 And INGYOO's role... 2468 01:33:15,590 --> 01:33:17,229 (Team BABYZOO: INGYOO's role) 2469 01:33:17,230 --> 01:33:19,269 will be taken by Lee Jung! 2470 01:33:19,270 --> 01:33:21,470 (Fully acceptable) 2471 01:33:21,530 --> 01:33:22,599 It's because... 2472 01:33:22,600 --> 01:33:23,940 (INJUNG's "like JENNIE") 2473 01:33:24,140 --> 01:33:28,639 Lee Jung has been friends with INGYOO for a decade. 2474 01:33:28,640 --> 01:33:29,640 Yes, right. 2475 01:33:29,641 --> 01:33:32,309 She understands INGYOO's characteristics so well. 2476 01:33:32,310 --> 01:33:34,309 - Exactly! - Right. 2477 01:33:34,310 --> 01:33:35,310 INGYOO. 2478 01:33:35,311 --> 01:33:36,949 (Team Back Koo Young: INGYOO's role, no: ze) 2479 01:33:36,950 --> 01:33:37,950 Okay! 2480 01:33:37,951 --> 01:33:39,449 You've grown much taller, INGYOO. 2481 01:33:39,450 --> 01:33:40,450 (Laughing) 2482 01:33:40,451 --> 01:33:42,759 She's incredible with these drafts. 2483 01:33:42,760 --> 01:33:45,590 And here's Ms. Lia Kim. 2484 01:33:45,760 --> 01:33:47,229 - Hash! - Right. 2485 01:33:47,230 --> 01:33:49,059 - I did my hair just like hers. - Right. 2486 01:33:49,060 --> 01:33:50,729 - The side-swept bangs. - Right. 2487 01:33:50,730 --> 01:33:52,729 Hash is really flexible. 2488 01:33:52,730 --> 01:33:54,429 She can pull off all kinds of techniques. 2489 01:33:54,430 --> 01:33:55,900 Right! These moves! 2490 01:33:56,470 --> 01:33:57,640 - These moves! - "I got it!" 2491 01:33:57,900 --> 01:33:59,339 We must dance like the ones we're given? 2492 01:33:59,340 --> 01:34:01,169 - Well... - While imagining that person? 2493 01:34:01,170 --> 01:34:02,739 Don't dance like them. 2494 01:34:02,740 --> 01:34:05,539 Say this to BADA, "You want to do this, don't you?" 2495 01:34:05,540 --> 01:34:07,109 This is a better approach. 2496 01:34:07,110 --> 01:34:09,449 It's like, "You want to do this, don't you, Koo Young?" 2497 01:34:09,450 --> 01:34:10,649 (Vata is confused.) 2498 01:34:10,650 --> 01:34:14,419 It's the draft of the Title Sequence Film Mission. 2499 01:34:14,420 --> 01:34:18,619 What's being seen now is a completely rough draft. 2500 01:34:18,620 --> 01:34:21,060 I'm quite detailed when filming for drafts. 2501 01:34:21,660 --> 01:34:23,829 Are the lights different in color on purpose? 2502 01:34:23,830 --> 01:34:25,529 - We're working on them. - Okay. 2503 01:34:25,530 --> 01:34:27,029 This is the only mood light. 2504 01:34:27,030 --> 01:34:28,369 Is this the spotlight? 2505 01:34:28,370 --> 01:34:30,140 - It's the spotlight. - Okay. 2506 01:34:30,470 --> 01:34:33,140 As soon as the spotlight turned on, the blue light disappears. 2507 01:34:33,640 --> 01:34:34,710 This one. 2508 01:34:34,970 --> 01:34:36,579 I think this is the right tone for the blue one. 2509 01:34:36,580 --> 01:34:38,979 The key point of the Title Sequence. 2510 01:34:38,980 --> 01:34:40,149 The lights. 2511 01:34:40,150 --> 01:34:42,549 There's a certain mood that can be felt from the lights. 2512 01:34:42,550 --> 01:34:44,019 Something only the lights can express. 2513 01:34:44,020 --> 01:34:45,619 Only the lights are expressed in the video... 2514 01:34:45,620 --> 01:34:47,819 and only the lights can lighten up the stage. 2515 01:34:47,820 --> 01:34:49,559 The dancers under those lights. 2516 01:34:49,560 --> 01:34:51,360 "How will the mood feel with the lights?" 2517 01:34:51,590 --> 01:34:53,560 The lights control the mood. 2518 01:34:54,190 --> 01:34:55,960 - Hey. - Yes? 2519 01:34:56,060 --> 01:34:57,830 Come here, Ye Hwan. 2520 01:34:58,060 --> 01:35:00,300 Ye Hwan has Koo Young's role. 2521 01:35:00,400 --> 01:35:03,370 You will be given a very important mission. 2522 01:35:03,570 --> 01:35:05,070 You're part of the lighting crew now. 2523 01:35:06,210 --> 01:35:09,180 Here. Like this. 2524 01:35:09,640 --> 01:35:10,680 This is really important. 2525 01:35:10,980 --> 01:35:12,079 At this pace? 2526 01:35:12,080 --> 01:35:15,920 Right. Boom! 2527 01:35:16,150 --> 01:35:18,220 The cameraman will come. 2528 01:35:18,720 --> 01:35:19,850 At that moment... 2529 01:35:19,950 --> 01:35:23,559 Flash! 2530 01:35:23,560 --> 01:35:25,040 Flash the light constantly like this. 2531 01:35:25,490 --> 01:35:26,490 Okay! 2532 01:35:26,990 --> 01:35:28,630 (Take 1, 1st attempt) 2533 01:35:28,730 --> 01:35:29,959 Nice! 2534 01:35:29,960 --> 01:35:32,929 (In the zone) 2535 01:35:32,930 --> 01:35:34,369 You shouldn't shine it downward, Ye Hwan. 2536 01:35:34,370 --> 01:35:36,070 The light has to lighten up everything. 2537 01:35:37,040 --> 01:35:39,340 (Take 2, lighting the whole room) 2538 01:35:39,440 --> 01:35:41,139 Don't feel the rhythm too much. 2539 01:35:41,140 --> 01:35:43,710 Move it around gently. 2540 01:35:43,880 --> 01:35:46,649 (Take 3, moving slowly) 2541 01:35:46,650 --> 01:35:48,349 You have to move from here to here. 2542 01:35:48,350 --> 01:35:50,119 (Lighting it slowly toward the front) 2543 01:35:50,120 --> 01:35:51,319 (The cameraman is satisfied.) 2544 01:35:51,320 --> 01:35:52,550 We did it! 2545 01:35:53,320 --> 01:35:54,666 (The key ring guy of the light lover is found.) 2546 01:35:54,690 --> 01:35:57,860 The biggest focus is on me becoming the director. 2547 01:35:58,220 --> 01:35:59,230 I must get that title. 2548 01:35:59,390 --> 01:36:02,260 It's a problem if I lose to them, isn't it? 2549 01:36:02,530 --> 01:36:04,500 A punk like Kasper... No. 2550 01:36:05,130 --> 01:36:06,230 Gosh! 2551 01:36:06,930 --> 01:36:09,369 Guys like them will give me directions. 2552 01:36:09,370 --> 01:36:12,140 "Hey, move back more to the left!" 2553 01:36:12,240 --> 01:36:14,309 That is what will happen to me. 2554 01:36:14,310 --> 01:36:16,270 If that happens, I must head back to my hometown. 2555 01:36:17,440 --> 01:36:18,480 Yes! 2556 01:36:18,910 --> 01:36:20,709 During the Signature 400 Mission, 2557 01:36:20,710 --> 01:36:22,670 I wasn't able to get my name on the Credit Board. 2558 01:36:25,920 --> 01:36:28,420 With this mission, 2559 01:36:28,520 --> 01:36:31,259 the director's name will appear during every episode. 2560 01:36:31,260 --> 01:36:32,630 I must show everyone who I am. 2561 01:36:32,790 --> 01:36:34,130 I want to become the director. 2562 01:36:34,260 --> 01:36:35,900 Please help me become the director! 2563 01:36:36,600 --> 01:36:38,760 I'm satisfied with the draft. 2564 01:36:38,860 --> 01:36:42,099 The one-minute video that will represent this show. 2565 01:36:42,100 --> 01:36:43,100 I felt confident. 2566 01:36:43,470 --> 01:36:46,210 Great! I love this place. 2567 01:36:47,170 --> 01:36:48,239 Let's go! 2568 01:36:48,240 --> 01:36:49,279 (Showroom) 2569 01:36:49,280 --> 01:36:50,739 (The place responsible for the casual looks of the directors) 2570 01:36:50,740 --> 01:36:52,779 Should we enter the showroom? 2571 01:36:52,780 --> 01:36:54,449 - Yes! - Yes! 2572 01:36:54,450 --> 01:36:55,649 We're wearing their pants. 2573 01:36:55,650 --> 01:36:57,150 Right. The pants. 2574 01:36:57,350 --> 01:36:58,919 Black and gray! 2575 01:36:58,920 --> 01:36:59,920 (Today's OOTD: Black and gray) 2576 01:36:59,921 --> 01:37:01,449 I really wanted those. 2577 01:37:01,450 --> 01:37:03,289 - The black ones? - The black ones look nice. 2578 01:37:03,290 --> 01:37:04,760 It's such a nice fit. 2579 01:37:05,460 --> 01:37:07,560 I really wanted this. 2580 01:37:07,660 --> 01:37:09,460 The color that suits cool tones. 2581 01:37:09,560 --> 01:37:10,799 - Yes! - Nice! 2582 01:37:10,800 --> 01:37:12,200 - How's the color? - It looks nice. 2583 01:37:13,470 --> 01:37:16,040 It looks nice, doesn't it? I want it! 2584 01:37:16,140 --> 01:37:18,300 (BABYZOO's pick is the stylish gray windbreaker.) 2585 01:37:18,570 --> 01:37:20,010 Are the colors the same, NaiN? 2586 01:37:20,110 --> 01:37:22,780 Your setup is insane right now. 2587 01:37:23,410 --> 01:37:24,610 This really looks nice. 2588 01:37:24,840 --> 01:37:26,749 It looks really nice when I wear it. 2589 01:37:26,750 --> 01:37:28,609 "It looks really nice when I wear it." 2590 01:37:28,610 --> 01:37:30,170 - Gosh! - What kind of comment is that? 2591 01:37:31,720 --> 01:37:34,289 A vivid color like this suits MIN JUN. 2592 01:37:34,290 --> 01:37:35,319 Right. 2593 01:37:35,320 --> 01:37:36,996 (He gets excited after hearing his compliment.) 2594 01:37:37,020 --> 01:37:38,720 (I feel great.) 2595 01:37:39,020 --> 01:37:40,829 - Gray! - Gray! 2596 01:37:40,830 --> 01:37:41,830 (They get ready to work...) 2597 01:37:41,831 --> 01:37:42,976 (after brightening up their moods with some shopping.) 2598 01:37:43,000 --> 01:37:44,300 Let's see how everyone does. 2599 01:37:44,800 --> 01:37:48,199 I'm expecting great qualities from everyone. 2600 01:37:48,200 --> 01:37:49,320 It's making me feel nervous. 2601 01:37:49,670 --> 01:37:52,570 Gosh! I feel quite satisfied. 2602 01:37:52,670 --> 01:37:54,409 After putting together the video yesterday, 2603 01:37:54,410 --> 01:37:56,910 I thought that I should be the one to become director. 2604 01:37:57,610 --> 01:37:58,980 Oh, gosh! 2605 01:37:59,810 --> 01:38:00,909 (A video is played in all rooms of the directors.) 2606 01:38:00,910 --> 01:38:01,950 (What's this?) 2607 01:38:02,720 --> 01:38:05,319 I will now explain how the director will get chosen... 2608 01:38:05,320 --> 01:38:07,590 for the Title Sequence Film Mission. 2609 01:38:07,850 --> 01:38:09,560 How the director will get chosen. 2610 01:38:09,960 --> 01:38:11,120 I was curious about this. 2611 01:38:11,220 --> 01:38:12,289 Hold on! We have to watch this together. 2612 01:38:12,290 --> 01:38:13,610 Why am I watching this on my own. 2613 01:38:13,660 --> 01:38:16,259 The ten choreographers will first reveal... 2614 01:38:16,260 --> 01:38:19,060 the film draft videos they worked on. 2615 01:38:19,160 --> 01:38:20,700 Before revealing the video, 2616 01:38:20,800 --> 01:38:23,369 each choreographer must explain the key points... 2617 01:38:23,370 --> 01:38:26,239 of the visuals, story, and characters. 2618 01:38:26,240 --> 01:38:28,639 The directions of the video must be explained. 2619 01:38:28,640 --> 01:38:30,680 Gosh, we have to make a presentation? 2620 01:38:30,780 --> 01:38:33,010 Once the film draft videos get revealed, 2621 01:38:33,110 --> 01:38:35,550 through an evaluation of the choreographers... 2622 01:38:35,650 --> 01:38:38,319 two director candidates will get decided. 2623 01:38:38,320 --> 01:38:42,450 The 2 director candidates will use 9 dancers... 2624 01:38:42,550 --> 01:38:45,260 to complete the final draft video. 2625 01:38:45,420 --> 01:38:47,189 The director candidates... 2626 01:38:47,190 --> 01:38:49,660 will participate in each other's videos. 2627 01:38:49,860 --> 01:38:50,860 (What?) 2628 01:38:50,860 --> 01:38:51,860 (Freezing) 2629 01:38:51,861 --> 01:38:53,269 So we should do it twice? 2630 01:38:53,270 --> 01:38:54,769 The draft videos... 2631 01:38:54,770 --> 01:38:56,169 must be performed by the actual choreographers... 2632 01:38:56,170 --> 01:38:58,470 under two directors? 2633 01:38:58,570 --> 01:39:01,309 It's going to be so hard if I don't become the director. 2634 01:39:01,310 --> 01:39:04,040 Sharing things is inevitable in this situation. 2635 01:39:04,580 --> 01:39:07,349 It's a matter of who doesn't get shaken and maintains their style. 2636 01:39:07,350 --> 01:39:09,650 Is there another way to decide... 2637 01:39:10,120 --> 01:39:11,480 the final director out of the two? 2638 01:39:11,520 --> 01:39:14,319 The final director of the Title Sequence Film Mission... 2639 01:39:14,320 --> 01:39:16,089 will be decided by the final draft videos... 2640 01:39:16,090 --> 01:39:18,459 made by the two director candidates. 2641 01:39:18,460 --> 01:39:19,989 The votes of eight choreographers... 2642 01:39:19,990 --> 01:39:21,930 excluding the two director candidates... 2643 01:39:22,190 --> 01:39:25,060 and one vote of the Public Judge will decide the final director. 2644 01:39:25,160 --> 01:39:27,030 The other eight choreographers... 2645 01:39:27,130 --> 01:39:31,100 will evaluate the directing skills... 2646 01:39:31,200 --> 01:39:32,769 of the two director candidates. 2647 01:39:32,770 --> 01:39:34,109 I must become a candidate. 2648 01:39:34,110 --> 01:39:35,810 Pick me! 2649 01:39:35,940 --> 01:39:38,040 I hope I become one of the two candidates. 2650 01:39:38,140 --> 01:39:41,910 As a result, the one candidate with the most votes... 2651 01:39:42,010 --> 01:39:44,119 will become the director of the Title Sequence Film... 2652 01:39:44,120 --> 01:39:47,150 of Street World Fighter: Directors' War. 2653 01:39:47,320 --> 01:39:49,189 The final director... 2654 01:39:49,190 --> 01:39:52,560 will also be given the right of the Judge... 2655 01:39:53,030 --> 01:39:55,130 to decide on the candidates for the Last Stage. 2656 01:39:55,430 --> 01:39:56,999 (Screaming) 2657 01:39:57,000 --> 01:39:58,730 That's so scary! 2658 01:39:58,830 --> 01:40:01,899 I really hope it isn't me. 2659 01:40:01,900 --> 01:40:04,699 Gosh, that's quite scary. I don't like that. 2660 01:40:04,700 --> 01:40:07,369 I will be in danger if I don't become the director. 2661 01:40:07,370 --> 01:40:08,569 That made me feel scared. 2662 01:40:08,570 --> 01:40:10,239 Even after become a director candidate, 2663 01:40:10,240 --> 01:40:11,909 that person can also end up being on the Last Stage... 2664 01:40:11,910 --> 01:40:14,650 if they fail to become the final director. 2665 01:40:16,250 --> 01:40:19,150 Gosh! Someone will feel a lot of stress. 2666 01:40:19,320 --> 01:40:21,120 Out of the ten choreographers, 2667 01:40:21,220 --> 01:40:23,359 who will become the director... 2668 01:40:23,360 --> 01:40:24,759 to complete the first scene... 2669 01:40:24,760 --> 01:40:27,230 of Street World Fighter: Directors' War? 2670 01:40:27,530 --> 01:40:30,030 Me! I hope it's me. 2671 01:40:30,360 --> 01:40:31,500 It will definitely be me... 2672 01:40:32,560 --> 01:40:35,200 and Back Koo Young. 2673 01:40:35,370 --> 01:40:39,839 Even after hearing that there were going to be two director candidates, 2674 01:40:39,840 --> 01:40:40,840 I felt confident. 2675 01:40:40,841 --> 01:40:43,140 It won't make sense if mine doesn't get picked. 2676 01:40:43,440 --> 01:40:44,580 I'm really confident. 2677 01:40:44,880 --> 01:40:47,109 I put together a video... 2678 01:40:47,110 --> 01:40:50,019 that will make the others want to perform it. 2679 01:40:50,020 --> 01:40:51,020 I'm confident. 2680 01:40:51,650 --> 01:40:53,690 (Concept and film draft video reveal) 2681 01:40:53,850 --> 01:40:55,149 (The concept and video reveal begins.) 2682 01:40:55,150 --> 01:40:57,420 Oh, no! 2683 01:40:58,220 --> 01:40:59,290 I'm scared! 2684 01:40:59,590 --> 01:41:00,889 (Concept and film draft video reveal) 2685 01:41:00,890 --> 01:41:04,960 Hello. I'm the first one up. I'm BABYZOO. 2686 01:41:05,330 --> 01:41:07,000 (Excited) 2687 01:41:07,070 --> 01:41:08,130 I'm so curious. 2688 01:41:08,600 --> 01:41:10,300 BABYZOO worked really hard. 2689 01:41:10,400 --> 01:41:12,569 The Title Sequence Film... 2690 01:41:12,570 --> 01:41:16,139 is the first video that gets revealed to the public. 2691 01:41:16,140 --> 01:41:20,350 The one-minute video that will represent this show. 2692 01:41:20,550 --> 01:41:22,550 The ones who watch the show... 2693 01:41:22,650 --> 01:41:23,820 are the viewers. 2694 01:41:23,920 --> 01:41:25,850 Mass appeal can't be ignored. 2695 01:41:26,020 --> 01:41:27,590 As it's that kind of video, 2696 01:41:27,790 --> 01:41:30,460 I slightly made a light approach. 2697 01:41:30,690 --> 01:41:33,389 You will notice when you watch the draft video. 2698 01:41:33,390 --> 01:41:36,399 The intro had "Countdown." 2699 01:41:36,400 --> 01:41:37,530 "Countdown?" 2700 01:41:37,630 --> 01:41:42,129 I worked on a pose before the start of a race. 2701 01:41:42,130 --> 01:41:44,439 The stopwatch is pressed to announce our start. 2702 01:41:44,440 --> 01:41:48,169 We did hand signs with each other to represent a good competition. 2703 01:41:48,170 --> 01:41:50,879 There are 5 men and 5 women. 2704 01:41:50,880 --> 01:41:52,680 I thought a pair move was necessary. 2705 01:41:54,750 --> 01:41:57,920 (The pair part is quite hot.) 2706 01:41:58,320 --> 01:42:02,020 I believed the public would like that part. 2707 01:42:02,550 --> 01:42:04,760 Then, what exactly is the concept? 2708 01:42:04,860 --> 01:42:06,730 Is it a race or... 2709 01:42:06,830 --> 01:42:08,359 I think the concept... 2710 01:42:08,360 --> 01:42:10,660 is that we're starting a competition together. 2711 01:42:10,760 --> 01:42:13,230 There wasn't a specific concept. 2712 01:42:13,330 --> 01:42:16,300 It was a piece that was focused toward the public. 2713 01:42:16,470 --> 01:42:18,099 I think the public... 2714 01:42:18,100 --> 01:42:19,569 The public will be... 2715 01:42:19,570 --> 01:42:21,539 The public... 2716 01:42:21,540 --> 01:42:24,410 It exceeds the quality I expected. 2717 01:42:24,640 --> 01:42:26,580 I'm sure the public will love it. 2718 01:42:26,750 --> 01:42:27,750 I'm confident. 2719 01:42:27,950 --> 01:42:29,620 - Are we watching it now? - I'm excited. 2720 01:42:29,750 --> 01:42:31,220 I'm excited! 2721 01:42:31,550 --> 01:42:32,849 (Title Sequence Film Mission) 2722 01:42:32,850 --> 01:42:34,610 (Choreography Concept Credit Board, BABYZOO) 2723 01:42:36,050 --> 01:42:37,260 I like the "Countdown" part. 2724 01:42:43,200 --> 01:42:44,360 It's Renan! 2725 01:42:45,930 --> 01:42:47,570 Lee Jung took INGYOO's role? 2726 01:42:54,170 --> 01:42:55,510 Why do I look so excited? 2727 01:42:58,140 --> 01:42:59,140 It's fancy. 2728 01:42:59,380 --> 01:43:00,750 Gosh, that's amazing. 2729 01:43:01,750 --> 01:43:02,950 That's impressive! 2730 01:43:03,450 --> 01:43:05,650 Yes! Kasper! 2731 01:43:07,120 --> 01:43:08,190 Hey! 2732 01:43:09,020 --> 01:43:10,060 It's really nice. 2733 01:43:12,020 --> 01:43:13,330 Hyun Se is playing my role? 2734 01:43:13,430 --> 01:43:15,260 This part suits BADA. 2735 01:43:19,460 --> 01:43:21,330 It's dancing from start to finish. 2736 01:43:22,670 --> 01:43:23,800 They're dancing in pairs! 2737 01:43:31,610 --> 01:43:32,839 This looks nice. 2738 01:43:32,840 --> 01:43:33,850 I also like this part. 2739 01:43:37,420 --> 01:43:39,549 (You can watch BABYZOO's full video on "The CHOOM" and "Mnet Plus.") 2740 01:43:39,550 --> 01:43:40,789 - Nice! - Nice! 2741 01:43:40,790 --> 01:43:41,890 That was exciting. 2742 01:43:41,990 --> 01:43:42,990 This move looks cool. 2743 01:43:43,290 --> 01:43:44,419 I would've never thought of that. 2744 01:43:44,420 --> 01:43:45,760 (I'll bite my top as well.) 2745 01:43:45,960 --> 01:43:48,830 Gosh, that was nice. He did well with the choreography. 2746 01:43:48,990 --> 01:43:50,559 I loved the biting part. 2747 01:43:50,560 --> 01:43:52,459 The flow of the choreography was really nice. 2748 01:43:52,460 --> 01:43:55,429 It looked so exciting that I wanted to learn it. 2749 01:43:55,430 --> 01:43:58,440 Many people said the choreography was nice. 2750 01:43:58,940 --> 01:44:00,539 (Chuckling) 2751 01:44:00,540 --> 01:44:01,540 Yes! 2752 01:44:01,541 --> 01:44:03,210 To be honest, it felt great. 2753 01:44:03,510 --> 01:44:04,940 It was really nice. 2754 01:44:05,310 --> 01:44:09,050 But one thing that was disappointing... 2755 01:44:09,450 --> 01:44:10,450 What? 2756 01:44:10,720 --> 01:44:12,520 Was the pair part. 2757 01:44:14,420 --> 01:44:15,796 (The pair part of 5 men and 5 women) 2758 01:44:15,820 --> 01:44:18,319 It was a good idea as there were men and women. 2759 01:44:18,320 --> 01:44:19,929 But this is what gets me. 2760 01:44:19,930 --> 01:44:21,790 "We have to watch pair parts every episode?" 2761 01:44:21,860 --> 01:44:24,859 The theme of theTitle Sequence Film Mission... 2762 01:44:24,860 --> 01:44:27,400 was to represent our show and the ten choreographers. 2763 01:44:27,500 --> 01:44:28,899 A pair part all of a sudden? 2764 01:44:28,900 --> 01:44:30,700 Twerking was done out of nowhere. 2765 01:44:31,470 --> 01:44:32,470 There are many pair moves out there, 2766 01:44:32,471 --> 01:44:33,769 but in afro dancing, 2767 01:44:33,770 --> 01:44:36,170 there should be something sensual. 2768 01:44:39,380 --> 01:44:41,850 It was funny to see MIN JUN and Hash as a pair. 2769 01:44:44,220 --> 01:44:45,519 In the video, MIN JUN gestured pulling... 2770 01:44:45,520 --> 01:44:47,349 Hash's hips up and down. 2771 01:44:47,350 --> 01:44:48,450 I found that funny. 2772 01:44:50,560 --> 01:44:52,059 (MIN JUN, Hash) 2773 01:44:52,060 --> 01:44:54,136 In the choreography, I had to bounce my hips up and down. 2774 01:44:54,160 --> 01:44:55,429 Then MIN JUN had to pretend to pull. 2775 01:44:55,430 --> 01:44:57,160 That was quite shocking. 2776 01:44:57,300 --> 01:44:59,420 I found it funny that I had to do the same with NaiN. 2777 01:45:00,130 --> 01:45:01,629 (INGYOO and NaiN are twerking side by side.) 2778 01:45:01,630 --> 01:45:03,510 So watching your choreography made me wonder... 2779 01:45:04,040 --> 01:45:06,709 if the direction matched... 2780 01:45:06,710 --> 01:45:08,710 the level of directors here. 2781 01:45:08,810 --> 01:45:11,880 (Surprised by his blunt comment) 2782 01:45:11,940 --> 01:45:13,250 I just didn't get it. 2783 01:45:13,280 --> 01:45:14,349 Why were... 2784 01:45:14,350 --> 01:45:16,420 female directors suddenly twerking? 2785 01:45:16,520 --> 01:45:18,419 He failed to capture the gravitas... 2786 01:45:18,420 --> 01:45:19,719 of the directors. 2787 01:45:19,720 --> 01:45:20,720 The pair dance? 2788 01:45:20,721 --> 01:45:22,249 I'm certain of this. 2789 01:45:22,250 --> 01:45:24,219 If the viewers watch my video, 2790 01:45:24,220 --> 01:45:26,729 they'll go, "I'd love to see them dance this version." 2791 01:45:26,730 --> 01:45:27,730 I'm sure of it. 2792 01:45:27,930 --> 01:45:30,100 I was a bit disappointed. 2793 01:45:30,330 --> 01:45:31,430 Would it be okay... 2794 01:45:31,560 --> 01:45:32,999 if you didn't read the paper now? 2795 01:45:33,000 --> 01:45:35,529 (The concept paper was handed out in advance.) 2796 01:45:35,530 --> 01:45:38,800 Could I go over the presentation slides first? 2797 01:45:39,270 --> 01:45:40,270 Presentation slides? 2798 01:45:41,640 --> 01:45:44,279 We're on a tight schedule. When on earth... 2799 01:45:44,280 --> 01:45:45,639 did she put together the slides? 2800 01:45:45,640 --> 01:45:47,849 I can only imagine just how much work she put into this. 2801 01:45:47,850 --> 01:45:49,650 This is the Title Sequence Film Mission. 2802 01:45:49,720 --> 01:45:51,049 I'm sure everyone did... 2803 01:45:51,050 --> 01:45:52,619 a great job with the video. 2804 01:45:52,620 --> 01:45:54,589 First of all, for this Film Mission, 2805 01:45:54,590 --> 01:45:57,660 I believe that the concept matters the most. 2806 01:45:57,890 --> 01:45:59,489 With that in mind, I decided on... 2807 01:45:59,490 --> 01:46:00,930 "The Matrix." 2808 01:46:02,560 --> 01:46:05,829 When I heard that she chose "The Matrix" for her concept, 2809 01:46:05,830 --> 01:46:07,770 I thought it was original and sounded fun. 2810 01:46:07,870 --> 01:46:09,870 She's a genius when it comes to crafting concepts. 2811 01:46:09,900 --> 01:46:11,970 I really wanted to steal her concept. 2812 01:46:12,070 --> 01:46:13,539 Deciding on the narrative took more time... 2813 01:46:13,540 --> 01:46:15,020 than coming up with the choreography. 2814 01:46:15,940 --> 01:46:16,940 It's perfect. 2815 01:46:16,941 --> 01:46:18,786 I decided to go with "The Matrix" as my concept. 2816 01:46:18,810 --> 01:46:19,810 This is it. 2817 01:46:19,811 --> 01:46:21,409 It suits my choreography style. 2818 01:46:21,410 --> 01:46:23,420 And it's going to look amazing. 2819 01:46:23,720 --> 01:46:25,650 It's just the perfect choice across the board. 2820 01:46:25,850 --> 01:46:27,519 When I thought of the movie, a few colors came to mind. 2821 01:46:27,520 --> 01:46:29,049 Metal, black, and green. 2822 01:46:29,050 --> 01:46:30,360 Those are my key colors. 2823 01:46:30,420 --> 01:46:32,119 This is my mood board. 2824 01:46:32,120 --> 01:46:33,766 I feel very confident when it comes to styling. 2825 01:46:33,790 --> 01:46:34,930 I agree. Yes. 2826 01:46:34,960 --> 01:46:36,106 Her styling for "Avatar" was great. 2827 01:46:36,130 --> 01:46:37,230 It was incredible. 2828 01:46:37,460 --> 01:46:39,099 Simeez's presentation was... 2829 01:46:39,100 --> 01:46:40,329 by far the best. 2830 01:46:40,330 --> 01:46:41,399 "This is the vibe." 2831 01:46:41,400 --> 01:46:42,469 "This is the mood board." 2832 01:46:42,470 --> 01:46:44,369 "Here are the key points." 2833 01:46:44,370 --> 01:46:46,770 She prepared her presentation to persuade us. 2834 01:46:46,840 --> 01:46:47,969 My gosh. I really thought... 2835 01:46:47,970 --> 01:46:49,239 she was going to win this. 2836 01:46:49,240 --> 01:46:51,516 I was determined to become the director for this mission. 2837 01:46:51,540 --> 01:46:53,950 Let's watch my choreography video now. 2838 01:46:54,010 --> 01:46:55,850 I was expecting something amazing. 2839 01:46:57,420 --> 01:46:58,649 I can't wait. 2840 01:46:58,650 --> 01:47:00,330 (Choreography Concept Credit Board Simeez) 2841 01:47:02,050 --> 01:47:03,690 Emma is in the video. 2842 01:47:09,830 --> 01:47:11,260 She went with five girls. 2843 01:47:12,230 --> 01:47:15,100 She did a good job bringing out my dance style. 2844 01:47:18,070 --> 01:47:19,370 I can pull that off, right? 2845 01:47:23,880 --> 01:47:25,009 You have to keep dancing. 2846 01:47:25,010 --> 01:47:26,650 Right. I have to keep dancing. 2847 01:47:28,150 --> 01:47:29,819 Some parts of the choreograph fell short. 2848 01:47:29,820 --> 01:47:31,520 She hasn't grasped my style as a dancer. 2849 01:47:33,350 --> 01:47:36,049 A few of those moves came across twerking. 2850 01:47:36,050 --> 01:47:37,590 I was a bit worried about that. 2851 01:47:39,760 --> 01:47:41,659 I didn't see much dancing on the staircase. 2852 01:47:41,660 --> 01:47:43,660 The choreography felt a bit hollow. 2853 01:47:46,400 --> 01:47:47,669 I'm always on my knees. 2854 01:47:47,670 --> 01:47:48,869 (Feeling guilty, laughing) 2855 01:47:48,870 --> 01:47:50,299 I guess that's in every choreography. 2856 01:47:50,300 --> 01:47:51,540 That must be MIN JUN's thing. 2857 01:47:53,170 --> 01:47:55,010 It looked unique and fun. 2858 01:47:58,840 --> 01:48:00,450 Why did Simeez dance for my part? 2859 01:48:00,510 --> 01:48:02,849 It was the first time... 2860 01:48:02,850 --> 01:48:05,719 I've ever seen Simeez take on a male part. 2861 01:48:05,720 --> 01:48:07,520 That change was quite refreshing. I liked it. 2862 01:48:10,690 --> 01:48:14,359 (You can watch Simeez's full video on "The CHOOM" and "Mnet Plus.") 2863 01:48:14,360 --> 01:48:15,760 As soon as I watched the video, 2864 01:48:15,960 --> 01:48:18,229 I felt that her choreography didn't quite live up... 2865 01:48:18,230 --> 01:48:19,800 to her presentation. 2866 01:48:19,900 --> 01:48:21,929 It made me wonder why she chose "The Matrix." 2867 01:48:21,930 --> 01:48:23,129 It was disappointing... 2868 01:48:23,130 --> 01:48:25,069 that the choreography didn't connect to the concept. 2869 01:48:25,070 --> 01:48:26,769 The choreography had nothing to do... 2870 01:48:26,770 --> 01:48:27,809 with the concept. 2871 01:48:27,810 --> 01:48:29,470 When I was listening to her presentation, 2872 01:48:29,540 --> 01:48:30,939 I thought her pitch was really cool... 2873 01:48:30,940 --> 01:48:32,409 and she was super professional. 2874 01:48:32,410 --> 01:48:33,679 I thought it was going to be great. 2875 01:48:33,680 --> 01:48:34,850 But when I watched the video, 2876 01:48:35,050 --> 01:48:36,410 I was like, "What? What's this?" 2877 01:48:36,510 --> 01:48:39,649 They didn't seem to match. 2878 01:48:39,650 --> 01:48:41,250 Where's the connection to "The Matrix?" 2879 01:48:41,290 --> 01:48:42,789 Which part of the routine is supposed to fit the concept? 2880 01:48:42,790 --> 01:48:44,259 I kept getting these questions in my head. 2881 01:48:44,260 --> 01:48:45,819 Only after watching my first draft, 2882 01:48:45,820 --> 01:48:47,659 she commented that she didn't see how "The Matrix" fit in. 2883 01:48:47,660 --> 01:48:49,190 This shows how limited her view is. 2884 01:48:49,290 --> 01:48:51,460 Which part are you exactly referring to? 2885 01:48:51,530 --> 01:48:52,559 I don't get it. 2886 01:48:52,560 --> 01:48:53,869 If your choreography... 2887 01:48:53,870 --> 01:48:55,199 fit the concept better... 2888 01:48:55,200 --> 01:48:56,200 and was more convincing enough... 2889 01:48:56,201 --> 01:48:57,239 But... 2890 01:48:57,240 --> 01:48:59,099 this video is only a draft. 2891 01:48:59,100 --> 01:49:02,039 Telling me that you didn't capture the concept enough... 2892 01:49:02,040 --> 01:49:04,109 only after watching this is a bit too much... 2893 01:49:04,110 --> 01:49:05,139 in my opinion. 2894 01:49:05,140 --> 01:49:06,910 I was quite flustered. 2895 01:49:06,950 --> 01:49:07,950 Why? 2896 01:49:07,951 --> 01:49:09,849 At the end of the day, the video... 2897 01:49:09,850 --> 01:49:11,419 has to be enough to express the concept. 2898 01:49:11,420 --> 01:49:12,549 But if the video can't do that, 2899 01:49:12,550 --> 01:49:14,250 it means she failed, doesn't it? 2900 01:49:14,450 --> 01:49:16,689 This is my personal opinion. This was supposed to be a film. 2901 01:49:16,690 --> 01:49:19,219 When filming the choreography video as a draft for a K-pop artist, 2902 01:49:19,220 --> 01:49:20,729 I'm not a fan... 2903 01:49:20,730 --> 01:49:22,159 of using a wide-angle lens... 2904 01:49:22,160 --> 01:49:24,760 to direct the front-and-back movements. 2905 01:49:24,900 --> 01:49:26,630 The atmosphere felt ice-cold. 2906 01:49:27,730 --> 01:49:28,829 What is this? 2907 01:49:28,830 --> 01:49:31,169 It was a film, so I expected to see cinematic directions. 2908 01:49:31,170 --> 01:49:32,799 They just moved around the gimbal. 2909 01:49:32,800 --> 01:49:34,469 There were a few camera transitions. 2910 01:49:34,470 --> 01:49:36,309 Her video pretty much followed... 2911 01:49:36,310 --> 01:49:39,010 the typical format of K-pop choreography videos. 2912 01:49:39,950 --> 01:49:41,449 I can go on and on about K-pop... 2913 01:49:41,450 --> 01:49:43,449 since that's the industry I work in. 2914 01:49:43,450 --> 01:49:44,619 But... 2915 01:49:44,620 --> 01:49:47,350 it sounded like he was looking down on K-pop. 2916 01:49:47,520 --> 01:49:48,820 I just don't get it. 2917 01:49:48,890 --> 01:49:50,059 "How could he look down on it?" 2918 01:49:50,060 --> 01:49:51,519 "And he's young too." 2919 01:49:51,520 --> 01:49:53,120 (He's young too.) 2920 01:49:53,690 --> 01:49:54,989 Kasper, 2921 01:49:54,990 --> 01:49:57,160 please give out your concept paper. 2922 01:49:58,330 --> 01:50:01,269 (INGYOO checks the concept paper.) 2923 01:50:01,270 --> 01:50:02,700 (Gasping) 2924 01:50:02,800 --> 01:50:04,069 (Shocked) 2925 01:50:04,070 --> 01:50:05,170 What's this? 2926 01:50:05,440 --> 01:50:06,440 What is it? 2927 01:50:06,570 --> 01:50:08,840 My goodness. What's this? 2928 01:50:09,170 --> 01:50:10,310 No way. 2929 01:50:10,380 --> 01:50:11,709 - "The Matrix." - My goodness. 2930 01:50:11,710 --> 01:50:13,450 - It's the same concept. - This is fun. 2931 01:50:13,810 --> 01:50:15,949 My concept is super strong. 2932 01:50:15,950 --> 01:50:17,949 I don't think my concept... 2933 01:50:17,950 --> 01:50:19,819 - will overlap with anyone's. - It's perfect. 2934 01:50:19,820 --> 01:50:21,719 (During her concept presentation) 2935 01:50:21,720 --> 01:50:22,849 ("The Matrix") 2936 01:50:22,850 --> 01:50:26,930 (He saw that she chose the same concept as him.) 2937 01:50:27,390 --> 01:50:28,930 "My gosh. Look at her." 2938 01:50:29,330 --> 01:50:31,660 "We're not so different." That's what I thought. 2939 01:50:31,730 --> 01:50:34,129 Coincidentally, Hee Jung and I... 2940 01:50:34,130 --> 01:50:36,499 chose the same concept for this mission. 2941 01:50:36,500 --> 01:50:38,439 But our interpretation is different. 2942 01:50:38,440 --> 01:50:39,669 So keep that in mind. 2943 01:50:39,670 --> 01:50:41,439 He took the opposite direction... 2944 01:50:41,440 --> 01:50:43,139 to capture this concept, "The Matrix." 2945 01:50:43,140 --> 01:50:46,309 Simeez worked really hard to visualize the concept... 2946 01:50:46,310 --> 01:50:47,726 and incorporate it into his choreography. 2947 01:50:47,750 --> 01:50:50,549 When taking on this mission, 2948 01:50:50,550 --> 01:50:53,620 I wanted to maximize everyone's character. 2949 01:50:53,650 --> 01:50:55,189 In my piece, 2950 01:50:55,190 --> 01:50:57,160 INGYOO is... 2951 01:50:58,090 --> 01:50:59,490 the main character. 2952 01:51:00,390 --> 01:51:03,159 (Me?) 2953 01:51:03,160 --> 01:51:06,000 (Why INGYOO, all of a sudden?) 2954 01:51:06,100 --> 01:51:08,930 Kasper isn't sought-after as a choreography in the industry. 2955 01:51:09,000 --> 01:51:10,439 It's like... 2956 01:51:10,440 --> 01:51:13,040 he's buying a new product at an outlet. 2957 01:51:13,100 --> 01:51:15,570 The bad blood between INGYOO and Kasper is real. 2958 01:51:15,840 --> 01:51:17,180 He's the main character. 2959 01:51:17,210 --> 01:51:19,140 It felt nice. 2960 01:51:20,150 --> 01:51:21,750 So INGYOO... 2961 01:51:21,850 --> 01:51:23,949 will be portraying the system error in the choreography. 2962 01:51:23,950 --> 01:51:26,320 (A system error) 2963 01:51:26,420 --> 01:51:27,750 A system error. 2964 01:51:28,490 --> 01:51:29,720 You are one in real life too. 2965 01:51:29,820 --> 01:51:32,259 I liked that it captured my position on this show. 2966 01:51:32,260 --> 01:51:33,789 I'm like a glitch on this show. 2967 01:51:33,790 --> 01:51:36,270 I do some things on this show that make me look like a glitch. 2968 01:51:36,560 --> 01:51:38,699 INGYOO has the bad boy position on the show. 2969 01:51:38,700 --> 01:51:40,399 Everyone would agree with this concept. 2970 01:51:40,400 --> 01:51:42,400 This kind of idea is fun. 2971 01:51:42,430 --> 01:51:44,299 He's going to be the system error. 2972 01:51:44,300 --> 01:51:46,639 I did my best to portray his arrogance... 2973 01:51:46,640 --> 01:51:47,810 in the video. 2974 01:51:48,410 --> 01:51:51,140 (Choreography Concept Credit Board) 2975 01:51:52,610 --> 01:51:54,709 (It's not on pause.) 2976 01:51:54,710 --> 01:51:56,350 What's going on? What is it? 2977 01:51:56,710 --> 01:51:59,149 The entire intro was just blank. 2978 01:51:59,150 --> 01:52:01,349 I think the intro plays a crucial role. 2979 01:52:01,350 --> 01:52:02,889 Those ten seconds are so precious. 2980 01:52:02,890 --> 01:52:04,660 That was the most disappointing part. 2981 01:52:08,160 --> 01:52:09,659 The choreography had... 2982 01:52:09,660 --> 01:52:11,429 unique movements. 2983 01:52:11,430 --> 01:52:12,960 I couldn't stop watching. 2984 01:52:13,600 --> 01:52:15,030 I guess that's me. 2985 01:52:16,630 --> 01:52:18,300 He even utilized the lighting. 2986 01:52:19,100 --> 01:52:20,669 That does look fun. 2987 01:52:20,670 --> 01:52:22,040 Koo Young and MIN JUN. 2988 01:52:24,980 --> 01:52:27,050 I thought it'd be fun to do that with Simeez. 2989 01:52:29,150 --> 01:52:30,150 (The 2nd system error) 2990 01:52:30,151 --> 01:52:33,819 He picked a good color for the lighting that fit the mood. 2991 01:52:33,820 --> 01:52:35,820 Setting the mood is all about the lighting. 2992 01:52:38,920 --> 01:52:40,630 - Who's that? - It's BABYZOO. 2993 01:52:40,760 --> 01:52:42,530 (It's BABYZOO's part.) 2994 01:52:43,060 --> 01:52:44,160 (The 3rd system error) 2995 01:52:46,260 --> 01:52:47,830 He skipped adding any moves here. 2996 01:52:49,130 --> 01:52:50,369 But that's pretty cool. 2997 01:52:50,370 --> 01:52:52,900 He went with such bold decisions. 2998 01:52:56,510 --> 01:52:58,610 I liked the move for the breathing part. 2999 01:53:04,350 --> 01:53:06,220 (The system error is satisfied with it.) 3000 01:53:06,320 --> 01:53:08,040 The choreography for the chorus is amazing. 3001 01:53:08,120 --> 01:53:09,320 It's good, isn't it? 3002 01:53:09,620 --> 01:53:10,720 (It goes like this.) 3003 01:53:11,490 --> 01:53:12,859 I wanted to steal the choreography for the chorus. 3004 01:53:12,860 --> 01:53:14,460 It was super catchy. 3005 01:53:14,560 --> 01:53:15,659 I liked your bold decision... 3006 01:53:15,660 --> 01:53:19,160 to keep the choreography for the chorus simple. 3007 01:53:19,330 --> 01:53:21,399 I thought assigning me the system error as my role... 3008 01:53:21,400 --> 01:53:23,299 could be a secret weapon... 3009 01:53:23,300 --> 01:53:25,940 compared to the other draft we saw earlier. 3010 01:53:26,040 --> 01:53:27,369 Your use of lighting... 3011 01:53:27,370 --> 01:53:29,470 made the concept click for the audience. 3012 01:53:29,540 --> 01:53:30,679 When you think of the movie, 3013 01:53:30,680 --> 01:53:31,809 you'd think of the red pill and the blue pill. 3014 01:53:31,810 --> 01:53:33,679 Integrating that as the main theme... 3015 01:53:33,680 --> 01:53:36,050 made sense in terms of props. 3016 01:53:36,550 --> 01:53:38,120 This is so disappointing. 3017 01:53:38,150 --> 01:53:40,420 It'd be crazy if mine doesn't get chosen. 3018 01:53:40,520 --> 01:53:41,790 I'm super confident. 3019 01:53:41,920 --> 01:53:43,559 I have a question. 3020 01:53:43,560 --> 01:53:45,319 When transitioning into the group choreography, 3021 01:53:45,320 --> 01:53:47,689 everyone stays still. 3022 01:53:47,690 --> 01:53:49,329 Five, six, seven, eight. 3023 01:53:49,330 --> 01:53:50,359 One, two, three... 3024 01:53:50,360 --> 01:53:51,759 He has to build up the momentum all over again. 3025 01:53:51,760 --> 01:53:53,769 If he wants that to be the highlight, 3026 01:53:53,770 --> 01:53:55,499 the formation has to go from messy to neat. 3027 01:53:55,500 --> 01:53:57,669 I think that approach is more appropriate for this. 3028 01:53:57,670 --> 01:53:58,900 But it wasn't. 3029 01:53:59,170 --> 01:54:02,010 I'm most curious why you didn't go with the opposite flow. 3030 01:54:02,310 --> 01:54:03,679 I didn't get it. 3031 01:54:03,680 --> 01:54:04,879 MIN JUN and I... 3032 01:54:04,880 --> 01:54:06,139 just focus on different things. 3033 01:54:06,140 --> 01:54:07,179 Our views are different. 3034 01:54:07,180 --> 01:54:08,180 First of all... 3035 01:54:08,181 --> 01:54:09,249 The thing is that, 3036 01:54:09,250 --> 01:54:11,096 I come with choreography that they want to dance. 3037 01:54:11,120 --> 01:54:12,919 - The chorus choreography is great. - It is, isn't it? 3038 01:54:12,920 --> 01:54:15,250 That was my priority. 3039 01:54:15,290 --> 01:54:16,320 But... 3040 01:54:16,350 --> 01:54:18,020 he asked me this ridiculous question. 3041 01:54:18,420 --> 01:54:20,206 I had the most difficult time understanding that. 3042 01:54:20,230 --> 01:54:22,259 This is the Title Sequence Film Mission. 3043 01:54:22,260 --> 01:54:24,206 The artistic quality of the video looked a bit iffy. 3044 01:54:24,230 --> 01:54:25,700 What about yours then? 3045 01:54:25,900 --> 01:54:27,600 MIN JUN has strong opinions... 3046 01:54:27,630 --> 01:54:29,499 and a strong personality. 3047 01:54:29,500 --> 01:54:31,180 He has a lot of ideas he wants to express. 3048 01:54:31,240 --> 01:54:32,299 He was... 3049 01:54:32,300 --> 01:54:33,339 just... 3050 01:54:33,340 --> 01:54:34,970 attacking my choreography. 3051 01:54:35,270 --> 01:54:36,910 I'm a bit flustered. 3052 01:54:37,110 --> 01:54:38,280 MIN JUN. 3053 01:54:38,340 --> 01:54:39,810 Let's check yours out then. 3054 01:54:39,840 --> 01:54:42,349 (The fourth choreographer to present the concept and video) 3055 01:54:42,350 --> 01:54:44,949 (JEONG MIN JUN) 3056 01:54:44,950 --> 01:54:47,249 I'm up against nine choreographers in this mission. 3057 01:54:47,250 --> 01:54:48,719 There's this pressure... 3058 01:54:48,720 --> 01:54:50,866 that I should be the director and put out a great piece. 3059 01:54:50,890 --> 01:54:52,360 I have to stand out. 3060 01:54:52,460 --> 01:54:54,629 As soon as I heard the song, 3061 01:54:54,630 --> 01:54:56,460 the movie, "The Thieves," came to mind. 3062 01:54:56,730 --> 01:54:59,759 And the bomb scene orchestrated by the Joker... 3063 01:54:59,760 --> 01:55:02,630 in "The Dark Knight" came to mind too. 3064 01:55:03,330 --> 01:55:04,639 Let's see if yours looks like a film. 3065 01:55:04,640 --> 01:55:05,800 Let's see how good you are. 3066 01:55:05,900 --> 01:55:08,069 It's called the Title Sequence Film Mission. 3067 01:55:08,070 --> 01:55:09,870 It will be the title sequence of the show. 3068 01:55:09,940 --> 01:55:13,580 Taking a cinematic approach would give me an edge. 3069 01:55:13,780 --> 01:55:16,109 The directors show up in a car. 3070 01:55:16,110 --> 01:55:18,119 Then they share the blueprint and the plan. 3071 01:55:18,120 --> 01:55:20,049 As BADA gets out of the car, 3072 01:55:20,050 --> 01:55:21,249 she puts on a timer on the car. 3073 01:55:21,250 --> 01:55:23,090 But that's a timer for the dynamite. 3074 01:55:23,420 --> 01:55:25,019 I'm looking forward to watch his video. 3075 01:55:25,020 --> 01:55:26,700 I'm curious as to how he'll play this out. 3076 01:55:26,920 --> 01:55:29,359 Toward the end of the story, we see the bomb on the car. 3077 01:55:29,360 --> 01:55:31,899 Just when the ten of us are about to throw something... 3078 01:55:31,900 --> 01:55:33,769 at the building in the back, 3079 01:55:33,770 --> 01:55:35,090 the building is going to explode. 3080 01:55:35,600 --> 01:55:37,800 That's the kind of direction I'm hoping to stage. 3081 01:55:38,000 --> 01:55:39,639 I think his goal was... 3082 01:55:39,640 --> 01:55:43,009 to give a very cinematic touch to his video. 3083 01:55:43,010 --> 01:55:44,439 It will be fun to film this. 3084 01:55:44,440 --> 01:55:47,049 I knew it. MIN JUN is the king of storylines. 3085 01:55:47,050 --> 01:55:48,250 This is why I lost to him. 3086 01:55:48,510 --> 01:55:50,750 If I'm not the director in this mission, 3087 01:55:50,920 --> 01:55:51,920 I'll just be a dancer. 3088 01:55:52,120 --> 01:55:54,020 I wanted to be the director. 3089 01:55:54,690 --> 01:55:55,790 I can't wait to watch it. 3090 01:55:56,390 --> 01:55:57,490 I had high expectations. 3091 01:55:57,620 --> 01:55:59,166 Honestly, I didn't expect much from him. 3092 01:55:59,190 --> 01:56:01,130 I don't think I'll like it, but I was curious. 3093 01:56:01,690 --> 01:56:03,999 (Title Sequence Film Mission) 3094 01:56:04,000 --> 01:56:06,260 (Choreography Concept Credit Board) 3095 01:56:07,100 --> 01:56:09,129 (The choreographers show up in a car.) 3096 01:56:09,130 --> 01:56:11,169 (BADA gets out of the car.) 3097 01:56:11,170 --> 01:56:12,240 It's Piki. 3098 01:56:12,570 --> 01:56:15,810 (She puts the timer for the dynamite on the car.) 3099 01:56:16,510 --> 01:56:19,509 (The choreographers enter the building.) 3100 01:56:19,510 --> 01:56:24,350 (They carry out their own tasks.) 3101 01:56:27,320 --> 01:56:28,519 He focused more on the cinematic aspect, 3102 01:56:28,520 --> 01:56:30,460 - not the choreography. - Yes. Totally. 3103 01:56:36,030 --> 01:56:38,960 The storyline he had in mind didn't come through in the video. 3104 01:56:43,070 --> 01:56:45,599 It would've been neater... 3105 01:56:45,600 --> 01:56:47,610 if we didn't see them bringing the mirror. 3106 01:56:52,480 --> 01:56:54,910 The transitions weren't my style. 3107 01:56:57,550 --> 01:56:59,350 That's supposed to be a running scene, right? 3108 01:57:01,550 --> 01:57:03,589 Which part of this film is supposed to... 3109 01:57:03,590 --> 01:57:05,059 remind us of "The Thieves?" 3110 01:57:05,060 --> 01:57:06,500 I didn't see the motif in the video. 3111 01:57:13,260 --> 01:57:14,776 Given the lengthy explanation he gave us, 3112 01:57:14,800 --> 01:57:16,870 his video lacked substance. It was disappointing. 3113 01:57:19,370 --> 01:57:21,569 I got the feeling that it was very one-dimensional. 3114 01:57:21,570 --> 01:57:23,040 I only remember seeing the dance. 3115 01:57:25,610 --> 01:57:27,780 (The 10 choreographers blow up the building.) 3116 01:57:29,650 --> 01:57:30,920 Personally, I was disappointed. 3117 01:57:31,550 --> 01:57:33,710 I watched it while picturing it as the title sequence. 3118 01:57:33,750 --> 01:57:35,619 The problem was that... 3119 01:57:35,620 --> 01:57:37,620 it sort of turned out half-baked. 3120 01:57:38,790 --> 01:57:41,389 Contrary to what you promised us, the video wasn't... 3121 01:57:41,390 --> 01:57:43,630 convincing enough for your idea to come through. 3122 01:57:45,000 --> 01:57:46,160 Gosh, he's so scary. 3123 01:57:48,230 --> 01:57:50,499 You gave us a lengthy presentation. 3124 01:57:50,500 --> 01:57:52,969 You used the car for the countdown. 3125 01:57:52,970 --> 01:57:54,139 At the end, we throw something, 3126 01:57:54,140 --> 01:57:56,409 and the bomb explodes. So the building blows up. 3127 01:57:56,410 --> 01:57:59,180 I don't quite understand how the middle part fits in here. 3128 01:58:00,240 --> 01:58:01,810 This is the title sequence? 3129 01:58:02,410 --> 01:58:04,770 The more I thought about it, the less it worked in my head. 3130 01:58:05,320 --> 01:58:08,490 He made it sound like he planned a lot for it, 3131 01:58:08,590 --> 01:58:09,790 but it didn't come through. 3132 01:58:10,150 --> 01:58:12,889 "I've been thinking a lot about it for as long as I can remember." 3133 01:58:12,890 --> 01:58:14,359 "I gave it a lot of thought." 3134 01:58:14,360 --> 01:58:16,359 "I had to go abroad and even make a transfer." 3135 01:58:16,360 --> 01:58:18,199 "Once I landed, it took me a three-hour ride to get there." 3136 01:58:18,200 --> 01:58:20,059 "Then I went through all sorts of trouble to find this." 3137 01:58:20,060 --> 01:58:22,076 "Afterward, I brought it back to Korea with utmost care." 3138 01:58:22,100 --> 01:58:23,176 "This is the instant rice." 3139 01:58:23,200 --> 01:58:24,400 That's how it felt. 3140 01:58:25,300 --> 01:58:28,509 What he promised us and the video didn't match. 3141 01:58:28,510 --> 01:58:29,940 That must've been why. 3142 01:58:30,340 --> 01:58:32,109 After watching his video, it was obvious that... 3143 01:58:32,110 --> 01:58:34,550 he had limited experience in working with other teams. 3144 01:58:34,710 --> 01:58:36,110 Can I be brutally honest? 3145 01:58:36,410 --> 01:58:38,920 It looked like a midterm project from a college student. 3146 01:58:39,520 --> 01:58:40,720 (I see.) 3147 01:58:41,750 --> 01:58:43,249 My college assignments... 3148 01:58:43,250 --> 01:58:44,789 used to look exactly like that. 3149 01:58:44,790 --> 01:58:46,259 The story itself was substantial. 3150 01:58:46,260 --> 01:58:48,890 But he just ended up filming in different places. 3151 01:58:49,090 --> 01:58:52,030 If this were a college assignment, I would've given him an A plus. 3152 01:58:52,130 --> 01:58:54,330 But this is Street World Fighter: Directors' War. 3153 01:58:54,670 --> 01:58:56,499 For that to be the title sequence, 3154 01:58:56,500 --> 01:59:01,210 his film failed to convey the identity of the show. 3155 01:59:01,740 --> 01:59:04,156 Anyone who can understand my intention would instantly get it. 3156 01:59:04,180 --> 01:59:06,340 But a lot of them didn't get it. 3157 01:59:06,540 --> 01:59:08,310 So that was frustrating. 3158 01:59:08,450 --> 01:59:10,450 I don't think you did a good job... 3159 01:59:10,650 --> 01:59:12,226 of bringing each dancer's character to life. 3160 01:59:12,250 --> 01:59:13,619 The lyrics went, "Nod your head." 3161 01:59:13,620 --> 01:59:15,350 So that's what he did, and I hated it. 3162 01:59:15,720 --> 01:59:16,720 (Nod your head) 3163 01:59:16,721 --> 01:59:18,360 I hate one-dimensional approaches. 3164 01:59:18,490 --> 01:59:20,730 As for my part, 3165 01:59:21,260 --> 01:59:24,930 you included the type of move I liked the least. 3166 01:59:25,600 --> 01:59:28,429 Even before doing this mission, this was the type of role... 3167 01:59:28,430 --> 01:59:30,270 I considered the worst for me. 3168 01:59:30,430 --> 01:59:32,240 I did a few turns and did a jump. 3169 01:59:33,370 --> 01:59:34,440 It was shocking. 3170 01:59:36,610 --> 01:59:39,810 I'm not a dancer who can just do turns and jumps. 3171 01:59:40,010 --> 01:59:41,649 (Shocked) 3172 01:59:41,650 --> 01:59:43,350 That was quite disappointing. 3173 01:59:44,520 --> 01:59:46,019 MIN JUN failed to understand her style. 3174 01:59:46,020 --> 01:59:47,120 - Right. - Yes. 3175 01:59:48,290 --> 01:59:49,290 Thank you. 3176 01:59:49,920 --> 01:59:51,060 (Surprised) 3177 01:59:51,490 --> 01:59:52,560 (Shocked) 3178 01:59:52,960 --> 01:59:54,090 I was quite surprised. 3179 01:59:54,230 --> 01:59:55,390 It caught me off guard. 3180 01:59:55,690 --> 01:59:57,759 (The choreographers are flustered after seeing her concept paper.) 3181 01:59:57,760 --> 01:59:59,030 I was fascinated. 3182 01:59:59,200 --> 02:00:01,570 Let me go over my concept first. 3183 02:00:02,100 --> 02:00:04,840 My concept is The Heist. 3184 02:00:05,440 --> 02:00:08,540 BADA had the same concept as me. 3185 02:00:08,870 --> 02:00:10,680 (His concept was "The Thieves.") 3186 02:00:11,380 --> 02:00:12,410 I'm doomed. 3187 02:00:12,840 --> 02:00:14,109 (BADA chose the same concept as MIN JUN which is "The Thieves.") 3188 02:00:14,110 --> 02:00:15,249 (BADA chose the same concept as MIN JUN which is "The Thieves.") 3189 02:00:15,250 --> 02:00:16,350 It was shocking. 3190 02:00:17,010 --> 02:00:19,220 - We're thieves. - Gosh. This is crazy. 3191 02:00:19,620 --> 02:00:21,720 So those two picked "The Thieves" for their concept. 3192 02:00:21,990 --> 02:00:25,090 I was really shocked because MIN JUN and I chose... 3193 02:00:25,290 --> 02:00:26,490 the same concept. 3194 02:00:27,330 --> 02:00:29,290 As soon as I saw his concept, 3195 02:00:29,460 --> 02:00:31,220 my mind went blank. I thought, "I'm doomed." 3196 02:00:32,360 --> 02:00:33,760 It's the same concept. 3197 02:00:34,300 --> 02:00:37,770 I thought I was the only one who came up with this idea. 3198 02:00:37,940 --> 02:00:40,000 "No!" 3199 02:00:40,270 --> 02:00:42,340 "Oh, no. This is mine." 3200 02:00:42,670 --> 02:00:45,240 I thought about ways to make my presentation stand out. 3201 02:00:45,610 --> 02:00:48,209 So I was going to make sure my concept came through. 3202 02:00:48,210 --> 02:00:51,549 I thought our show was about keeping what's yours... 3203 02:00:51,550 --> 02:00:53,819 while trying to steal someone else's. 3204 02:00:53,820 --> 02:00:55,266 I wanted to make good use of the props. 3205 02:00:55,290 --> 02:00:58,389 This treasure box is the main visual element and key point. 3206 02:00:58,390 --> 02:01:00,359 I'm going to build the routine... 3207 02:01:00,360 --> 02:01:03,290 from the staging to choreography around this treasure box. 3208 02:01:03,430 --> 02:01:05,160 I wanted my choreography to stand out. 3209 02:01:05,300 --> 02:01:06,906 This is the move when the song goes, "royalty." 3210 02:01:06,930 --> 02:01:08,829 (BADA's signature dance move) 3211 02:01:08,830 --> 02:01:10,070 So something like this. 3212 02:01:10,200 --> 02:01:11,899 (The catchy dance move...) 3213 02:01:11,900 --> 02:01:14,039 (makes them try it out right away.) 3214 02:01:14,040 --> 02:01:15,040 Oh, my neck. 3215 02:01:15,041 --> 02:01:18,340 It was nice. But to be honest, 3216 02:01:18,480 --> 02:01:19,809 the concept is too plain. 3217 02:01:19,810 --> 02:01:21,450 Everyone's done the heist concept before. 3218 02:01:21,550 --> 02:01:24,519 (BADA and MIN JUN's concept: "The Thieves") 3219 02:01:24,520 --> 02:01:26,019 I can't even count... 3220 02:01:26,020 --> 02:01:28,249 how many performances I created around the heist concept. I mean it. 3221 02:01:28,250 --> 02:01:31,459 THE BOYZ released a song called... 3222 02:01:31,460 --> 02:01:32,559 "The Stealer." 3223 02:01:32,560 --> 02:01:34,330 (THE BOYZ's song, "The Stealer") 3224 02:01:34,390 --> 02:01:37,190 They performed the song at nine different awards ceremonies. 3225 02:01:37,400 --> 02:01:40,159 I came up with 9 performances in 2 months with the same concept. 3226 02:01:40,160 --> 02:01:41,429 The setups were all different. 3227 02:01:41,430 --> 02:01:43,706 I've done all kinds of things with this concept. Seriously. 3228 02:01:43,730 --> 02:01:46,469 (The master of the heist concept, Back Koo Young) 3229 02:01:46,470 --> 02:01:49,440 Personally, I'm sick of this heist concept. 3230 02:01:49,640 --> 02:01:52,480 If they're going to use this concept for the title sequence film, 3231 02:01:52,710 --> 02:01:56,110 it has to be a lot more elaborate. If they can pull this off, 3232 02:01:56,350 --> 02:01:59,150 I would be able to treat it as a title sequence film. 3233 02:01:59,720 --> 02:02:01,049 It was the same concept as mine. 3234 02:02:01,050 --> 02:02:02,619 I was curious to see... 3235 02:02:02,620 --> 02:02:03,919 how her interpretation differed from mine. 3236 02:02:03,920 --> 02:02:05,320 (BADA's video is revealed.) 3237 02:02:05,720 --> 02:02:07,829 (Title Sequence Film Mission) 3238 02:02:07,830 --> 02:02:10,260 (Choreography Concept Credit Board) 3239 02:02:12,330 --> 02:02:13,899 (The master of the heist concept is looking forward to it.) 3240 02:02:13,900 --> 02:02:14,970 Oh, yes. 3241 02:02:24,140 --> 02:02:25,439 That's the role Shuri took. 3242 02:02:25,440 --> 02:02:26,510 Wait. Shuri? 3243 02:02:26,610 --> 02:02:28,450 This is a total betrayal, plain and simple. 3244 02:02:40,860 --> 02:02:44,229 She gave meaning to every single scene. 3245 02:02:44,230 --> 02:02:45,530 That was disappointing. 3246 02:02:50,200 --> 02:02:51,899 I saw a lot of moves... 3247 02:02:51,900 --> 02:02:53,300 I knew I could pull off well. 3248 02:02:54,710 --> 02:02:55,869 I thought her film was closer... 3249 02:02:55,870 --> 02:02:58,380 to matching the heist concept between the two. 3250 02:02:59,940 --> 02:03:02,649 I thought her choreography was neat and tight. 3251 02:03:02,650 --> 02:03:04,150 I liked it. 3252 02:03:11,320 --> 02:03:13,060 I liked her signature move. 3253 02:03:13,790 --> 02:03:14,829 (Getting hooked...) 3254 02:03:14,830 --> 02:03:15,960 (the second they see it) 3255 02:03:24,100 --> 02:03:25,100 I like this part. 3256 02:03:25,570 --> 02:03:27,069 The composition highlighted... 3257 02:03:27,070 --> 02:03:29,510 the lead choreographer and the secondary choreographer. 3258 02:03:38,220 --> 02:03:40,119 This will be the first video of the show. 3259 02:03:40,120 --> 02:03:42,120 This is going to be the face of the show in a way. 3260 02:03:42,250 --> 02:03:45,619 My focus in this mission was elevating the staging... 3261 02:03:45,620 --> 02:03:47,289 and cinematic quality... 3262 02:03:47,290 --> 02:03:49,690 while taking the choreography to the next level. 3263 02:03:50,290 --> 02:03:52,760 This clip won't show up in the middle of the competition. 3264 02:03:53,030 --> 02:03:55,930 It will be the title sequence. Considering that element, 3265 02:03:56,370 --> 02:04:00,470 MIN JUN's version was a bit light. So that was disappointing. 3266 02:04:00,940 --> 02:04:04,140 As for BADA's version, they had the same concept. 3267 02:04:04,280 --> 02:04:05,609 Looking at her choreography and setups, 3268 02:04:05,610 --> 02:04:07,309 I liked how some of her moves... 3269 02:04:07,310 --> 02:04:09,750 that really grounded the performance. 3270 02:04:09,950 --> 02:04:12,420 I saw some moves I knew I could deliver well. 3271 02:04:12,550 --> 02:04:13,819 (What did the master of the heist concept think?) 3272 02:04:13,820 --> 02:04:15,689 What's the point of telling you my opinion about BADA? 3273 02:04:15,690 --> 02:04:16,890 She's so good. 3274 02:04:17,320 --> 02:04:19,789 This heist concept is speaking to me now. 3275 02:04:19,790 --> 02:04:23,329 I liked that you continued using the prop until the end... 3276 02:04:23,330 --> 02:04:24,700 to keep the identity going. 3277 02:04:25,230 --> 02:04:29,530 If I were to assume that a trophy was in the treasure box, 3278 02:04:29,770 --> 02:04:33,570 utilizing it for the Title Sequence Film Mission... 3279 02:04:33,740 --> 02:04:36,210 would fit the objective. It worked well with the film. 3280 02:04:36,540 --> 02:04:38,639 It must be a direct result of her cinematic insight, 3281 02:04:38,640 --> 02:04:40,040 her understanding of this mission, 3282 02:04:40,180 --> 02:04:43,110 and her years of experience on large-scale projects. 3283 02:04:43,310 --> 02:04:44,819 It could very well be me. 3284 02:04:44,820 --> 02:04:47,049 It seemed like there was a glimmer of hope. 3285 02:04:47,050 --> 02:04:50,289 It makes me want to keep making... 3286 02:04:50,290 --> 02:04:51,290 the signature dance move. 3287 02:04:51,291 --> 02:04:53,060 I keep doing "Royalty." 3288 02:04:53,290 --> 02:04:55,089 - So... - What? 3289 02:04:55,090 --> 02:04:56,090 (Royalty) 3290 02:04:56,390 --> 02:04:58,329 This signature move is... 3291 02:04:58,330 --> 02:04:59,700 delicious. 3292 02:05:00,100 --> 02:05:02,130 Yummy. Is it because BADA did it? 3293 02:05:02,530 --> 02:05:06,799 Getting INGYOO to say something is delicious is truly like... 3294 02:05:06,800 --> 02:05:09,069 plucking a star from the sky. 3295 02:05:09,070 --> 02:05:11,309 I was really happy when he said the choreography... 3296 02:05:11,310 --> 02:05:12,879 for the chorus was delicious. 3297 02:05:12,880 --> 02:05:15,510 The downside is that each dancer has an assigned character. 3298 02:05:15,610 --> 02:05:19,020 (BADA assigned a specific character to each choreographer.) 3299 02:05:19,350 --> 02:05:22,319 It was difficult to capture the essence of the character... 3300 02:05:22,320 --> 02:05:25,089 and convey the intended meaning... 3301 02:05:25,090 --> 02:05:26,860 within such a brief scene. 3302 02:05:27,690 --> 02:05:28,729 In the first section, 3303 02:05:28,730 --> 02:05:30,689 only the treasure chest is visible, rather than people. 3304 02:05:30,690 --> 02:05:34,059 Trying to capture our dancing in such a short time, 3305 02:05:34,060 --> 02:05:35,669 it might actually get in the way. 3306 02:05:35,670 --> 02:05:37,129 It might feel a bit disappointing... 3307 02:05:37,130 --> 02:05:39,299 since the focus is on the treasure chest... 3308 02:05:39,300 --> 02:05:41,510 rather than people. 3309 02:05:42,370 --> 02:05:44,979 Leave the worrying about the props to me. 3310 02:05:44,980 --> 02:05:47,239 Give it to me as homework. 3311 02:05:47,240 --> 02:05:49,750 I think they'll pin a little hope on me. 3312 02:05:50,050 --> 02:05:52,049 Hash. Please come out. 3313 02:05:52,050 --> 02:05:54,126 (Presenting concept and draft video, the sixth choreographer Hash) 3314 02:05:54,150 --> 02:05:55,390 (Winking) 3315 02:05:56,090 --> 02:05:57,419 (Smiling) 3316 02:05:57,420 --> 02:06:00,519 Hash and I mostly competed against each other. 3317 02:06:00,520 --> 02:06:02,959 I have never directed... 3318 02:06:02,960 --> 02:06:05,229 a music video on my own. 3319 02:06:05,230 --> 02:06:08,830 But I was certain I possessed that sense. 3320 02:06:08,870 --> 02:06:12,369 Since this film serves to properly introduce... 3321 02:06:12,370 --> 02:06:14,439 the ten individuals... 3322 02:06:14,440 --> 02:06:17,169 in Street World Fighter: Director's War, 3323 02:06:17,170 --> 02:06:21,079 I wanted to craft a strong storyline. 3324 02:06:21,080 --> 02:06:22,909 I decided to let the atmosphere drive the narrative. 3325 02:06:22,910 --> 02:06:24,449 It's nice and simple. 3326 02:06:24,450 --> 02:06:26,749 It was similar to what I thought. 3327 02:06:26,750 --> 02:06:29,450 I appreciated her honesty in saying she wanted to keep it simple. 3328 02:06:29,920 --> 02:06:31,019 I think she did well. 3329 02:06:31,020 --> 02:06:32,260 (Agreeing) 3330 02:06:32,820 --> 02:06:34,960 (Choreography Concept Credit Board, Hash) 3331 02:06:35,330 --> 02:06:36,790 - This is going to be fun. - Yes. 3332 02:06:37,330 --> 02:06:39,030 It's cool. 3333 02:06:41,570 --> 02:06:43,070 The person playing me is really cool. 3334 02:06:45,040 --> 02:06:46,970 Simeez. 3335 02:06:50,840 --> 02:06:51,980 Cute. 3336 02:06:56,750 --> 02:06:58,620 Hash isn't Hash. 3337 02:07:03,950 --> 02:07:05,159 That's nice. 3338 02:07:05,160 --> 02:07:06,890 It was really innovative. 3339 02:07:09,960 --> 02:07:12,460 The choreography was very professional. 3340 02:07:13,300 --> 02:07:16,230 The variety of camera angles and fields of view was great. 3341 02:07:18,940 --> 02:07:20,039 This time you kneeled. 3342 02:07:20,040 --> 02:07:21,070 Right. 3343 02:07:22,470 --> 02:07:24,339 I wanted to see the chorus choreography, 3344 02:07:24,340 --> 02:07:26,409 but the screen suddenly split into three, so I couldn't see it. 3345 02:07:26,410 --> 02:07:27,910 It disrupted my concentration. 3346 02:07:29,950 --> 02:07:31,019 She's like Renan. 3347 02:07:31,020 --> 02:07:32,320 I thought it was Renan. 3348 02:07:39,960 --> 02:07:41,089 (Clapping) 3349 02:07:41,090 --> 02:07:42,830 (Satisfied) 3350 02:07:43,130 --> 02:07:45,659 The strength is the transition utilizing the glasses. 3351 02:07:45,660 --> 02:07:46,859 The eyeglass frame. 3352 02:07:46,860 --> 02:07:50,030 I liked the eyeglass frame because it was so fresh. 3353 02:07:50,170 --> 02:07:52,939 I thought the idea of having the dancers lying down... 3354 02:07:52,940 --> 02:07:56,639 be dragged away to express the music was a creative choice... 3355 02:07:56,640 --> 02:07:58,609 in terms of camera angles. 3356 02:07:58,610 --> 02:08:00,839 The shot where Renan is left behind... 3357 02:08:00,840 --> 02:08:04,849 looks a bit cute, but I wonder... 3358 02:08:04,850 --> 02:08:07,620 if it really matches her current image. 3359 02:08:07,920 --> 02:08:10,019 This video will be used for the opening. 3360 02:08:10,020 --> 02:08:12,919 Among all the videos I've seen so far, 3361 02:08:12,920 --> 02:08:16,389 it showcased the most diverse range of people within a minute. 3362 02:08:16,390 --> 02:08:18,799 You also put a lot of thought into how to utilize... 3363 02:08:18,800 --> 02:08:20,429 the dancers for each character. 3364 02:08:20,430 --> 02:08:21,699 It shows that you've really studied the character. 3365 02:08:21,700 --> 02:08:24,130 I was grateful that he recognized that. 3366 02:08:24,300 --> 02:08:25,440 But, 3367 02:08:25,800 --> 02:08:28,009 the tempo was too fast. 3368 02:08:28,010 --> 02:08:29,810 I understand because it was only a minute. 3369 02:08:30,340 --> 02:08:31,939 NaiN, Renan, 3370 02:08:31,940 --> 02:08:34,139 MIN JUN, then Hash... 3371 02:08:34,140 --> 02:08:35,650 (Non-stop switching between dancers) 3372 02:08:36,050 --> 02:08:37,149 It's fast. 3373 02:08:37,150 --> 02:08:39,619 If there had been even just a clear moment of rest, 3374 02:08:39,620 --> 02:08:42,720 it would have provided some breathing room and relief. 3375 02:08:42,990 --> 02:08:44,390 I don't know. 3376 02:08:44,560 --> 02:08:45,759 I can see that you've done... 3377 02:08:45,760 --> 02:08:48,589 a lot of analysis to bring the character to life. 3378 02:08:48,590 --> 02:08:51,459 But the background choreography... 3379 02:08:51,460 --> 02:08:54,829 was too "Hash-style." 3380 02:08:54,830 --> 02:08:56,629 What's wrong with "Hash-style?" 3381 02:08:56,630 --> 02:08:58,840 I was a bit frustrated. 3382 02:08:59,170 --> 02:09:00,869 The video we shot... 3383 02:09:00,870 --> 02:09:03,039 will continue to be played as the title sequence. 3384 02:09:03,040 --> 02:09:04,439 Taking that into account, 3385 02:09:04,440 --> 02:09:06,779 if the directors have a good sense for these things, 3386 02:09:06,780 --> 02:09:08,710 they'll choose mine. 3387 02:09:09,510 --> 02:09:12,019 Here we go. 3388 02:09:12,020 --> 02:09:15,589 I kept reminding myself that it was the opening video for the show. 3389 02:09:15,590 --> 02:09:18,319 So I wanted to properly shine a spotlight... 3390 02:09:18,320 --> 02:09:21,360 on each choreographer's character. 3391 02:09:21,790 --> 02:09:24,429 INGYOO and I thought exactly the same way. 3392 02:09:24,430 --> 02:09:25,899 (At the time of the concept presentation) 3393 02:09:25,900 --> 02:09:29,499 (They wanted to bring out the character of each choreographer.) 3394 02:09:29,500 --> 02:09:31,969 So that each person leaves a lasting impression to some extent. 3395 02:09:31,970 --> 02:09:35,440 I make a living by assigning parts. 3396 02:09:35,540 --> 02:09:37,910 I kept him somewhat in check. 3397 02:09:38,040 --> 02:09:40,479 Shall we look at the concept image? I have a few images. 3398 02:09:40,480 --> 02:09:44,109 I have improvised a setup inside the closed-down mart. 3399 02:09:44,110 --> 02:09:46,520 Hash is going to dance here. 3400 02:09:46,820 --> 02:09:48,219 (Me?) 3401 02:09:48,220 --> 02:09:50,149 "What?" I was taken aback. 3402 02:09:50,150 --> 02:09:51,219 Hash will show... 3403 02:09:51,220 --> 02:09:54,119 technique and character. 3404 02:09:54,120 --> 02:09:55,529 She'll run inside... 3405 02:09:55,530 --> 02:09:59,430 and people will catch her inside the tent. 3406 02:09:59,500 --> 02:10:03,229 He created a solo part by utilizing me. 3407 02:10:03,230 --> 02:10:04,699 It had a glamorous feel. 3408 02:10:04,700 --> 02:10:05,870 I was looking forward to it. 3409 02:10:06,200 --> 02:10:07,769 Next, it transitions to MIN JUN. 3410 02:10:07,770 --> 02:10:09,509 I'll use the space... 3411 02:10:09,510 --> 02:10:11,540 with the stairs for the first verse. 3412 02:10:11,780 --> 02:10:13,309 I'm looking forward to it. 3413 02:10:13,310 --> 02:10:15,810 I like that I have a role to play. 3414 02:10:15,850 --> 02:10:16,949 BADA will... 3415 02:10:16,950 --> 02:10:18,319 Simeez... 3416 02:10:18,320 --> 02:10:19,719 In case of Koo Young... 3417 02:10:19,720 --> 02:10:21,319 Do it in one take if possible... 3418 02:10:21,320 --> 02:10:23,749 It felt like each person was being shown... 3419 02:10:23,750 --> 02:10:25,459 and introduced.. 3420 02:10:25,460 --> 02:10:27,959 In sync with the title sequence. 3421 02:10:27,960 --> 02:10:30,589 Perhaps it might help showcase my strengths... 3422 02:10:30,590 --> 02:10:33,229 in the first video. 3423 02:10:33,230 --> 02:10:34,770 Honestly, I was really tempted. 3424 02:10:35,270 --> 02:10:39,069 This is a draft for the Title Sequence Film Mission. 3425 02:10:39,070 --> 02:10:42,269 I am confident I can pull this off beautifully. 3426 02:10:42,270 --> 02:10:43,710 I think they'll be persuaded. 3427 02:10:44,070 --> 02:10:45,309 Just take a look. 3428 02:10:45,310 --> 02:10:46,809 Seeing is believing. 3429 02:10:46,810 --> 02:10:48,250 I'm really looking forward to it. 3430 02:10:48,650 --> 02:10:50,610 (Choreography Concept Credit Board, INGYOO) 3431 02:10:55,590 --> 02:10:57,450 The intro was really cool. 3432 02:11:00,060 --> 02:11:01,430 He gave her a solo part. 3433 02:11:02,190 --> 02:11:03,230 Hash. 3434 02:11:07,200 --> 02:11:08,699 If the parts are handled individually, 3435 02:11:08,700 --> 02:11:11,540 it can come across as loose to the viewer. 3436 02:11:14,440 --> 02:11:16,569 He used various staging elements for the solo part. 3437 02:11:16,570 --> 02:11:17,610 It was great. 3438 02:11:18,210 --> 02:11:19,880 What? It's Vata. 3439 02:11:20,510 --> 02:11:22,649 WE DEM BOYZ's distinct style... 3440 02:11:22,650 --> 02:11:24,749 really shone through. 3441 02:11:24,750 --> 02:11:26,250 It's the style I like. 3442 02:11:27,320 --> 02:11:29,790 The camera movement was really simple. 3443 02:11:33,420 --> 02:11:35,500 You absolutely have to use "get down on your knees." 3444 02:11:38,360 --> 02:11:39,930 - Me. - What? Look at that. 3445 02:11:40,200 --> 02:11:41,700 (Laughing) 3446 02:11:42,270 --> 02:11:44,230 It had a tribal vibe. 3447 02:11:44,470 --> 02:11:45,870 Impactful choreography. 3448 02:11:50,440 --> 02:11:52,110 Kamel is so good. 3449 02:11:52,180 --> 02:11:53,540 The choreography is good. 3450 02:11:54,080 --> 02:11:56,749 I don't think I can dance like Kamel. 3451 02:11:56,750 --> 02:11:58,050 Mood Dog is here too. 3452 02:12:01,520 --> 02:12:03,850 (Silence after the video) 3453 02:12:04,320 --> 02:12:07,019 Regarding the theme of Title Sequence Film Mission... 3454 02:12:07,020 --> 02:12:08,659 Is this a film... 3455 02:12:08,660 --> 02:12:11,530 that truly showcases our characters? 3456 02:12:11,660 --> 02:12:13,900 It was impossible to evaluate. 3457 02:12:14,100 --> 02:12:15,770 Because I couldn't see the characters. 3458 02:12:16,100 --> 02:12:18,469 I had hardly any parts. 3459 02:12:18,470 --> 02:12:20,899 I was barely visible... 3460 02:12:20,900 --> 02:12:22,369 until the end of the first verse. 3461 02:12:22,370 --> 02:12:24,910 Only Hash, Simeez, 3462 02:12:25,210 --> 02:12:27,040 and MIN JUN had solo parts. 3463 02:12:27,610 --> 02:12:29,549 Then there was the group dance. 3464 02:12:29,550 --> 02:12:30,786 (The rest participated only in the group dance.) 3465 02:12:30,810 --> 02:12:32,619 The dancers didn't create a visual composition together. 3466 02:12:32,620 --> 02:12:34,049 There were just individuals. 3467 02:12:34,050 --> 02:12:35,749 There were just cool parts. 3468 02:12:35,750 --> 02:12:38,559 It seemed like it was merely conveying... 3469 02:12:38,560 --> 02:12:40,020 the choreography. 3470 02:12:40,520 --> 02:12:42,289 We would be... 3471 02:12:42,290 --> 02:12:45,229 appearing in the video during every weekly broadcast. 3472 02:12:45,230 --> 02:12:46,699 So I found myself wishing... 3473 02:12:46,700 --> 02:12:50,299 it had incorporated the dance, movement, and direction... 3474 02:12:50,300 --> 02:12:53,200 of various choreographers. 3475 02:12:53,600 --> 02:12:56,869 The dancers will look even cooler in the second verse. 3476 02:12:56,870 --> 02:12:58,109 Look forward to what's next. 3477 02:12:58,110 --> 02:12:59,179 If I get selected. 3478 02:12:59,180 --> 02:13:00,620 If not, you won't be able to see it. 3479 02:13:01,280 --> 02:13:04,149 "I'll show it in the two-minute version," he said. 3480 02:13:04,150 --> 02:13:07,319 He should have fit that into one minute. 3481 02:13:07,320 --> 02:13:09,919 I tried to fit it all into one minute, 3482 02:13:09,920 --> 02:13:12,190 and that's how mine turned out. 3483 02:13:12,360 --> 02:13:13,589 Cramming ten people? 3484 02:13:13,590 --> 02:13:14,890 That's not my style. 3485 02:13:15,430 --> 02:13:17,830 Unfortunately, that's all for the trial version. 3486 02:13:18,360 --> 02:13:21,100 If you want to see it, vote. 3487 02:13:21,470 --> 02:13:22,599 By that logic, 3488 02:13:22,600 --> 02:13:24,199 I wouldn't have made it that way. 3489 02:13:24,200 --> 02:13:28,410 I would've explained more and left it open-ended. 3490 02:13:28,840 --> 02:13:29,909 It's a draft video. 3491 02:13:29,910 --> 02:13:32,009 A movie teaser should make people... 3492 02:13:32,010 --> 02:13:33,909 want to watch the movie. 3493 02:13:33,910 --> 02:13:36,749 When looking at this teaser, it's not clear... 3494 02:13:36,750 --> 02:13:38,550 what direction you're taking. 3495 02:13:38,920 --> 02:13:41,519 They should've looked for the director's potential through... 3496 02:13:41,520 --> 02:13:43,790 the draft, but they only looked at the proposal itself. 3497 02:13:43,990 --> 02:13:45,820 This is not the director's domain. 3498 02:13:46,020 --> 02:13:47,690 That's the level of an ordinary person. 3499 02:13:48,490 --> 02:13:49,889 The choreography, 3500 02:13:49,890 --> 02:13:52,600 especially the chorus choreography, is good. 3501 02:13:52,730 --> 02:13:55,429 Because it's really catchy. 3502 02:13:55,430 --> 02:13:56,829 But, 3503 02:13:56,830 --> 02:13:59,799 the choreography isn't quite catchy enough... 3504 02:13:59,800 --> 02:14:02,209 to be a highlight in every episode. 3505 02:14:02,210 --> 02:14:04,570 It feels fresh and good when you see it for the first time. 3506 02:14:05,040 --> 02:14:07,179 I made it so it can be watched every time. 3507 02:14:07,180 --> 02:14:10,249 Koo Young and BADA already danced in perfect timing. 3508 02:14:10,250 --> 02:14:13,419 Honestly, I don't know why they see it as a negative. 3509 02:14:13,420 --> 02:14:15,119 They were already dancing. 3510 02:14:15,120 --> 02:14:17,920 (They're already hooked on my choreography.) 3511 02:14:18,160 --> 02:14:20,619 Hello, I'm choreographer-director NaiN. 3512 02:14:20,620 --> 02:14:22,059 (Presenting concept and draft video, next choreographer NaiN) 3513 02:14:22,060 --> 02:14:24,229 My concept is... 3514 02:14:24,230 --> 02:14:28,199 "Game of Thrones." 3515 02:14:28,200 --> 02:14:29,399 "Game of Thrones." 3516 02:14:29,400 --> 02:14:31,069 It's childish and simple. 3517 02:14:31,070 --> 02:14:32,739 But works well. 3518 02:14:32,740 --> 02:14:35,269 Rather than a medieval vibe, 3519 02:14:35,270 --> 02:14:36,709 the "Throne" concept... 3520 02:14:36,710 --> 02:14:38,539 is based on the game... 3521 02:14:38,540 --> 02:14:40,109 we're currently playing. 3522 02:14:40,110 --> 02:14:41,649 Rather than taking things away, 3523 02:14:41,650 --> 02:14:43,749 within the concept of a "game..." 3524 02:14:43,750 --> 02:14:46,519 we'll showcase our dance... 3525 02:14:46,520 --> 02:14:47,850 in the video. 3526 02:14:47,950 --> 02:14:51,459 It somehow feels plain. 3527 02:14:51,460 --> 02:14:53,789 We're not making a dance video. 3528 02:14:53,790 --> 02:14:55,559 It's a Title Sequence Film Mission. 3529 02:14:55,560 --> 02:14:57,589 It might feel a little obvious, 3530 02:14:57,590 --> 02:15:00,129 but since it has to be a piece that represents us, 3531 02:15:00,130 --> 02:15:03,130 my top priority was conveying the dance itself. 3532 02:15:03,530 --> 02:15:06,139 I also gave MIN JUN... 3533 02:15:06,140 --> 02:15:09,040 the "knees on the ground" part. 3534 02:15:10,270 --> 02:15:11,440 Is it the third time? 3535 02:15:11,480 --> 02:15:13,680 (BABYZOO's knees MIN JUN) 3536 02:15:13,910 --> 02:15:16,249 It won't be just slamming the knees into the ground. 3537 02:15:16,250 --> 02:15:17,809 I wanted the viewers... 3538 02:15:17,810 --> 02:15:21,449 to really see MIN JUN's knees from the ground. 3539 02:15:21,450 --> 02:15:23,320 See MIN JUN's knees from the ground? 3540 02:15:23,920 --> 02:15:24,920 (He's given up.) 3541 02:15:24,921 --> 02:15:28,630 I used a transparent acrylic board to convey that. 3542 02:15:28,790 --> 02:15:29,859 That's nice. 3543 02:15:29,860 --> 02:15:32,459 I felt that presenting our dance in a simple way... 3544 02:15:32,460 --> 02:15:34,699 would best represent who we are. 3545 02:15:34,700 --> 02:15:37,370 I think I took a clean approach. 3546 02:15:37,400 --> 02:15:39,539 NaiN would have made it really neat. 3547 02:15:39,540 --> 02:15:40,900 We'll show you the film. 3548 02:15:41,670 --> 02:15:42,869 (Title Sequence Film Mission) 3549 02:15:42,870 --> 02:15:45,070 (Choreography Concept Credit Board: Choreographer NaiN) 3550 02:15:51,210 --> 02:15:52,819 I think she made it cool... 3551 02:15:52,820 --> 02:15:54,500 by drawing the attention in the beginning. 3552 02:15:57,050 --> 02:15:58,760 What is this? This is so cool. 3553 02:16:00,660 --> 02:16:01,790 That's good. 3554 02:16:02,790 --> 02:16:04,290 I really like it. 3555 02:16:07,400 --> 02:16:09,360 She put together the choreography really tightly. 3556 02:16:09,630 --> 02:16:11,270 There are many elements that make it fun. 3557 02:16:12,740 --> 02:16:15,039 Compositional choices and changes in camera angles. 3558 02:16:15,040 --> 02:16:17,570 I liked how it incorporated a variety of those. 3559 02:16:19,640 --> 02:16:21,549 There was more variety in the camera movement, 3560 02:16:21,550 --> 02:16:24,510 but nothing felt particularly new. 3561 02:16:28,820 --> 02:16:31,190 - That's cool. - The choreography is so cool. 3562 02:16:31,220 --> 02:16:32,220 The choreography was really well-made. 3563 02:16:32,221 --> 02:16:33,419 The choreography was well put together. 3564 02:16:33,420 --> 02:16:34,990 It's amazing. 3565 02:16:35,260 --> 02:16:37,059 The choreography of the chorus part was nice. 3566 02:16:37,060 --> 02:16:39,060 It made me want to dance that choreography myself. 3567 02:16:39,100 --> 02:16:40,200 That's so cute. 3568 02:16:40,600 --> 02:16:42,400 (Like this) 3569 02:16:49,040 --> 02:16:50,269 (That was good.) 3570 02:16:50,270 --> 02:16:52,580 It was really neat and trendy. 3571 02:16:52,710 --> 02:16:55,410 - It was nice. - It was really nice to watch. 3572 02:16:55,650 --> 02:16:57,550 - It feels comfortable. - It feels comfortable. 3573 02:16:58,050 --> 02:16:59,220 It was really neat. 3574 02:16:59,750 --> 02:17:01,120 After watching the clip, 3575 02:17:01,720 --> 02:17:05,020 the first thing that came to my mind was, "I want to try that." 3576 02:17:05,460 --> 02:17:06,919 When I watch something, I first check... 3577 02:17:06,920 --> 02:17:07,959 - if it's cool... - That's right. 3578 02:17:07,960 --> 02:17:10,430 And if I want to try it out. 3579 02:17:10,660 --> 02:17:13,359 It was a style that pretty much everyone would like. 3580 02:17:13,360 --> 02:17:15,870 It was a choreography that I wanted to try out. 3581 02:17:16,230 --> 02:17:18,470 The choreography was so cool. 3582 02:17:18,600 --> 02:17:21,170 The choreography of "Crown" was so cool. 3583 02:17:21,570 --> 02:17:24,009 If I honestly think about... 3584 02:17:24,010 --> 02:17:26,310 what's a cool choreography, 3585 02:17:26,440 --> 02:17:28,480 I think it's NaiN's performance. 3586 02:17:29,050 --> 02:17:32,850 You used various angles and camera movements. 3587 02:17:33,120 --> 02:17:34,619 You used so many elements like the location, 3588 02:17:34,620 --> 02:17:37,590 mirrors, and chairs. 3589 02:17:37,820 --> 02:17:40,689 But it was so easy to watch... 3590 02:17:40,690 --> 02:17:42,729 and also carried an impact. 3591 02:17:42,730 --> 02:17:47,060 I thought that was really smart. 3592 02:17:47,400 --> 02:17:49,269 I felt like they recognized what I was trying to do... 3593 02:17:49,270 --> 02:17:51,530 with the title sequence. 3594 02:17:51,900 --> 02:17:53,340 I was really happy. 3595 02:17:54,040 --> 02:17:55,970 - It's been a long wait. - Renan. 3596 02:17:56,740 --> 02:17:59,479 I was so curious to see... 3597 02:17:59,480 --> 02:18:00,786 what kind of concept Renan would go for. 3598 02:18:00,810 --> 02:18:02,850 My concept... 3599 02:18:03,210 --> 02:18:05,620 is "Battle Royale." 3600 02:18:05,720 --> 02:18:07,020 She's trying to kill us all. 3601 02:18:07,120 --> 02:18:08,919 (Laughing) 3602 02:18:08,920 --> 02:18:11,389 It tells a story about the competition... 3603 02:18:11,390 --> 02:18:14,689 that's taking place here. 3604 02:18:14,690 --> 02:18:16,129 That's so nice. 3605 02:18:16,130 --> 02:18:18,399 It's either the catharsis coming from the story... 3606 02:18:18,400 --> 02:18:20,159 or more about the choreography... 3607 02:18:20,160 --> 02:18:22,430 and the design. 3608 02:18:22,630 --> 02:18:25,300 The story is important, 3609 02:18:25,540 --> 02:18:29,509 but I wanted to focus as much as possible on the performance. 3610 02:18:29,510 --> 02:18:31,139 How will she express that? 3611 02:18:31,140 --> 02:18:34,509 I think I was wondering if it would work. 3612 02:18:34,510 --> 02:18:36,310 (Revealing Renan's choreography concept film) 3613 02:18:36,950 --> 02:18:38,050 That startled me. 3614 02:18:39,820 --> 02:18:41,349 (Hash) 3615 02:18:41,350 --> 02:18:43,290 Hash and I keep bending our bodies. 3616 02:18:43,390 --> 02:18:44,590 (The bending duo) 3617 02:18:47,590 --> 02:18:48,759 (BABYZOO, INGYOO, Kasper, ) 3618 02:18:48,760 --> 02:18:50,000 (JEONG MIN JUN, Back Koo Young) 3619 02:18:54,930 --> 02:18:56,106 (Renan, NaiN, Simeez, Hash, BADA) 3620 02:18:56,130 --> 02:18:57,199 (A group twerking?) 3621 02:18:57,200 --> 02:18:58,640 What are they doing? 3622 02:19:00,200 --> 02:19:01,869 Why was there twerking all of a sudden? 3623 02:19:01,870 --> 02:19:03,040 That looks nice. 3624 02:19:06,810 --> 02:19:08,180 That's totally Renan's vibe. 3625 02:19:09,510 --> 02:19:11,010 Everyone's so sexy. 3626 02:19:13,050 --> 02:19:14,250 It's a sexy choreography. 3627 02:19:16,220 --> 02:19:17,350 She's pretty. 3628 02:19:20,960 --> 02:19:22,429 Was she focused on twerking? 3629 02:19:22,430 --> 02:19:24,260 I don't know why she went that far. 3630 02:19:26,930 --> 02:19:28,930 Why is it "Battle Royale?" 3631 02:19:29,230 --> 02:19:30,400 It's got red lighting. 3632 02:19:32,870 --> 02:19:34,600 The choreography is similar to INGYOO's. 3633 02:19:34,900 --> 02:19:37,340 INGYOO's chorus part is in their pre-chorus part. 3634 02:19:39,780 --> 02:19:41,380 Why are the dancers in such great shape? 3635 02:19:43,450 --> 02:19:44,550 He's tall. 3636 02:19:44,850 --> 02:19:45,920 Goodness. 3637 02:19:53,090 --> 02:19:54,119 (You can watch Renan's full video on "The CHOOM" and "Mnet Plus.") 3638 02:19:54,120 --> 02:19:55,129 (You can watch Simeez's full video on "The CHOOM" and "Mnet Plus.") 3639 02:19:55,130 --> 02:19:56,130 It was very disappointing. 3640 02:19:56,131 --> 02:19:58,290 The tension you mentioned from the concept... 3641 02:19:58,430 --> 02:20:01,659 couldn't be felt. 3642 02:20:01,660 --> 02:20:03,169 When I watched the video... 3643 02:20:03,170 --> 02:20:05,169 She should either dance to match the keyword... 3644 02:20:05,170 --> 02:20:07,000 or have a matching structure. 3645 02:20:07,070 --> 02:20:08,639 But I couldn't see that. 3646 02:20:08,640 --> 02:20:11,339 Maybe it's because the setting was just a practice room, 3647 02:20:11,340 --> 02:20:13,109 so it was hard to imagine what kind of setup we could use. 3648 02:20:13,110 --> 02:20:15,610 I think that's why they thought like that. 3649 02:20:15,950 --> 02:20:17,010 Also... 3650 02:20:19,450 --> 02:20:21,949 I think even if you pick five female directors, 3651 02:20:21,950 --> 02:20:24,750 each of them can have a very distinct character. 3652 02:20:24,950 --> 02:20:26,460 I don't think... 3653 02:20:26,860 --> 02:20:30,429 having them twerk is a good idea. 3654 02:20:30,430 --> 02:20:33,500 It wouldn't be right for Hash to twerk. 3655 02:20:33,630 --> 02:20:35,430 I can twerk if told to. 3656 02:20:35,470 --> 02:20:37,569 (Hash doing this?) 3657 02:20:37,570 --> 02:20:39,069 Twerk with my butt. 3658 02:20:39,070 --> 02:20:40,500 (Like this) 3659 02:20:40,670 --> 02:20:42,139 I can do it if told to. 3660 02:20:42,140 --> 02:20:44,809 But this video... 3661 02:20:44,810 --> 02:20:46,939 will be continuously played as the title sequence. 3662 02:20:46,940 --> 02:20:48,509 With that in mind... 3663 02:20:48,510 --> 02:20:51,709 Would it be okay to have the five women... 3664 02:20:51,710 --> 02:20:53,220 appear like that in the title? 3665 02:20:53,250 --> 02:20:56,819 I thought showing a new side... 3666 02:20:56,820 --> 02:20:59,560 A new challenge. That's nice, but it's not convincing. 3667 02:20:59,790 --> 02:21:03,190 They're not directors who rely on sexual appeal. 3668 02:21:03,290 --> 02:21:06,559 I don't think she made the most of the choreographer's roles. 3669 02:21:06,560 --> 02:21:08,429 It worked because they were foreign dancers. 3670 02:21:08,430 --> 02:21:10,370 She completely failed with the dancer casting. 3671 02:21:10,570 --> 02:21:12,740 She says it's a Title Sequence Film Mission... 3672 02:21:12,970 --> 02:21:16,110 It felt more like Renan's choreography video. 3673 02:21:16,740 --> 02:21:19,479 Finally. 3674 02:21:19,480 --> 02:21:20,680 I'm Director Back Koo Young. 3675 02:21:21,380 --> 02:21:22,949 (It's here.) 3676 02:21:22,950 --> 02:21:24,649 Koo Young up, Koo Young up. 3677 02:21:24,650 --> 02:21:25,849 I'm most curious to see his. 3678 02:21:25,850 --> 02:21:27,720 He's someone with experience. 3679 02:21:28,020 --> 02:21:29,850 I had a feeling he'd do well. 3680 02:21:29,990 --> 02:21:31,249 He's the person that makes me most concerned. 3681 02:21:31,250 --> 02:21:33,220 I'm curious to see how he'll approach it. 3682 02:21:33,320 --> 02:21:35,229 The title sequence film I planned... 3683 02:21:35,230 --> 02:21:37,859 is fast-paced, 3684 02:21:37,860 --> 02:21:40,099 designed to leave a subconscious impression... 3685 02:21:40,100 --> 02:21:41,829 of each of the ten directors. 3686 02:21:41,830 --> 02:21:42,869 What? 3687 02:21:42,870 --> 02:21:44,069 There's no concept. 3688 02:21:44,070 --> 02:21:45,239 Rather than something viewers simply watch and consume, 3689 02:21:45,240 --> 02:21:46,970 like the Leader Class Mission, 3690 02:21:47,240 --> 02:21:49,710 Since it's a film that introduces the start of the show, 3691 02:21:49,810 --> 02:21:53,280 I made the show itself the main theme. 3692 02:21:53,410 --> 02:21:55,349 So these are the things I've been missing. 3693 02:21:55,350 --> 02:21:57,849 I don't think the concept matters so much. 3694 02:21:57,850 --> 02:21:59,619 This film will represent... 3695 02:21:59,620 --> 02:22:01,449 this show and the ten directors. 3696 02:22:01,450 --> 02:22:03,689 But everyone really committed to the concept, 3697 02:22:03,690 --> 02:22:04,789 and I was confused. 3698 02:22:04,790 --> 02:22:07,259 My concept is to use my work... 3699 02:22:07,260 --> 02:22:09,290 to show who we are. 3700 02:22:09,560 --> 02:22:11,359 I think I'll need to really emphasize... 3701 02:22:11,360 --> 02:22:13,029 that all ten directors are important. 3702 02:22:13,030 --> 02:22:15,269 I wanted to capture all ten characters... 3703 02:22:15,270 --> 02:22:17,930 in just one minute. 3704 02:22:18,230 --> 02:22:20,470 So I thought it through. 3705 02:22:20,640 --> 02:22:21,699 What's that? 3706 02:22:21,700 --> 02:22:22,839 (That's amazing.) 3707 02:22:22,840 --> 02:22:24,039 I was shocked. 3708 02:22:24,040 --> 02:22:26,310 I thought it was really smart... 3709 02:22:26,580 --> 02:22:30,649 how he interpreted who these people are... 3710 02:22:30,650 --> 02:22:31,750 and what suits them. 3711 02:22:31,950 --> 02:22:34,649 I think that one minute is a failure... 3712 02:22:34,650 --> 02:22:36,720 if it doesn't show all of the cast's charms. 3713 02:22:36,750 --> 02:22:39,059 It's easy, simple, 3714 02:22:39,060 --> 02:22:40,860 and really stands out. I'm confident. 3715 02:22:41,060 --> 02:22:42,060 Let's go! 3716 02:22:42,061 --> 02:22:43,236 (Selecting the lowest-ranked sequence) 3717 02:22:43,260 --> 02:22:44,260 (Goodness) 3718 02:22:44,260 --> 02:22:45,260 (It was shocking.) 3719 02:22:45,630 --> 02:22:47,299 (Eliminate the worst performer?) 3720 02:22:47,300 --> 02:22:49,069 (It would be the worst feeling to get two votes.) 3721 02:22:49,070 --> 02:22:50,070 (From the evaluation...) 3722 02:22:50,071 --> 02:22:51,799 (Who will be the director that gets eliminated?) 3723 02:22:51,800 --> 02:22:54,269 (It's a title sequence where we appear.) 3724 02:22:54,270 --> 02:22:55,639 (I don't want it to be predictable.) 3725 02:22:55,640 --> 02:22:56,940 (I don't remember BABYZOO's.) 3726 02:22:57,170 --> 02:22:58,309 (That's a problem too.) 3727 02:22:58,310 --> 02:22:59,779 (I don't think I'll be able to shine...) 3728 02:22:59,780 --> 02:23:01,209 (in INGYOO's video.) 3729 02:23:01,210 --> 02:23:02,879 (As for the chorus part, ) 3730 02:23:02,880 --> 02:23:04,726 (it would be a shame not to use my choreography.) 3731 02:23:04,750 --> 02:23:06,519 (I think I'll be able to make a much better one.) 3732 02:23:06,520 --> 02:23:09,519 (It's not a hooking choreography you'd want to see every episode.) 3733 02:23:09,520 --> 02:23:12,360 (I honestly don't know why that would be a bad thing.) 3734 02:23:13,060 --> 02:23:14,319 (They moved to it first.) 3735 02:23:14,320 --> 02:23:16,029 (I think I felt anxious.) 3736 02:23:16,030 --> 02:23:17,589 (I also have some trauma...) 3737 02:23:17,590 --> 02:23:18,900 (from self-evaluations.) 3738 02:23:19,060 --> 02:23:20,999 (I've never been picked...) 3739 02:23:21,000 --> 02:23:23,570 (in the choreographer's vote.) 3740 02:23:23,900 --> 02:23:26,340 (Will I end up losing again?) 3741 02:23:26,570 --> 02:23:29,270 (What's the worst sequence according to JEONG MIN JUN?) 3742 02:23:29,510 --> 02:23:31,669 (I should have said less earlier.) 3743 02:23:31,670 --> 02:23:33,379 (The choreographer I think...) 3744 02:23:33,380 --> 02:23:35,586 (I would exclude from the director candidate list is...) 3745 02:23:35,610 --> 02:23:36,979 (Kasper.) 3746 02:23:36,980 --> 02:23:38,579 (Really?) 3747 02:23:38,580 --> 02:23:40,779 (It was more suited for a dance video.) 3748 02:23:40,780 --> 02:23:42,919 (I didn't want to make...) 3749 02:23:42,920 --> 02:23:44,149 (a dance video I usually see.) 3750 02:23:44,150 --> 02:23:45,319 (That was ridiculous.) 3751 02:23:45,320 --> 02:23:46,859 (This is a cruel place.) 3752 02:23:46,860 --> 02:23:50,359 (The person I would exclude from the director candidate list...) 3753 02:23:50,360 --> 02:23:53,399 (I think he might pick me.) 3754 02:23:53,400 --> 02:23:55,529 (I thought the others would exclude MIN JUN...) 3755 02:23:55,530 --> 02:23:56,899 (even if I didn't.) 3756 02:23:56,900 --> 02:24:00,739 (The person I would exclude from the director candidate list...) 3757 02:24:00,740 --> 02:24:02,169 (It's really important from now on.) 3758 02:24:02,170 --> 02:24:05,070 (I think the key is how well I plan my strategy.) 3759 02:24:05,410 --> 02:24:07,356 (I could eliminate the person I'm concerned about.) 3760 02:24:07,380 --> 02:24:08,579 (Koo Young?) 3761 02:24:08,580 --> 02:24:09,649 (INGYOO?) 3762 02:24:09,650 --> 02:24:12,079 (Or I could eliminate someone I'm not close to.) 3763 02:24:12,080 --> 02:24:13,080 (What strategy will Simeez go with?) 3764 02:24:13,081 --> 02:24:14,650 (is BADA.) 3765 02:24:14,880 --> 02:24:16,249 (What? Why?) 3766 02:24:16,250 --> 02:24:17,549 (What? Why?) 3767 02:24:17,550 --> 02:24:18,550 (This makes things fun.) 3768 02:24:18,960 --> 02:24:20,920 (I could also eliminate people who did well.) 3769 02:24:22,030 --> 02:24:23,289 (Simeez chose to eliminate the person to keep in check.) 3770 02:24:23,290 --> 02:24:24,290 (This makes no sense.) 3771 02:24:24,291 --> 02:24:25,429 (I could do that.) 3772 02:24:25,430 --> 02:24:26,459 (That's the strategy.) 3773 02:24:26,460 --> 02:24:27,699 (The final director who comes out on top...) 3774 02:24:27,700 --> 02:24:29,369 (has the power to send someone...) 3775 02:24:29,370 --> 02:24:30,529 (straight to the Last Stage.) 3776 02:24:30,530 --> 02:24:31,699 (One of us...) 3777 02:24:31,700 --> 02:24:33,039 (will climb to the throne...) 3778 02:24:33,040 --> 02:24:35,299 (and make the rest of us work like servants.) 3779 02:24:35,300 --> 02:24:36,309 (Look at that.) 3780 02:24:36,310 --> 02:24:37,540 (What a mess.) 3781 02:24:37,940 --> 02:24:39,080 (I should do even better.) 3782 02:24:39,410 --> 02:24:40,609 (The filming location of the title sequence film of incredible scale) 3783 02:24:40,610 --> 02:24:42,880 (She had a very strong presence.) 3784 02:24:44,080 --> 02:24:45,080 (It's finally starting.) 3785 02:24:46,150 --> 02:24:47,779 (When it comes to impact, ) 3786 02:24:47,780 --> 02:24:49,689 (BADA has a lot to offer.) 3787 02:24:49,690 --> 02:24:52,119 (She definitely has a strong presence.) 3788 02:24:52,120 --> 02:24:54,360 (There was a part I liked.) 3789 02:24:54,720 --> 02:24:56,860 (Kasper, Renan, and BABYZOO in the middle of filming) 3790 02:24:58,830 --> 02:24:59,830 (Your timing is too fast.) 3791 02:24:59,831 --> 02:25:03,399 (Even when we shot that scene, Renan's timing kept being off, ) 3792 02:25:03,400 --> 02:25:04,770 (so we had to do several takes.) 3793 02:25:05,270 --> 02:25:07,639 (I think the choreography is going off-beat right now.) 3794 02:25:07,640 --> 02:25:09,569 (She's going off-beat?) 3795 02:25:09,570 --> 02:25:11,069 (Getting nervous) 3796 02:25:11,070 --> 02:25:12,709 (Being off beat is a serious problem for a dancer.) 3797 02:25:12,710 --> 02:25:15,409 (That's why we had to do so many takes.) 3798 02:25:15,410 --> 02:25:16,679 (Watching this, ) 3799 02:25:16,680 --> 02:25:19,349 (I feel like I'm looking at myself in a mirror.) 3800 02:25:19,350 --> 02:25:21,519 (So this was why...) 3801 02:25:21,520 --> 02:25:23,689 (I was chosen as the worst dancer before.) 3802 02:25:23,690 --> 02:25:25,249 (We're talking leadership.) 3803 02:25:25,250 --> 02:25:29,690 (We're not evaluating students.) 3804 02:25:30,060 --> 02:25:31,589 (Your screen presence has so much to do...) 3805 02:25:31,590 --> 02:25:33,136 (with the way that you do the choreography.) 3806 02:25:33,160 --> 02:25:34,200 (Now, it's time...) 3807 02:25:34,560 --> 02:25:35,729 (to announce the final results...) 3808 02:25:35,730 --> 02:25:36,929 (that decides which choreographers...) 3809 02:25:36,930 --> 02:25:38,999 (will move on to the Last Stage.) 3810 02:25:39,000 --> 02:25:42,910 (I had a feeling I wouldn't make it...) 3811 02:25:43,170 --> 02:25:44,309 (But I think I will.) 3812 02:25:44,310 --> 02:25:45,370 (Glancing) 3813 02:25:45,580 --> 02:25:48,409 (One of them is on the right side.) 3814 02:25:48,410 --> 02:25:49,410 (That's so obvious, right?) 3815 02:25:49,411 --> 02:25:53,079 (The choreographer I think will make it to the Last Stage...) 3816 02:25:53,080 --> 02:25:55,079 (Renan) 3817 02:25:55,080 --> 02:25:56,090 (Kasper) 3818 02:25:56,220 --> 02:25:57,996 (Who will be the first worst choreographer...) 3819 02:25:58,020 --> 02:26:00,060 (to head to the Last Stage?) 3820 02:26:04,530 --> 02:26:06,330 (Last Stage: 24H The 3 choreographers: Renan) 3821 02:26:06,800 --> 02:26:08,970 (I'll hate that person forever.)